Gustav Hasford: The Short-Timers

One 7.62-millimeter high-velocity copper-jacketed bullet punches Gunnery Sergeant Gerheim back.

He falls.

We all stare at Sergeant Gerheim. Nobody moves.

Sergeant Gerheim sits up as though nothing has happened. For one second, we relax. Leonard has missed. Then dark blood squirts from a little hole in Sergeant Gerheim's chest. The red blood blossoms into his white skivvy shirt like a beautiful flower. Sergeant Gerheim's bug eyes are focused upon the blood rose on his chest, fascinated. He looks up at Leonard. He squints. Then he relaxes. The werewolf smile is frozen on his lips.

My menial position of authority as the fire watch on duty forces me to act. "Now, uh, Leonard, we're all your bros, man, your brothers. I'm your bunkmate, right? I--"

"Sure," says Cowboy. "Go easy, Leonard. We don't want to hurt you."

"Affirmative," says Private Barnard.

Leonard doesn't hear. "Did you see the way he looked at her? Did you? I knew what he was thinking. I knew. That fag pig and his dirty--"

"Leonard..."

"We can kill you. You know that." Leonard caresses his rifle. "Don't you know that Charlene and I can kill you all?"

Leonard aims his rifle at my face.

I don't look at the rifle. I look into Leonard's eyes.

I know that Leonard is too weak to control his instrument of death. It is a hard heart that kills, not the weapon. Leonard is a defective instrument for the power that is flowing through him. Sergeant Gerheim's mistake was in not seeing that Leonard was like a glass rifle which would shatter when fired. Leonard is not hard enough to harness the power of an interior explosion to propel the cold black bullet of his will.

Leonard is grinning at us, the final grin that is on the face of death, the terrible grin of the skull.

The grin changes to a look of surprise and then to confusion and then to terror as Leonard's weapon moves up and back and then Leonard takes the black metal barrel into his mouth. "NO! Not--"

Bang.

Leonard is dead on the deck. His head is now an awful lump of blood and facial bones and sinus fluids and uprooted teeth and jagged, torn flesh. The skin looks plastic and unreal.

The civilians will demand yet another investigation, of course. But during the investigation the recruits of Platoon 30-92 will testify that Private Pratt, while highly motivated, was a ten percenter who did not pack the gear to be a Marine in our beloved Corps.

Sergeant Gerheim is still smiling. He was a fine drill instructor. Dying, that's what we're here for, he would have said--blood makes the grass grow. If he could speak, Gunnery Sergeant Gerheim would explain to Leonard why the guns that we love don't love back. And he would say, "Well done."

I turn off the overhead lights.

I say, "Prepare to mount." Then: "MOUNT!"

The platoon falls into a hundred racks.

I feel cold and alone. I am not alone. All over Parris Island there are thousands and thousands of us. And, all around the world, hundreds of thousands.

I try to sleep...

In my rack, I pull my rifle into my arms. She talks to me. Words come out of the wood and metal and flow into my hands. She tells me what to do.

My rifle is a solid instrument of death. My rifle is black steel. Our human bodies are bags of blood, easy to puncture and quick to drain, but our hard tools of death cannot be broken.

I hold by weapon at port arms, gently, as though she were a holy relic, a magic wand wrought with interlocking pieces of silver and iron, with a teakwood stock, golden bullets, a crystal bolt, jewels to sight with. My weapon obeys me. I'll hold Vanessa, my rifle. I'll hold her. I'll just hold her for a little while. I will hide in this dark dream for as long as I can.

Blood pours out of the barrel of my rifle and flows up on to my hands. The blood moves. The blood breaks up into living fragments. Each fragment is a spider. Millions and millions of tiny red spiders of blood are crawling up my arms, across my face, into my mouth...

Silence. In the dark, a hundred men are breaking in unison.

I look at Cowboy, then at Private Barnard. They understand. Cold grins of death are frozen on their faces. They nod.

The newly minted Marines in my platoon stand to attention, horizontal in their racks, their weapons at port arms.

The Marines wait, a hundred young werewolves with guns in their hands.

I lead:

This is my rifle.

There are many like it, but this one is mine...

Tet: The Year of the Monkey.

Rafter Man and I spend the Vietnamese lunar New Year's Eve, 1968, at the Freedom Hill PX near Da Nang. I've been ordered to write a feature article on the Freedom Hill Recreation Center on Hill 327 for Leatherneck magazine. I'm a combat correspondent assigned to the First Marine Division. My job is to write upbeat news features which are distributed to the highly paid civilian news correspondents who shack up with their Eurasian maids in big hotels in Da Nang. The ten correspondents in the First Division's Informational Services Office are reluctant public relations men for the war in general and for the Marine Corps in particular. This morning my commanding officer decided that a really inspiring piece could be written about Hill 327, an angle being the fact that Hill 327 was the first permanent position occupied by American forces. Major Lynch thinks I rate some slack before I return to the ISO office in Phu Bai. My last three field operations were real shit-kickers; in the field, a Marine correspondent is just another rifleman. Rafter Man tags along behind me like a kid. Rafter Man is a combat photographer. He has never been in the shit. He thinks I'm one hard field Marine.

We go into a movie theater that looks like a warehouse and we watch John Wayne in The Green Berets , a Hollywood soap opera about the love of guns. We sit way down front, near some grunts. The grunts are sprawled across their seats and they've propped muddy jungle boots onto the seats in front of them. They are bearded, dirty, out of uniform, and look lean and mean, the way human beings look after they've survived a long hump in the jungle, the boonies, the bad bush.

I prop my boots on the seats and we watch John Wayne leading the Green Beanies. John Wayne is a beautiful soldier, clean-shaven, sharply attired in tailored tiger-stripe jungle utilities, wearing boots that shine like black glass. Inspired by John Wayne, the fighting soldiers from the sky go hand-to-hand with all of the Victor Charlies in Southeast Asia. He snaps out an order to an Oriental actor who played Mr. Sulu on "Star Trek." Mr. Sulu, now playing an Arvin officer, delivers a line with great conviction: "First kill ...all stinking Cong...then go home." The audience of Marines roars with laughter. This is the funniest movie we have seen in a long time.

Later, at the end of the movie, John Wayne walks off into the sunset with a spunky little orphan. The grunts laugh and whistle and threaten to pee all over themselves. The sun is setting in the South China Sea--in the East--which makes the end of the movie as accurate as the rest of it.

Most of the zoomies in the audience are clean-shaven office poges who never go into the field. The poges wear spit-shined boots and starched utilities and Air Force sunglasses. The poges stare at the grunts as though the grunts were Hell's Angels at the ballet.

After the screen loses it color and the overhead lights come on, one of the poges says, "Fucking grunts...they're nothing but animals..."