David Gates - Preston Falls

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Preston Falls: краткое содержание, описание и аннотация

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A finalist for the Pulitzer Prize, Jernigan introduced David Gates as a novelist of the highest order. "Full of dark truths and biting humor," wrote Frederick Exley, "a brilliant novel [that] will be read for a long time."
After that blackly comic handbook of self-destruction-whose antihero shoulders up to such crucial American figures as Bellow's Herzog, Updike's Harry Angstrom, Heller's Bob Slocum, Percy's Binx Bolling and Irving's Garp-Gates's new novel investigates the essential truths of a marriage à la mode. Doug and Jean Willis fit the newly classic, recognizable and seemingly normal variety: struggling against a riptide of the daily commute, the mortgages, the latchkey child-rearing and the country house, as well as the hopes and desires from which all of this grew.
In accordance with their long-standing agreement, Doug embarks from their Westchester home on a leave of absence from the PR job that had ineluctably become his life, while Jean contends with both her own job and their two children. Over a two-month period he'll spruce up the family's alternative universe up north in rural Preston Falls; she'll deal with her end of the bargain, and her worries about the survival of the family. But then domesticity hits the brick wall of private longings and nightmarish twists of fate.
A surprising, comic, horrifying and always engrossing novel, charged with the responsibilities of middle age and with the abiding power of love, however disappointed-told with great artistry, pitch-perfect understanding and fierce compassion.
"A novel that's the funniest, sharpest, most strangely exciting book about men and women in a long time."
— Tom Prince, Maxim

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He passes grills and picnic tables, fat laughing fathers in baseball caps and dumpy teenage girls groping empty air for badly thrown Frisbees. A spastic in a motorized wheelchair, putting Willis to shame. SmeUs of woodsmoke, pine trees, hot dogs roasting. A radio somewhere (which shouldn't be allowed) playing "Jimmy Mack" by Martha and the Vandellas. A "mack," we now know, is a pimp. In the maple trees, more hints of cautionary red. Bathers crowding the sand: a scrawny old bozo with a white goatee, a teenage thug with shaved head and iridescent sunglasses, a mom with a wide ass and oatmeal thighs holding her little girl by the hand — and there's Jean, her back to him, toweling herself off, wet hair hanging. She's looking out at the glinting water, and he sees how the insides of her thighs do that nice thing at the top where they bulge out a little and then go back in. Still so slender after two children. His children. There's something wrong with him.

Now, what the fuck is that — a lucid moment?

He calls her name. Willis hates yoohooing, but to sneak up close and

then suddenly start talking normally will scare the shit out of her, which'll piss her off good. Not that she won't be pissed anyway. After he yells it out enough times for the whole fucking beach to know Jee-yeen's husband is here, she turns around. He could swear he sees a flicker of glad smile before she remembers what the deal is.

"What are you doing here?" she says. Then she clamps a hand to her mouth. "Oh my God." She takes the hand away. "Did something happen?"

"No. No-no-no, nothing. I just sort of had a change of heart."

"Oh," she says. "Well, good for you. I guess." She drapes the towel around her shoulders.

"I missed you guys." Not precisely true, but it would be insulting on feminist grounds to say he suddenly got afraid for them. Or maybe it is true, and he's such a head case that his missing them can only take the form of imagining them buggered and murdered. Just a boy and his mind.

"You missed us," she says, "so you followed us here. And what's your plan now?"

"Well, I guess I'd hoped to stay and camp out with you guys." A little hat-in-hand shit seems called for just here. "I sort of thought we should try to leave things on a better note, you know? Where are the kids?"

"Over there," she says, not pointing. "What about the dog? You just left him at the house? "

"Of course not," he says. "He's out in the truck — in fact, I should get back to him. I just wanted to let you know I was here."

"And what did you plan to sleep in? Did you bring blankets for yourself?"

"Shit," he says. "I knew there was something."

Silence.

"Well," she says. "I suppose you could use this." She nods toward the old blanket spread out on the sand. "Did you remember to bring any food for the dog?" Translation: My darling, I'm so glad you've come. Though he guesses he should admire her for not snapping to it. They've done reconciliation-and-relapse.

Mel comes stalking over, in what he could swear is a different bathing suit from the one this morning. Right, because wasn't she sunning with the top off? This is a metallic-blue one-piece with a gold boomerang. So he is not a totally head-up-his-ass father.

