Sunjeev Sahota - The Year of the Runaways

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The Year of the Runaways tells of the bold dreams and daily struggles of an unlikely family thrown together by circumstance. Thirteen young men live in a house in Sheffield, each in flight from India and in desperate search of a new life. Tarlochan, a former rickshaw driver, will say nothing about his past in Bihar; and Avtar has a secret that binds him to protect the choatic Randeep. Randeep, in turn, has a visa-wife in a flat on the other side of town: a clever, devout woman whose cupboards are full of her husband's clothes, in case the immigration men surprise her with a call.
Sweeping between India and England, and between childhood and the present day, Sunjeev Sahota's generous, unforgettable novel is — as with Rohinton Mistry's A Fine Balance — a story of dignity in the face of adversity and the ultimate triumph of the human spirit.

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The chicken clock on the door said ten past eleven and Marat untied the apron from behind his back and lifted it over his head. He said something to the others and indicated that Tochi come with him, flicking the lights off on his way out. They turned down a side street where Marat pointed to a long window bordered with red conch shapes. The glass in the front door had the same pattern.

‘Bangladeshi,’ Marat said.

Tochi followed him round to a small yard where a shallow sports car was parked. A tall man with a shaved head and a gold bracelet leaned on the bonnet, chatting into his mobile. He saw them waiting, yet made no move to end his call. Eventually, he and Marat exchanged some words and the tall man looked over.

‘Where you from?’

‘Bihar.’

‘How’d you get here?’

‘Truck.’

‘Can you wash dishes?’

‘If there’s water I can.’

The tall man nodded at Marat, who looked relieved as he left.

‘How old are you?’ the man asked.

‘Twenty-six.’

‘Course you are.’

He said his name was Sukhjit and he took Tochi back through the restaurant and to the kitchen at the rear. The floor was tacky against his feet.

‘Start with the dishes and work your way round.’

‘Where do I sleep?’

‘On the floor. Tomorrow, I’ll bring a mattress. And then you better move in with Sheera.’

He put down his bags and got to it. Work on day one. This was good. Maybe it was true what they said about England. That this was where you could make something. He was on to his third stack of dirty plates when he sensed someone watching him. He looked over his shoulder. It was a waiter, his head curled around the doorframe as if sneaking a look.

‘I’m Munna. What’s your name?’

‘Tarlochan.’

‘Tarlochan Singh Sandhu?’

‘No.’

‘I’m Munna Singh Sandhu. But Munna’s not my real name. It’s my baby name. Are you a friend of Sheera Uncle?’

Tochi said nothing.

‘He’s not very nice.’

Slow, backward, he looked about seventeen. A two-note car horn sounded, the second note more belligerent than the first, and then the boy disappeared and Tochi heard the front door opening, closing, locking.

When he woke he had to peel his cheek off the damp steel flank of the cooking range. It was still dark — there were no windows in the kitchen — and he didn’t know what the time was. If he listened, he could hear the noise of passing traffic. He couldn’t hear any movement from the restaurant, though. Perhaps they were asleep, the other workers. Gently, he opened the kitchen door and blinked in the sudden bright. A giant wing of pale, wintry sun rested across the room, over the dark wood tables and the chairs turned upside-down on them. There was a counter to Tochi’s right, with a cash register at the far end, and behind the counter were glasses and bottles and fridges. Through the window, he tried to work out the shops on the other side of the road. Fruit, one of them. Mobile phones another. Then the sari place. And next to that a shop where men stared up at a TV screen, watching horses race. He heard a noise, a wailing like the ambulances in Patna. Cars slowed and set themselves aside as two police vans came flying down. Tochi flattened himself against the wall until the wailing retreated, then returned quickly to the kitchen and closed the door behind him.

