Roy Scranton - War Porn

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“War porn,”
Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes. War porn is also, in Roy Scranton’s searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, and the global networks and face-to-face moments that suture our fragmented lives together. In
three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As
cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of
, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.

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—Ben Fountain, author of Billy Lynn’s Long Halftime Walk

“This book is truly unique—true in its fidelity to fact, unique in the depth of its empathy. In prose that rises to aphoristic, coruscating brilliance, Iraq vet Roy Scranton has painted, in words, the equivalent of Goya’s war etchings. A rare and genuine masterpiece.”

—Joydeep Roy-Bhattacharya, author of The Watch and The Storyteller of Marrakesh

“A harrowing novel of the Iraq invasion and occupation, WAR PORN exposes the dark heart of that war for all to see. Brilliant and stark, WAR PORN is that rare book that demands to be read out of sheer significance—a stunning accomplishment.”

—Matt Gallagher, author of Youngblood

“Roy Scranton’s four years of service in the U.S. Army lend his work an undeniable authority, but it’s his ability to address multiple sides of the conflict that proves exceptional, coloring his fiction with a rare empathy.”

The Village Voice

“[ War Porn is] a different kind of Iraq War novel, for sure, but it’s not just that. It’s an expression of Scranton’s philosophy about telling new, different stories as a means of survival.”

The Millions

“A kaleidoscopic view of war experience… Scranton’s literary skill and fierceness of vision make him a stout antagonist for anyone who wants to take him on.”

Time Now

“[A] fierce debut… Scranton delivers a poetic sensibility and a staccato writing style, and the result is a no-holds-barred amalgam of plotlines that is especially tragic given all that we now know about the wrenching mess that is today’s Iraq.”

Booklist

“Scranton’s provocative debut novel lucidly captures the fractured perspectives of war. Scranton writes with honesty and authority about a complicated clash of weapons, politics, and culture. [ War Porn ] is an unflinching, and sometimes difficult, examination of humanity during wartime.”

Publishers Weekly

“An uncompromising look at the trauma of war.”

Library Journal

About the Author

Roy Scranton is the author of Learning to Die in the Anthropocene: Reflections on the End of a Civilization , and co-editor of Fire and Forget: Short Stories from the Long War . He grew up in Oregon, dropped out of college, and spent several years wandering the American West. In 2002, he enlisted in the US Army. He served from 2002 to 2006, including a fourteen-month deployment to Iraq. After leaving the Army he earned a bachelor’s degree and a master’s degree at the New School for Social Research, then completed his PhD in English at Princeton.

Copyright

Copyright © 2016 by Roy Scranton

“Notes Toward a Supreme Fiction” from THE COLLECTED POEMS OF WALLACE STEVENS by Wallace Stevens, copyright © 1954 by Wallace Stevens and copyright renewed 1982 by Holly Stevens. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

“The Dragon” by Abd al-Wahhab al-Bayyati, translated by Farouk Abdel Wahab, Najat Rahman, and Carolina Hotchandani, from IRAQI POETRY TODAY © 2003 by Modern Poetry in Translation. Reprinted with permission. All rights reserved.

“Panegyric for Abu l-Fadl Muhammed Ibn al-Amid” and “Panegyric to Kafur on joining his court” by Abu at-Tayyib Ahmad ibn al-Husayn al-Mutanabbi al-Kindi, translated by A. J. Arberry, from POEMS OF AL-MUTANABBI © 1967 by Cambridge University Press. Reprinted with the permission of Cambridge University Press. All rights reserved.

All rights reserved.

This book is a work of fiction. References to real people, events, establishments, organizations, or locales are intended only to provide a sense of authenticity, and are used ficticiously. All other characters, and all incidents and dialogue, are drawn from the author’s imagination and are not to be construed as real.

Published by

Soho Press, Inc.

853 Broadway

New York, NY 10003

Library of Congress Cataloging-in-Publication Data

Scranton, Roy, 1976–

War porn / Roy Scranton.

ISBN 978-1-61695-715-5

eISBN 978-1-61695-716-2

1. Iraq War, 2003–2011—Psychological aspects—Fiction. 2. Combat—Psychological aspects—Fiction. I. Title

PS3619.C743 W37 2016 813’.6—dc23 2016011288

Interior design by Janine Agro, Soho Press, Inc.

Printed in the United States of America

10 9 8 7 6 5 4 3 2 1

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