Jon Krakauer - INTO THE WILD

By then Chris was long gone. Five weeks earlier he’d loaded all his belongings into his little car and headed west without an itinerary. The trip was to be an odyssey in the fullest sense of the word, an epic journey that would change everything. He had spent the previous four years, as he saw it, preparing to fulfill an absurd and onerous duty: to graduate from college. At long last he was unencumbered, emancipated from the stifling world of his parents and peers, a world of abstraction and security and material excess, a world in which he felt grievously cut off from the raw throb of existence.

Driving west out of Atlanta, he intended to invent an utterly

new life for himself, one in which he would be free to wallow in unfiltered experience. To symbolize the complete severance from his previous life, he even adopted a new name. No longer would he answer to Chris McCandless; he was now Alexander Super-tramp, master of his own destiny.

The desert is the environment of revelation, genetically and physiologically alien, sensorily austere, esthetically abstract, historically inimical… Its forms are bold and suggestive. The mind is beset by light and space, the kinesthetic novelty of aridity, high temperature, and wind. The desert sky is encircling, majestic, terrible. In other habitats, the rim of sky above the horizontal is broken or obscured; here, together with the overhead portion, it is infinitely vaster than that of rolling countryside and forest lands… In an unobstructed sky the clouds seem more massive, sometimes grandly reflecting the earth’s curvature on their concave undersides. The angularity of desert landforms imparts a monumental architecture to the clouds as well as to the land…

To the desert go prophets and hermits; through deserts go pilgrims and exiles. Here the leaders of the great religions have sought the therapeutic and spiritual values of retreat, not to escape but to find reality.

paul shepard, man in the landscape:

A historic view of the esthetics of nature

The bear-paw poppy, Arctomecon califomica, is a wildflower found in an isolated corner of the Mojave Desert and nowhere else in the world. In late spring it briefly produces a delicate golden bloom, but for most of the year the plant huddles unadorned and unnoticed on the parched earth. A. califomica is sufficiently rare that it has been classified as an endangered species. In October 1990, more than three months after McCan-dless left Atlanta, a National Park Service ranger named Bud Walsh was sent into the backcountry of Lake Mead National Recreation Area to tally bear-paw poppies so that the federal government might better know just how scarce the plants were.

A. califomica grows only in gypsum soil of a sort that occurs in abundance along the south shore of Lake Mead, so that is where Walsh led his team of rangers to conduct the botanical survey. They turned off Temple Bar Road, drove two roadless miles down the bed of Detrital Wash, parked their rigs near the lakeshore, and started scrambling up the steep east bank of the wash, a slope of crumbly white gypsum. A few minutes later, as they neared the top of the bank, one of the rangers happened to glance back down into the wash while pausing to catch his breath. “Hey! Look down there!” he yelled. “What the hell is that?”

At the edge of the dry riverbed, in a thicket of saltbush not far from where they had parked, a large object was concealed beneath a dun-colored tarpaulin. When the rangers pulled off the tarp, they found an old yellow Datsun without license plates. A note taped to the windshield read, “This piece of shit has been abandoned. Whoever can get it out of here can have it.”

The doors had been left unlocked. The floorboards were plastered with mud, apparently from a recent flash flood. When he looked inside, Walsh found a Gianini guitar, a saucepan containing $4.93 in loose change, a football, a garbage bag full of old clothes, a fishing rod and tackle, a new electric razor, a harmonica, a set of jumper cables, twenty-five pounds of rice, and in the glove compartment, the keys to the vehicle’s ignition.

The rangers searched the surrounding area “for anything suspicious,” according to Walsh, and then departed. Five days later another ranger returned to the abandoned vehicle, managed to jump-start it without difficulty and drove it out to the National Park Service maintenance yard at Temple Bar. “He drove it back at sixty miles an hour,” Walsh recalls. “Said the thing ran like a champ.” Attempting to learn who owned the car, the rangers sent out a bulletin over the Teletype to relevant law-enforcement agencies and ran a detailed search of computer records across the Southwest to see if the Datsun s VIN was associated with any crimes. Nothing turned up.

By and by the rangers traced the car’s serial number to the Hertz Corporation, the vehicle’s original owner; Hertz said they had sold it as a used rental car many years earlier and had no interest in reclaiming it. “Whoa! Great!” Walsh remembers thinking. “A freebie from the road gods-a car like this will make a great undercover vehicle for drug interdiction.” And indeed it did. Over the next three years the Park Service used the Datsun to make undercover drug buys that led to numerous arrests in the crime-plagued national recreation area, including the bust of a high-volume methamphetamine dealer operating out of a trailer park near Bullhead City.

“We’re still getting a lot of mileage out of that old car even now,” Walsh proudly reports two and a half years after finding the Datsun. “Put a few bucks of gas in the thing, and it will go all day. Real reliable. I kind of wondered why nobody ever showed up to reclaim it.”

The Datsun, of course, belonged to Chris McCandless. After piloting it west out of Atlanta, he’d arrived in Lake Mead National Recreation Area on July 6, riding a giddy Emersonian high. Ignoring posted warnings that off-road driving is strictly forbidden, McCandless steered the Datsun off the pavement where it crossed a broad, sandy wash. He drove two miles down the riverbed to the south shore of the lake. The temperature was 120 degrees Fahrenheit. The empty desert stretched into the distance, shimmering in the heat. Surrounded by chollas, bur sage, and the comical scurrying of collared lizards, McCandless pitched his tent in the puny shade of a tamarisk and basked in his newfound freedom.

Detrital Wash extends for some fifty miles from Lake Mead into the mountains north of Kingman; it drains a big chunk of country. Most of the year the wash is as dry as chalk. During the summer months, however, superheated air rises from the scorched earth like bubbles from the bottom of a boiling kettle, rushing heavenward in turbulent convection currents. Frequently the updrafts create cells of muscular, anvil-headed cumulonimbus clouds that can rise thirty thousand feet or more above the Mojave. Two days after McCandless set up camp beside Lake Mead, an unusually robust wall of thunderheads reared up in the afternoon sky, and it began to rain, very hard, over much of the Detrital Valley.

McCandless was camped at the edge of the wash, a couple of feet higher than the main channel, so when the bore of brown water came rushing down from the high country, he had just enough time to gather his tent and belongings and save them from being swept away. There was nowhere to move the car, however, as the only route of egress was now a foaming, full-blown river. As it turned out, the flash flood didn’t have enough power to carry away the vehicle or even to do any lasting damage. But it did get the engine wet, so wet that when McCandless tried to start the car soon thereafter, the engine wouldn’t catch, and in his impatience he drained the battery.