PRESTON FALLS

"Mother, I told Roger, and he still won't come. Hi, Daddy. I knew you'd be here."

"You didT' he says. "That's more than / knew."

She shrugs. This is her more-mystic-than-thou mode.

"Til go deal," Jean says to Mel. "I want you to get dried off and changed, okay?" Mel picks up a towel and starts scrubbing it at her hair; Willis notices what might be the beginnings of breasts trembling in rhythm. He looks away, and sees a man in gray uniform and Smokey hat heading their way through the bathing suits. Gun in a holster.

"Jesus, he got here in a hurry," he says. "Good, I'm glad."

"Who?" Jean turns around, sees the cop, looks at Willis. "What's this about?"

"Actually nothing, really," he says. "Guy at the gate was being an asshole. I guess he's here to adjudicate."

"Would you watch your language, please?" Jean says, and looks at Mel, who's making a turban of her towel.

"Right," says Willis. "She's never heard the word adjudicate before."

Melanie blushes down to her collarbone.

Jean says, "Sometimes your humor—"

"Excuse me, folks," says the cop. Sheriff, deputy, whatever he is. Marine-looking guy about Willis's age, one of your not-an-ounce-of-fat-on-him cops. "Are you the gentleman owns the dog?"

"Yep," says Willis. "I sure am." He says to Jean, "I better get going. You guys want to meet me back at camp? Or I could drive us all up in a few minutes."

"Fm sorry, sir," the cop says. Embroidered patch on his sleeve says SHERIFFS DEPT: no apostrophe, no period. "Tve been requested to escort you out of the park."

Jean and Mel both look at Willis.

"Whoa, wait a minute. Let me explain what happened." He pauses before launching in.

"You can explain on the way to your vehicle, sir. Your family can join you outside the main gate. But you need to leave right now, sir." He comes a step closer to Willis and nods toward the path.

"This is unreal," says Willis. "You're kicking them out too? For what? They weren't even there.''

"What is going on, please?" Jean says.

"Em sorry, ma'am." The cop gives her a glance, then turns his eyes

back on Willis. "There was an altercation with a park personnel which led to abusive language being used by this gentleman."

''You're a smooth son of a bitch," says Willis.

The cop doesn't move, but he's clearly gone to a higher state of alert: his eyes move from side to side, in case this character has buddies. "It's necessary for him to leave the park immediately."

"Unbe/zei^able," says Willis. "I don't have the right to explain what the hell this so-called altercation was even about} I left my dog in the—"

"You heed to leave, sir." The cop moves half a step closer. "We don't want any trouble."

"Hey, this guy is definitely a pro," Willis says to Jean. "See how he keeps dialing it up? We're now into the veiled threats."

"Sweetheart," Jean says to Mel, "go in and change into your clothes right now, please?" When Mel bends to get her clothes from the blanket, the cop's eyes go to her, then quick back to Willis.

"As of right now, sir," says the cop, "you are not under arrest."

"Doug," Jean says. "Please don't push this."

God, and there's Roger, staring at the cop's gun. God knows how long he's been drinking in the scene.

"Look," Willis says to the cop. "She and the kids have nothing to do with this, okay? They're all set up at their campsite and everything. I mean, fine, if you're going to kick me out of here, you know, fine. But would you let them have their thing?"

"That would be up to them. You can talk it over outside the gate, sir. Now let's move it."

It strikes Willis that either he has to let himself be marched out of here in disgrace, which is the sensible thing, or he can cross over into who the fuck knows what. He looks around. Everybody on the beach is watching; balls and Frisbees have stopped sailing, and the sun is glinting absolute white off the blue water. In the silence that's fallen, a blue jay screams. Willis looks back at the cop, who's moved in close enough to put hands on him.

"Tell you one thing," Willis says. "I don't like your fucking tone."

Jean says, "Oh my God."

The cop nods. "I'm placing you under arrest, sir. Charge is disorderly conduct. You have the right to remain silent, right to be represented by an attorney, and anything be used in evidence against you. Now. You don't come along quietly at this point, it's going to be neces-

PRESTON FALLS

sary to place you in handcuffs. Which you'll also be charged with resisting arrest."

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