David Wallace - Broom of the System

The little red-haired girl laughed loudly as the leg performed a particularly tricky dance step. The man in white loafers and the woman with veins turned from the field.

“Brenda!” the mother yelled. The little girl looked up from the leg at her mother. “Come away from there right this minute!” The mother bore down.

“Just a quick anatomy lesson, here, ma‘am,” said the Antichrist.

“Come away from there I said.” The little girl was lifted away by a wrist. The leg lay in the grass. The two older children were struggling on the curve again. A shadow in a sportcoat fell over Lenore and LaVache. Lenore made a visor out of her hand. The father stared down, his complicated camera obviously really heavy around his neck. Lenore looked at his shoes. They had networks of tiny black cracks in the white leather.

The father sniffed the air, his hands on his hips. “Is that one of those funny cigarettes?”

LaVache held up the nubbin of joint and looked at it reflectively. “Sir,” he said, “this is a deadly serious cigarette.”

“You ought to be ashamed, using drugs in a public place, around little children, who are impressionable,” the mother said. Lenore resisted the impulse to touch the mother’s stockingless calf. She considered the fact that the veins in some older women’s calves are a blue found nowhere else in nature. A nicotine blue, almost.

“I think I’m so ashamed I suddenly don’t feel like being around people, right now,” the Antichrist said slowly, squinting up into the two shadows. There were “Hmmphs,” and the parents came away, calling to the struggling children to come this instant. Lenore heard Brenda’s tiny shoes on the cement of the War Memorial, above them, a moment later. They were alone on the curve of the hill. The Antichrist was scratching at his hip, Lenore saw. No he wasn’t: he was reaching into his pocket. He pulled something out. It was a Stonecipheco label. Veal purée. He finished unfolding it and turned it over and smoothed it against his hip, then gave it to Lenore. Lenore noticed that LaVache’s nails really needed cutting.

On the white, slightly fuzzy back of the label was an ink drawing of a man walking up a hill, as seen from the side. The man’s profile was smiling. The hill looked sandy. It was the same sort of doodle Lenore had found in Lenore’s room at the Shaker Heights Nursing Home.

“Hmmm,” she said. She looked at the Antichrist. She took out of the zippered compartment at the side of her vinyl purse the drawing of the barber with the exploded head. She gave it to LaVache. LaVache laughed.

“Ah, the barber,” he said. “Boy, she may be a ring-tailed bitch, but I do get a kick out of Lenore. I really sort of hope she isn’t dead, after all, to tell the truth.”

Lenore looked at the Antichrist. “How unbelievably decent of you, seeing she’s your relative.” She reached way out with her foot into the grass and gave the leg an angry little kick.

“Ow,” said LaVache.

Lenore wiped a couple of tiny sprinkler-droplets from the skin under her eyes. “When did you get this?” she asked. “I thought you said you had no ideas about Gramma. Or does ‘idea’ mean ’toenail,‘ for you, or something?”

The Antichrist tore at some grass, looked at his sister. “No, ‘idea’ means ’idea,‘ but that, you may have noticed, is not an idea, but rather a sort of drawing. An infamous Lenore Beadsman drawing, right out of her infamous school of stick-figure symbolist art.” He smiled, did something to his hair. “You remember the drawing of John and Dad, that one Christmas? The time John had said something about Miss Malig, something pretty funny, and Dad had said that if you can’t say anything nice, you shouldn’t say anything at all, and John pointed out that that thing itself that Dad had just said to him really wasn’t by any stretch of the imagination ’nice,‘ and so shouldn’t itself have been said, and so was, interestingly, internally contradictory? And Lenore gave us that drawing of John and Dad, and Dad’s exploded head, and the corn-cob suppository? A really deadly drawing, I thought.”

“But when did you get this one?” Lenore asked, looking at the veal label. She thought she could make out a cactus in the splatter of ink surrounding the incline of the hill in the drawing.

“It was waiting in my p. o. box when I got here,” LaVache said. “Return-address-less, I might add, and interestingly not in Lenore’s distinctive indecipherable hand. That was ten… eleven days ago. I got it eleven days ago, Lenore.” The Antichrist suddenly hawked and spat white.

Lenore ignored the spitting, and the fact that the Antichrist’s head was lolling quite a bit now. “Do you know what it is?” she asked.

“Oh, very much so, don’t we, precious,” the Antichrist hissed to his leg.

“Then maybe you’ll be good enough to tell me, because I’m afraid I seem to be clueless on this one,” Lenore said, staring at the label.

The Antichrist sucked at the red eye of the corpse of his joint. Lenore saw that he held the nubbin delicately in his very long fingernails, avoided getting burned. He grinned at Lenore. “What would you do if I demanded that you first feed the leg?” he asked.

Lenore looked at her brother, then at the leg. She said, “I’d propose a deal. You tell me the thing you know, the thing that clearly bears on the well-being of a relative we’re both supposed to love, the thing that it looks like I came all the way out here to find out; you tell me, and in return I don’t throw the leg all the way down to the bottom of the hill, leaving you with a long and possibly dangerous and certainly very embarrassing retrieval-hop.”

“Oh, now, don’t be that way,” smiled the Antichrist, casually reattaching and strapping the leg, which took a minute. When he was attached, he said, “The drawing is of a sort referred to in the Investigations, as I’m sure you, the hotshot major, would remember a lot better than I, if you thought about it for about three seconds. I seem to recollect the reference being page fifty-four, note b, of the Geach and Anscombe translation. We’re presented with a picture of a man climbing a slope, in profile, one leg in front of the other as he progresses, marking motion, walking up the incline, facing the top, eyes directed at the top, all the standard climbing-association stuff. Et cetera et cetera. So it’s a picture of a man walking up a hill. But then remember Gramma Lenore’s own Dr. Wittgenstein says hold on now, pardner, because the picture could just as clearly and exactly and easily represent the man sliding down the slope, with one leg higher than the other, backwards, et cetera. Just as exactly.”

“Shit,” said Lenore.

“And then we’re invited to draw all these totally fecal conclusions about why we just automatically assume from just looking at the picture that the guy’s climbing and not sliding. Going up instead of coming down. Complete and total dribble, and really actually heart-rending psychological innocence, as far as I’m concerned, which you should remember, given this certain conversation we all had in the Volvo when you were in school, when Gramma decided I was evil and said I needed to be ‘stamped out,’ declared her intention to stop giving me Christmas presents. Anyway…”

“Well and then here, on the other hand, we’ve got this antinomy,” Lenore said, looking at the barber drawing.

“Right,” the Antichrist said, throwing away the tiny dot of black joint. He paused for a moment, looking out into nothing. Lenore looked at him. “Brenda,” she heard him say loudly, “you should go back to your parents immediately. Try not to be at all impressionable, at least while you’re around here.”

Lenore twisted around and looked. The little girl with green eyes was standing behind them, above them, on the cement rim of the Memorial, looking down at their heads. The wind ruffled her silky socks. She stared at the Antichrist.