Russell Banks - Cloudsplitter

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A triumph of the imagination and a masterpiece of modern storytelling,
is narrated by the enigmatic Owen Brown, last surviving son of America's most famous and still controversial political terrorist and martyr, John Brown. Deeply researched, brilliantly plotted, and peopled with a cast of unforgettable characters both historical and wholly invented,
is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the reader feel in astonishing ways what it is like to be alive in that time.

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The dawn wind blew through the leaves overhead. Then I heard the train locomotive hissing and blowing steam below and turned my gaze back to the town. Slowly, the train pulled out of the station and entered the bridge. A minute later, it reappeared on the other, the near, bank of the river, where it bore away to the east, curling along the broadening valley of the Potomac, carrying to the nation the fearful and exciting intelligence of the Negro insurrection raised this October night by Old John Brown and his men at Harpers Ferry.

It was nearly full daylight, and the tall oaks stood around me like sentries. For a long while, as if I could not, I did not move. I was alone, as alone as I had ever been in my life. But strangely — all unexpectedly — free. As if, after a lifetime bound to my father’s fierce will and companionship by heavy steel manacles and chains, I had watched them come suddenly unlocked, and I had simply, almost casually, pitched them aside.

But were my actions from then on those of a free man? I cannot say. To be sure, I followed no impulses but my own. It sounds ridiculous now as I write it, but when Coppoc and Meriam had been gone awhile, I climbed the branches of the tallest oak tree up there on the cliff, climbed to the topmost branch that would safely support my weight, and, with my Sharps rifle in my lap, made for myself a sort of crow’s nest from which I could see clearly the streets and buildings of Harpers Ferry — from the rifle factory at the further, southern end of town, where Kagi, Leary, and Copeland were pinned down by local riflemen, to the Maryland side of the B & O bridge, where Oliver, Will Thompson, and Dangerfield Newby were posted. I could also see along the remaining length of the high ridge of Bolivar Heights, down to where the road from the Kennedy farmhouse emerged from the woods and crossed the canal to the tow path. And I could look directly into the armory yard itself, where Father and most of his raiders had positioned themselves behind the high, iron-rail walls and cut-stone pylons and inside the firehouse with the hostages.

All was still and silent down there, until, from my watchtower, I saw Father walk out of the firehouse with a man I did not recognize and appear to send him from the armory across the open square to the hotel. After a time, the man returned, carrying a large, open carton of what must have been food — breakfast for the hostages and the raiders both, I assumed. Again, all was calm for a while, until around midmorning, when movement and the sound of men and horses below me and to my right drew my attention away from the town. A large party of armed white civilians under the flag of the notorious Jefferson Guards was riding in from the west along the tow path.

At a point very close to the Maryland end of the B & O bridge, they spotted Oliver and Will Thompson and Dangerfield Newby, dismounted, and at once began firing at them. The three raiders took shelter behind the toll house and returned fire, but the fusillade from the militiamen drove them steadily backwards towards the bridge, where I saw Newby at the entrance suddenly fall down dead, slain by what appeared to be a long spike or a bolt shot from a smooth-bore musket that tore through him ear-to-ear at the throat. Dangerfield Newby — the mulatto slave-son of a Scotchman from Fairfax County, Virginia — was forty-four and the oldest, after Father, of the raiders. He had joined us early on, with the main intention of freeing his wife and children, who were slaves of a man in Warrenton, Virginia. A tall man of light color, well over six feet, and a splendid physical specimen, he was a melancholy man, a good man, and my friend. And now he lay dead — the first of the raiders to go down — while Oliver and Will Thompson fled to safety in the firehouse.

Soon after this, another detachment of armed civilians led by a man in uniform, a second militia force, I supposed, came riding into town from the southwest along Shendandoah Street, where they swiftly secured the Shenandoah bridge and took up positions behind the arsenal, thus commanding the town square and the front of the armory yard. Their position, combined with that of the Jefferson Guards at the B & O bridge, effectively shut off the only escape routes left to Father and his men. They also made it impossible for Barclay Coppoc and Frank Meriam or anyone else to slip in from the Maryland side and help rescue them. Except for Kagi and his men out at the rifle works, Father and his Provisional Army were now trapped with their hostages in the armory yard and firehouse.

In about an hour, a pair of men — one of whom I did not know and figured was a hostage, the other being Will Thompson, my brother-inlaw — emerged from the firehouse bearing a white flag, the signal to parley. There was by now an emboldened crowd of armed townspeople in the square and on the porch of the hotel and the platform of the railroad station, and when they saw the two men come forward from the firehouse, the crowd rushed them and seized and beat Will, dragging him into the hotel. The other man they made much of and slapped him on the shoulders and offered him pulls from their bottles, for many of them were by now freely drinking.

A few moments later, my brother Watson and the dark-browed Aaron Stevens and a third man, another hostage, I assumed, came out of the firehouse and walked into the cobbled square with a white flag. Suddenly, there was a barrage of gunfire from the crowd, and Watson fell, and Stevens fell, both bleeding from the face and torso. The hostage ran towards the crowd, but Watson pulled himself to his knees and dragged his gut-shot body back inside the armory grounds to the safety of the firehouse. Stevens lay writhing in pain, shot four or more times and unable to lift himself from the pavement, when, strange to see, one of the hostages came out of the firehouse, picked him up, and lugged him across the square and into the hotel. Shortly afterwards, the same man walked from the hotel and returned to the firehouse, a hostage again, but choosing it this time, which made me think that Father must be close to surrendering, if for no other reason than to get medical attention for Watson, who had looked to be seriously wounded.

More time passed, while the crowd at the hotel and railroad station and in the town square grew larger by the minute and more courageous and raucous with drink and rage, when I spotted a man climbing from the rear window of the firehouse into the armory yard. It was not a hostage escaping, I suddenly realized, it was young Willie Leeman, our wild and pretty boy from Maine, skittering across the yard away from the front gate to the rear. A slender lad, barely twenty years old, he slipped between the bars of the wall, dashed across the railroad tracks, and made for the Potomac. I was not surprised to see him abandon the others. He had come up the hard way — Poor Willie, we called him. Sent to work in a Haverhill shoe factory at fourteen, he had run off at seventeen to join Father’s volunteers in Kansas, where he had been difficult for us to control, a lonely, uneducated boy who liked his drink and when drunk shouted his principles to anyone who would listen.

Just as he reached the river, which ran fairly shallow there, and waded in, someone in the crowd spotted him, and a batch of men up on the railroad station platform commenced firing at him, while he swam frantically for the Maryland side. With bullets splashing all around, he managed to get no more than fifty feet from shore before he was hit. Unable to swim any further, he turned back and hauled himself onto a tiny mudflat and collapsed. Several men ran along the tracks and down to the shore, and one of them waded out to the islet where Willie lay bleeding, put his revolver to the boy’s head, and shot him dead. The man returned to his comrades and they raced back to the station platform and joined the crowd, making from there a target of Willie’s body, shooting into it over and over, as if it were a sack of wet grain.

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