Hours later, he heard the restaurant door unlocking and the muffled creak of feet on carpet. He stood up and waited to be discovered. It took a few minutes — there was first the clinking of glasses, then the complicated beeps of the cash register. When the man came through the kitchen door he paused mid-sip and stared at Tochi over the rim of his glass. His eyes were red and small. He finished necking the drink — whisky — and went round the kitchen switching things on: the tandoor, the oven, something under the sink that made nasty crunching sounds. The crown of his head was so bald it shone, but the hair around the sides was long and landed in greasy curls about his collar. He went back out into the restaurant and next Tochi heard a sustained hungry growl. He opened the door and saw the whisky man pushing around the room some sort of cleaning machine.

The backward boy — Munna — arrived at the exact moment the oven timer rang out four o’clock. ‘I’m on time again, Sherry,’ he said. ‘That’s three times this week.’

Behind the bar, the whisky man was pouring himself another peg. He’d changed into his chef’s whites. ‘Call me that again and I’ll rip your tongue out.’

Tochi went out into the yard. It was already dark. He rested against the wall and slid down to a crouch, T-shirt riding up to his shoulder blades. He put his head in his hands and it took a few moments to recall the name of this place he was now in. He just had to work, he told himself. Keep working, keep earning, and he’d get there, wherever there was. When he came back through to the kitchen, onions were being violently chopped, mustard seeds popping. In the restaurant, tables were dressed in burgundy polyester, a steel boat of ketchup marooned in the centre. Munna waited by the door ready to greet the guests. Sukhjit was here too, and with him a kid whose narrow sideburns, amazingly, met in the cleft of his chin. Like Munna, he was buttoned up in white satin shirt and black trousers.

‘This is him,’ the boss said.

The kid approached, all swagger, holding out his fist. Tochi did nothing and the kid grinned and reached for Tochi’s hand and closed it into a fist and touched his own with it. ‘Like that, see?’

‘My nephew: Chikna,’ Sukhjit explained.

‘Chico,’ the boy said. ‘It’s Chico.’

‘Actually, it’s Charandeep Singh.’

The boy frowned. ‘Thanks, chacha.’ Then, to Tochi: ‘So you a fauji or a scooter?’

The door opened and a couple in matching leopard scarves blew in. Munna beamed and took their coats and said that, yes, winter was definitely on the way, and Tochi went back into the kitchen, where several steel vats were already humped into the sink.

He got into routine. First he scraped off the leftover chicken or curry or mint sauce or rice into the bin he’d wheeled in from the yard. Then he rinsed the dishes in a tub placed to the left of the sink, before plunging them into the sudsy water and scouring until he heard squeaks. Lastly, he passed them through a second tub on his right, in water made faintly green by a thimbleful of disinfectant Munna had shown him how to use. His fingers shrivelled and the plate of skin between his shoulder blades ached. It was two o’clock when he heard the last of the diners waved off, and the waiters took a bowl of chicken curry from the chef and started back for the restaurant, calling for Tochi to come and join them.

They ate with their fingers, moulding the rice and chicken into little balls. The chef came through with his own thali and sat alone by the long window.

Charandeep spoke. ‘Chacha says you’re from Bihar, yeah? Blitzed it over truck-style?’ He had to repeat himself, in Panjabi.

Tochi nodded, not looking up from his bowl.

‘Proper outlaw,’ Charandeep said, approvingly.

‘Are you here for a holiday?’ Munna asked.

Charandeep smiled. ‘Kids, eh?’ He went on: ‘Same as Chef. Trucked it over time ago. Sixties, maybe.’ He leaned in. ‘Sent him a bit doolally, though. What’s your tonic, alcoholic? Know what I mean?’

A car with a fierce exhaust parked up. ‘Uncle’s back,’ Munna said.

Sukhjit swung through from the kitchen, rubbing his hands warm. ‘Too cold for love out there. How’s things? Sherry?’

‘I have to call him Ardashir or he’ll rip my tongue out,’ Munna said.

‘As long as it’s out of hours,’ Sukhjit said, singing open the cash register.

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