David Gates - Preston Falls

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Preston Falls: краткое содержание, описание и аннотация

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A finalist for the Pulitzer Prize, Jernigan introduced David Gates as a novelist of the highest order. "Full of dark truths and biting humor," wrote Frederick Exley, "a brilliant novel [that] will be read for a long time."
After that blackly comic handbook of self-destruction-whose antihero shoulders up to such crucial American figures as Bellow's Herzog, Updike's Harry Angstrom, Heller's Bob Slocum, Percy's Binx Bolling and Irving's Garp-Gates's new novel investigates the essential truths of a marriage à la mode. Doug and Jean Willis fit the newly classic, recognizable and seemingly normal variety: struggling against a riptide of the daily commute, the mortgages, the latchkey child-rearing and the country house, as well as the hopes and desires from which all of this grew.
In accordance with their long-standing agreement, Doug embarks from their Westchester home on a leave of absence from the PR job that had ineluctably become his life, while Jean contends with both her own job and their two children. Over a two-month period he'll spruce up the family's alternative universe up north in rural Preston Falls; she'll deal with her end of the bargain, and her worries about the survival of the family. But then domesticity hits the brick wall of private longings and nightmarish twists of fate.
A surprising, comic, horrifying and always engrossing novel, charged with the responsibilities of middle age and with the abiding power of love, however disappointed-told with great artistry, pitch-perfect understanding and fierce compassion.
"A novel that's the funniest, sharpest, most strangely exciting book about men and women in a long time."
— Tom Prince, Maxim

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He wakes up on the hilltop, with the sun going down. The fuck time is it? He's got to be at Calvin's when? Shit, probably right now. He works himself free of the comforter, gets to his feet and snatches the son of a bitch off the ground — and of course his book falls out into the wet grass because that's what he fucking deserves.

Back at the house, he loads the Twin and the Telecaster. Okay, so what else does he need to bring? Jacket in case it gets chilly. It's already chilly. Ten of six: shit. Well, not so bad. Wallet? Keys?

He comes jouncing into Calvin's dooryard and cuts the engine. There's the truck, still heaped high with firewood. A light's on in the trailer; Willis gets out of his truck, smells woodsmoke and looks up at the ragged space of pink-orange sky hemmed by black trees.

Calvin opens the door and sticks his head out. Willis can see his bare shoulder. Calvin looks like shit: raccoon eyes, and he must not have shaved since Willis saw him last. "Yah, okay," he says. "Get a shirt on here be right with you." He shuts the door, and Willis boosts himself up to sit on the fender. He hears a pack of dogs yapping somewhere, off in the direction of Wakefield. The yapping gets louder, now coming out of the sky. Geese going south. He keeps looking up, but the trees block his view, and the yapping gets fainter and fainter, moving away toward Preston Falls. Then Calvin comes out..

"You hear that string of geese just go over?" Willis says.

"I can't hear shit no more. Account of the fuckin' chainsaw."

"Those ear things help any?" Willis cups hands over ears to show he means those things that look like headphones.

"Nah, bunch of fuckin' OSHA bullshit. Top of that, I got that fuckin' thing where you can't feel nothin' in your hands?" He massages a wrist with thumb and middle finger. "Same fuckin' thing them computer son of a bitches get."

I 5 9

"Carpal tunnel," says Willis.

"Whatever the fuck. Here, let me see this cocksucker." He climbs onto Willis's truck and hunkers down to peer at the amplifier, palms on knees, elbows out. "Yah, okay. Let's take it in where we can see what the fuck we're doin' here."

"What do you mean?" says Willis.

"Got to put the shit in this here."

"You sure? You can see right in the back."

"Nah, up inside here." Calvin taps the top of the Twin with his index finger.

"What, you're taking the guts out of it?"

"Yah, that's the idea." He stands up, lets down the tailgate and lugs the Twin to the edge.

"But this is what I play through," Willis says.

"Not tonight I guess you ain't." Calvin jumps down, pulls the amp down off the tailgate and starts for the trailer.

"Shit, there's got to be some other place you can put it," says Willis, tagging behind.

"It ain't my idea," says Calvin. "Talk to Reed about it." He opens the door. "You comin' in or stayin' out?"

It's hot inside the trailer; Willis takes his jacket off and sits down on the car seat. He watches Calvin Hft the Twin onto his workbench and pick up a PhiUips-head screwdriver. "You know how to take these things apart?"

