Николай Гоголь - The Mantle and Other Stories

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Explore the Russian creative movement known as literary realism through the work of writer Nikolai Vassilievitch Gogol, whom many critics regard not only as one of the foremost practitioners of this style, but also as one of the most significant literary figures of the twentieth century. This exquisitely translated collection brings together several of the short pieces widely categorized as Gogol’s finest work.

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In his bewilderment, Akaki resolved to follow this advice. It was not known what position this personage occupied, nor how high it really was; the only facts known were that he had only recently been placed in it, and that there must be still higher personages than himself, as he was leaving no stone unturned in order to get promotion. When he entered his private room, he made his subordinates wait for him on the stairs below, and no one had direct access to him. If anyone called with a request to see him, the secretary of the board informed the Government secretary, who in his turn passed it on to a higher official, and the latter informed the important personage himself.

That is the way business is carried on in our Holy Russia. In the endeavour to resemble the higher officials, everyone imitates the manners of his superiors. Not long ago a titular councillor, who was appointed to the headship of a little office, immediately placed over the door of one of his two tiny rooms the inscription "Council–chamber." Outside it were placed servants with red collars and lace–work on their coats, in order to announce petitioners, and to conduct them into the chamber which was hardly large enough to contain a chair.

But let us return to the important personage in question. His way of carrying things on was dignified and imposing, but a trifle complicated. His system might be summed up in a single word—"severity." This word he would repeat in a sonorous tone three times in succession, and the last time turn a piercing look on the person with whom he happened to be speaking. He might have spared himself the trouble of displaying so much disciplinary energy; the ten officials who were under his command feared him quite sufficiently without it. As soon as they were aware of his approach, they would lay down their pens, and hasten to station themselves in a respectful attitude as he passed by. In converse with his subordinates, he preserved a stiff, unbending attitude, and generally confined himself to such expressions as "What do you want? Do you know with whom you are speaking? Do you consider who is in front of you?"

For the rest, he was a good–natured man, friendly and amiable with his acquaintances. But the title of "District–Superintendent" had turned his head. Since the time when it had been bestowed upon him, he lived for a great part of the day in a kind of dizzy self–intoxication. Among his equals, however, he recovered his equilibrium, and then showed his real amiability in more than one direction; but as soon as he found himself in the society of anyone of less rank than himself, he entrenched himself in a severe taciturnity. This situation was all the more painful for him as he was quite aware that he might have passed his time more agreeably.

All who watched him at such moments perceived clearly that he longed to take part in an interesting conversation, but that the fear of displaying some unguarded courtesy, of appearing too confidential, and thereby doing a deadly injury to his dignity, held him back. In order to avoid such a risk, he maintained an unnatural reserve, and only spoke from time to time in monosyllables. He had driven this habit to such a pitch that people called him "The Tedious," and the title was well deserved.

Such was the person to whose aid Akaki wished to appeal. The moment at which he came seemed expressly calculated to flatter the Superintendent's vanity, and accordingly to help forward the titular councillor's cause.

The high personage was seated in his office, talking cheerfully with an old friend whom he had not seen for several years, when he was told that a gentleman named Akakievitch begged for the honour of an interview.

"Who is the man?" asked the Superintendent in a contemptuous tone.

"An official," answered the servant.

"He must wait. I have no time to receive him now."

The high personage lied; there was nothing in the way of his granting the desired audience. His friend and himself had already quite exhausted various topics of conversation. Many long, embarrassing pauses had occurred, during which they had lightly tapped each other on the shoulder, saying, "So it was, you see."

"Yes, Stepan."

But the Superintendent refused to receive the petitioner, in order to show his friend, who had quitted the public service and lived in the country, his own importance, and how officials must wait in the vestibule till he chose to receive them.

At last, after they had discussed various other subjects with other intervals of silence, during which the two friends leaned back in their chairs and blew cigarette smoke in the air, the Superintendent seemed suddenly to remember that someone had sought an interview with him. He called the secretary, who stood with a roll of papers in his hand at the door, and told him to admit the petitioner.

When he saw Akaki approaching with his humble expression, wearing his shabby old uniform, he turned round suddenly towards him and said "What do you want?" in a severe voice, accompanied by a vibrating intonation which at the time of receiving his promotion he had practised before the looking–glass for eight days.

The modest Akaki was quite taken aback by his harsh manner; however, he made an effort to recover his composure, and to relate how his cloak had been stolen, but did not do so without encumbering his narrative with a mass of superfluous detail. He added that he had applied to His Excellence in the hope that through his making a representation to the police inspector, or some other high personage, the cloak might be traced.

The Superintendent found Akaki's method of procedure somewhat unofficial. "Ah, sir," he said, "don't you know what steps you ought to take in such a case? Don't you know the proper procedure? You should have handed in your petition at the chancellery. This in due course would have passed through the hands of the chief clerk and director of the bureau. It would then have been brought before my secretary, who would have made a communication to you."

"Allow me," replied Akaki, making a strenuous effort to preserve the remnants of his presence of mind, for he felt that the perspiration stood on his forehead, "allow me to remark to Your Excellence that I ventured to trouble you personally in this matter because secretaries—secretaries are a hopeless kind of people."

"What! How! Is it possible?" exclaimed the Superintendent. "How could you say such a thing? Where have you got your ideas from? It is disgraceful to see young people so rebellious towards their superiors." In his official zeal the Superintendent overlooked the fact that the titular councillor was well on in the fifties, and that the word "young" could only apply to him conditionally, i.e. in comparison with a man of seventy. "Do you also know," he continued, "with whom you are speaking? Do you consider before whom you are standing? Do you consider, I ask you, do you consider?" As he spoke, he stamped his foot, and his voice grew deeper.

Akaki was quite upset—nay, thoroughly frightened; he trembled and shook and could hardly remain standing upright. Unless one of the office servants had hurried to help him, he would have fallen to the ground. As it was, he was dragged out almost unconscious.

But the Superintendent was quite delighted at the effect he had produced. It exceeded all his expectations, and filled with satisfaction at the fact that his words made such an impression on a middle–aged man that he lost consciousness, he cast a side–glance at his friend to see what effect the scene had produced on him. His self–satisfaction was further increased when he observed that his friend also was moved, and looked at him half–timidly.

Akaki had no idea how he got down the stairs and crossed the street, for he felt more dead than alive. In his whole life he had never been so scolded by a superior official, let alone one whom he had never seen before.

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