David Wallace - Oblivion

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Oblivion: краткое содержание, описание и аннотация

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In the stories that make up
, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness-a combination that is dazzlingly, uniquely his. These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate.

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There was a basic logical paradox that I called the ‘fraudulence paradox’ that I had discovered more or less on my own while taking a mathematical logic course in school. I remember this as being a huge undergrad lecture course that met twice a week in an auditorium with the professor up on stage and on Fridays in smaller discussion sections led by a graduate assistant whose whole life seemed to be mathematical logic. (Plus all you had to do to ace the class was sit down with the assigned textbook that the prof was the editor of and memorize the different modes of argument and normal forms and axioms of first-order quantification, meaning the course was as clean and mechanical as logic itself in that if you put in the time and effort, out popped the good grade at the other end. We only got to paradoxes like the Berry and Russell Paradoxes and the incompleteness theorem at the very end of the term, they weren’t on the final.) The fraudulence paradox was that the more time and effort you put into trying to appear impressive or attractive to other people, the less impressive or attractive you felt inside — you were a fraud. And the more of a fraud you felt like, the harder you tried to convey an impressive or likable image of yourself so that other people wouldn’t find out what a hollow, fraudulent person you really were. Logically, you would think that the moment a supposedly intelligent nineteen-year-old became aware of this paradox, he’d stop being a fraud and just settle for being himself (whatever that was) because he’d figured out that being a fraud was a vicious infinite regress that ultimately resulted in being frightened, lonely, alienated, etc. But here was the other, higher-order paradox, which didn’t even have a form or name — I didn’t, I couldn’t. Discovering the first paradox at age nineteen just brought home to me in spades what an empty, fraudulent person I’d basically been ever since at least the time I was four and lied to my stepdad because I’d realized somehow right in the middle of his asking me if I’d broken the bowl that if I said I did it but ‘confessed’ it in a sort of clumsy, implausible way, then he wouldn’t believe me and would instead believe that my sister Fern, who’s my stepparents’ biological daughter, was the one who’d actually broken the antique Moser glass bowl that my stepmom had inherited from her biological grandmother and totally loved, plus it would lead or induce him to see me as a kind, good stepbrother who was so anxious to keep Fern (whom I really did like) from getting in trouble that I’d be willing to lie and take the punishment for it for her. I’m not explaining this very well. I was only four, for one thing, and the realization didn’t hit me in words the way I just now put it, but rather more in terms of feelings and associations and certain mental flashes of my stepparents’ faces with various expressions on them. But it happened that fast, at only four, that I figured out how to create a certain impression by knowing what effect I’d produce in my stepdad by implausibly ‘confessing’ that I’d punched Fern in the arm and stolen her Hula Hoop and had run all the way downstairs with it and started Hula-Hooping in the dining room right by the sideboard with all my stepmom’s antique glassware and figurines on it, while Fern, forgetting all about her arm and hoop because of her concern over the bowl and other glassware, came running downstairs shouting after me, reminding me about how important the rule was that we weren’t supposed to play in the dining room. . Meaning that by lying in such a deliberately unconvincing way I could actually get everything that a direct lie would supposedly get me, plus look noble and self-sacrificing, plus also make my stepparents feel good because they always tended to feel good when one of their kids did something that showed character, because it’s the sort of thing they couldn’t really help but see as reflecting favorably on them as shapers of their kids’ character. I’m putting all this in such a long, rushing, clumsy way to try to convey the way I remember it suddenly hit me, looking up at my stepfather’s big kindly face as he held two of the larger pieces of the Moser bowl and tried to look angrier than he really felt. (He had always thought the more expensive pieces ought to be kept secure in storage somewhere, whereas my stepmom’s view was more like what was the point of having nice things if you didn’t have them out where people could enjoy them.) How to appear a certain way and get him to think a certain thing hit me just that fast. Keep in mind I was only around four. And I can’t pretend it felt bad, realizing it — the truth is it felt great. I felt powerful, smart. It felt a little like looking at part of a puzzle you’re doing and you’ve got a piece in your hand and you can’t see where in the larger puzzle it’s supposed to go or how to make it fit, looking at all the holes, and then all of a sudden in a flash you see, for no reason right then you could point to or explain to anyone, that if you turn the piece this one certain way it will fit, and it does, and maybe the best way to put it is that in that one tiny instant you feel suddenly connected to something larger and much more of the complete picture the same way the piece is. The only part I’d neglected to anticipate was Fern’s reaction to getting blamed for the bowl, and punished, and then punished even worse when she continued to deny that she’d been the one playing around in the dining room, and my stepparents’ position was that they were even more upset and disappointed about her lying than they were about the bowl, which they said was just a material object and not ultimately important in the larger scheme of things. (My stepparents spoke this way, they were people of high ideals and values, humanists. Their big ideal was total honesty in all the family’s relationships, and lying was the worst, most disappointing infraction you could commit, in their view as parents. They tended to discipline Fern a little more firmly than they did me, by the way, but this too was an extension of their values. They were concerned about being fair and having me be able to feel that I was just as much their real child as Fern was, so that I’d feel maximally secure and loved, and sometimes this concern with fairness caused them to bend a little too far over backward when it came to discipline.) So that Fern, then, got regarded as being a liar when she was not, and that must have hurt her way more than the actual punishment did. She was only five at the time. It’s horrible to be regarded as a fraud or to believe that people think you’re a fraud or liar. It’s possibly one of the worst feelings in the world. And even though I haven’t really had any direct experience with it, I’m sure it must be doubly horrible when you were actually telling the truth and they didn’t believe you. I don’t think Fern ever quite got over that episode, although the two of us never talked about it afterward except for one sort of cryptic remark she made over her shoulder once when we were both in high school and having an argument about something and Fern was storming out of the house. She was sort of a classically troubled adolescent — smoking, makeup, mediocre grades, dating older guys, etc. — whereas I was the family’s fair-haired boy and had a killer G.P.A. and played varsity ball, etc. One way to put it is that I looked and acted much better on the surface then than Fern did, although she eventually settled down and ended up going on to college and is now doing OK. She’s also one of the funniest people on earth, with a very dry, subtle sense of humor — I like her a lot. The point being that that was the start of my being a fraud, although it’s not as if the broken-bowl episode was somehow the origin or cause of my fraudulence or some kind of childhood trauma that I’d never gotten over and had to go into analysis to work out. The fraud part of me was always there, just as the puzzle piece, objectively speaking, is a true piece of the puzzle even before you see how it fits. For a while I thought that possibly one or the other of my biological parents had been frauds or had carried some type of fraud gene or something and that I had inherited it, but that was a dead end, there was no way to know. And even if I did, what difference would it make? I was still a fraud, it was still my own unhappiness that I had to deal with.

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