"Guess I'll figure it out."

"This is a vintage amplifier," says Willis, hating the tone he's taking. "It's worth money."

"Yah, couple minutes here be worth a whole lot more, tell you that."

"You mind if I don't watch?" Ooh, Willis, you bitch.

"Suit yourself," says Calvin.

Willis pages through a copy of Car and Driver. They've got a test report on the Mitsubishi Galant, which makes him think of a Renaissance dance. A venereal disease. Courante, galliard, gallantry, glans, gleet. How can this be happening to someone so well read?

"All right, stay here," Calvin Castleman says. Willis looks up. The operation's over, apparently: on the workbench next to the Twin sits a long aluminum box with tubes sticking up out of it, like a city of the future.

"You should get a dog," says Willis.

PRESTON FALLS

"Why's that?"

"I don't know." What's he trying to do? Goad Calvin into beating the shit out of him? "Guard your place."

"Yah, I thought about it," says Calvin, and out he goes.

Willis listens for a minute, then creeps over to the window, kneels and gently, gently, with his index finger, moves the corner of the curtain aside an inch to peer out. It's like he almost wants to see Calvin's eye right there on the other side of the glass glaring back at him. But Calvin has climbed up onto his truck and he's kneeling among the split chunks of firewood, tossing logs to the side, digging down for something.

When he comes back in, carrying a black nylon gym bag, Willis is on the seat again, with Car and Driver in his lap.

Calvin sets the bag on his workbench, unzips it and looks inside. "I hate like hell to see anybody get started on this shit." He zips the bag shut. "Any son of a bitch ever give this shit to my boy, they have to fuckin' deal with me.''

"You've got a son}'' Willis never suspected Calvin of having had human entanglements.

Calvin shrugs. "Lives with his mother." He lays the gym bag inside the shell of the Twin, then takes it out again. "Now, how the fuck am I supposed to do this?"

"How old is he?" Willis says.

"Be fourteen." Calvin picks up a roll of duct tape and tears off a foot-long piece.

"My daughter's twelve," says Willis. "So he lives where?" Whieh sounds like he's asking because he dreads the one-in-a-zillion chance.

"California." Calvin crams the gym bag up inside the Twin and secures it with the piece of tape. "Canoga Park."

"Long way," says Willis.

"Yah, about as far away's the bitch could get him," Calvin says. "Okay, that'll work." He tears off another piece of tape.

"He like it out there?" says Willis.

Calvin looks down at Willis. "How the fuck do I know?"

Willis carries the gutted Twin out to the truck and lifts it into the back; it weighs nothing now. "Remember, you want to go careful," Calvin says. "You ain't got to rush. But you don't want to go twenty miles an hour neither. Your headlights both working?"

"Far as I know," says Willis.

"Get in turn 'em on." Willis climbs in behind the wheel as Calvin

walks around to the front of the truck. "That's good. Your brights?" Willis stomps the foot switch. "Yah, okay. Let's see your turn signals." Calvin walks around behind the truck. "Okay, signals again? Yah. Other one? Now tap your brakes." He comes around to the driver's-side door. "Okay. Now, you come back here what time? You don't want to leave early. You want to wait till the place is clearing out, lot of other cars and shit. Two, two-thirty? So I won't look for you till three, maybe. The earliest. Just be sure you come straight here. Before you go home. You don't stop noplace for coffee, nothin'. You got enough gas you don't have to stop?"

"Three quarters of a tank?" says Willis.

Calvin nods. "And listen, you count how much he gives you, understand? Don't let him tell you you don't need to. Supposed to be five thousand. He don't let you count it, just leave it lay. Tell him you need to see me. Don't argue with him, nothin'. You just come back here. That way there you ain't in the middle of it. You understand? But hell, that ain't gonna happen, probably."

"Wait. Come back with the stuff?"

"No — shit, he ain't going to let you do that.''

"Well, then what stops him from saying he never got it?" This is suddenly sounding worse and worse.

"Nah, see, he's got people waitin' on him, I know who the fuck they are. So he can't dick me around."

"Christ."

"Quit worrying," says Calvin. "It ain't gonna happen. See, last thing he wants is me to fuckin' show up there. Or him have to come here. Because they're watchin' me and him — he heard this from a guy that's a sheriff. And you're too fuckin' scared to get greedy."

"Tell me about it," says Willis.

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