Николай Гоголь - The Mantle and Other Stories

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Explore the Russian creative movement known as literary realism through the work of writer Nikolai Vassilievitch Gogol, whom many critics regard not only as one of the foremost practitioners of this style, but also as one of the most significant literary figures of the twentieth century. This exquisitely translated collection brings together several of the short pieces widely categorized as Gogol’s finest work.

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In short, at this time every official betakes himself to some form of recreation—playing whist, drinking tea, and eating cheap pastry or smoking tobacco in long pipes. Some relate scandals about great people, for in whatever situation of life the Russian may be, he always likes to hear about the aristocracy; others recount well–worn but popular anecdotes, as for example that of the commandant to whom it was reported that a rogue had cut off the horse's tail on the monument of Peter the Great.

But even at this time of rest and recreation, Akaki Akakievitch remained faithful to his habits. No one could say that he had ever seen him in any evening social circle. After he had written as much as he wanted, he went to bed, and thought of the joys of the coming day, and the fine copies which God would give him to do.

So flowed on the peaceful existence of a man who was quite content with his post and his income of four hundred roubles a year. He might perhaps have reached an extreme old age if one of those unfortunate events had not befallen him, which not only happen to titular but to actual privy, court, and other councillors, and also to persons who never give advice nor receive it.

In St Petersburg all those who draw a salary of four hundred roubles or thereabouts have a terrible enemy in our northern cold, although some assert that it is very good for the health. About nine o'clock in the morning, when the clerks of the various departments betake themselves to their offices, the cold nips their noses so vigorously that most of them are quite bewildered. If at this time even high officials so suffer from the severity of the cold in their own persons that the tears come into their eyes, what must be the sufferings of the titular councillors, whose means do not allow of their protecting themselves against the rigour of winter? When they have put on their light cloaks, they must hurry through five or six streets as rapidly as possible, and then in the porter's lodge warm themselves and wait till their frozen official faculties have thawed.

For some time Akaki had been feeling on his back and shoulders very sharp twinges of pain, although he ran as fast as possible from his dwelling to the office. After well considering the matter, he came to the conclusion that these were due to the imperfections of his cloak. In his room he examined it carefully, and discovered that in two or three places it had become so thin as to be quite transparent, and that the lining was much torn.

This cloak had been for a long time the standing object of jests on the part of Akaki's merciless colleagues. They had even robbed it of the noble name of "cloak," and called it a cowl. It certainly presented a remarkable appearance. Every year the collar had grown smaller, for every year the poor titular councillor had taken a piece of it away in order to repair some other part of the cloak; and these repairs did not look as if they had been done by the skilled hand of a tailor. They had been executed in a very clumsy way and looked remarkably ugly.

After Akaki Akakievitch had ended his melancholy examination, he said to himself that he must certainly take his cloak to Petrovitch the tailor, who lived high up in a dark den on the fourth floor.

With his squinting eyes and pock–marked face, Petrovitch certainly did not look as if he had the honour to make frock–coats and trousers for high officials—that is to say, when he was sober, and not absorbed in more pleasant diversions.

I might dispense here with dwelling on this tailor; but since it is the custom to portray the physiognomy of every separate personage in a tale, I must give a better or worse description of Petrovitch. Formerly when he was a simple serf in his master's house, he was merely called Gregor. When he became free, he thought he ought to adorn himself with a new name, and dubbed himself Petrovitch; at the same time he began to drink lustily, not only on the high festivals but on all those which are marked with a cross in the calendar. By thus solemnly celebrating the days consecrated by the Church, he considered that he was remaining faithful to the traditions of his childhood; and when he quarrelled with his wife, he shouted that she was an earthly minded creature and a German. Of this lady we have nothing more to relate than that she was the wife of Petrovitch, and that she did not wear a kerchief but a cap on her head. For the rest, she was not pretty; only the soldiers looked at her as they passed, then they twirled their moustaches and walked on, laughing.

Akaki Akakievitch accordingly betook himself to the tailor's attic. He reached it by a dark, dirty, damp staircase, from which, as in all the inhabited houses of the poorer class in St Petersburg, exhaled an effluvia of spirits vexatious to nose and eyes alike. As the titular councillor climbed these slippery stairs, he calculated what sum Petrovitch could reasonably ask for repairing his cloak, and determined only to give him a rouble.

The door of the tailor's flat stood open in order to provide an outlet for the clouds of smoke which rolled from the kitchen, where Petrovitch's wife was just then cooking fish. Akaki, his eyes smarting, passed through the kitchen without her seeing him, and entered the room where the tailor sat on a large, roughly made, wooden table, his legs crossed like those of a Turkish pasha, and, as is the custom of tailors, with bare feet. What first arrested attention, when one approached him, was his thumb nail, which was a little misshapen but as hard and strong as the shell of a tortoise. Round his neck were hung several skeins of thread, and on his knees lay a tattered coat. For some minutes he had been trying in vain to thread his needle. He was first of all angry with the gathering darkness, then with the thread.

"Why the deuce won't you go in, you worthless scoundrel!" he exclaimed.

Akaki saw at once that he had come at an inopportune moment. He wished he had found Petrovitch at a more favourable time, when he was enjoying himself—when, as his wife expressed it, he was having a substantial ration of brandy. At such times the tailor was extraordinarily ready to meet his customer's proposals with bows and gratitude to boot. Sometimes indeed his wife interfered in the transaction, and declared that he was drunk and promised to do the work at much too low a price; but if the customer paid a trifle more, the matter was settled.

Unfortunately for the titular councillor, Petrovitch had just now not yet touched the brandy flask. At such moments he was hard, obstinate, and ready to demand an exorbitant price.

Akaki foresaw this danger, and would gladly have turned back again, but it was already too late. The tailor's single eye—for he was one–eyed—had already noticed him, and Akaki Akakievitch murmured involuntarily "Good day, Petrovitch."

"Welcome, sir," answered the tailor, and fastened his glance on the titular councillor's hand to see what he had in it.

"I come just—merely—in order—I want—"

We must here remark that the modest titular councillor was in the habit of expressing his thoughts only by prepositions, adverbs, or particles, which never yielded a distinct meaning. If the matter of which he spoke was a difficult one, he could never finish the sentence he had begun. So that when transacting business, he generally entangled himself in the formula "Yes—it is indeed true that―" Then he would remain standing and forget what he wished to say, or believe that he had said it.

"What do you want, sir?" asked Petrovitch, scrutinising him from top to toe with a searching look, and contemplating his collar, sleeves, coat, buttons—in short his whole uniform, although he knew them all very well, having made them himself. That is the way of tailors whenever they meet an acquaintance.

Then Akaki answered, stammering as usual, "I want—Petrovitch—this cloak—you see—it is still quite good, only a little dusty—and therefore it looks a little old. It is, however, still quite new, only that it is worn a little—there in the back and here in the shoulder—and there are three quite little splits. You see it is hardly worth talking about; it can be thoroughly repaired in a few minutes."

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