Джордж Оруэлл - A Clergyman's Daughter

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Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy’s faith is challenged by a social reality that changes her life.

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The smell of glue was the answer to her prayer. She did not know this. She did not reflect, consciously, that the solution to her difficulty lay in accepting the fact that there was no solution; that if one gets on with the job that lies to hand, the ultimate purpose of the job fades into insignificance; that faith and no faith are very much the same provided that one is doing what is customary, useful, and acceptable. She could not formulate these thoughts as yet, she could only live them. Much later, perhaps, she would formulate them and draw comfort from them.

There was still a minute or two before the glue would be ready to use. Dorothy finished pinning the breastplate together, and in the same instant began mentally sketching the innumerable costumes that were yet to be made. After William the Conqueror—was it chain mail in William the Conqueror's day?—there were Robin Hood— Lincoln Green and a bow and arrow—and Thomas a Becket in his cope and mitre, and Queen Elizabeth's ruff, and a cocked hat for the Duke of Wellington. And I must go and see about those potatoes at half past six, she thought. And there was her 'memo list' to be written out for tomorrow. Tomorrow was Wednesday—mustn't forget to set the alarm clock for half past five. She took a slip of paper and began writing out the 'memo list':

7 oc. H.C.

Mrs J. baby next month go and see her.

BREAKFAST. Bacon.

She paused to think of fresh items. Mrs J. was Mrs Jowett, the blacksmith's wife; she came sometimes to be churched after her babies were born, but only if you coaxed her tactfully beforehand. And I must take old Mrs Frew some paregoric lozenges, Dorothy thought, and then perhaps she'll speak to Georgie and stop him eating those biscuits during the sermon. She added Mrs Frew to her list. And then what about tomorrow's dinner—luncheon? We simply MUST pay Cargill something! she thought. And tomorrow was the day of the Mothers' Union tea, and they had finished the novel that Miss Foote had been reading to them. The question was, what to get for them next? There didn't seem to be any more books by Gene Stratton Porter, their favourite. What about Warwick Deeping? Too highbrow, perhaps? And I must ask Proggett to get us some young cauliflowers to plant out, she thought finally.

The glue had liquefied. Dorothy took two fresh sheets of brown paper, sliced them into narrow strips, and—rather awkwardly, because of the difficulty of keeping the breastplate convex—pasted the strips horizontally across it, back and front. By degrees it stiffened under her hands. When she had reinforced it all over she set it on end to look at it. It really wasn't half bad! One more coating of paper and it would be almost like real armour. We MUST make that pageant a success! she thought. What a pity we can't borrow a horse from somebody and have Boadicea in her chariot! We might make five pounds if we had a really good chariot, with scythes on the wheels. And what about Hengist and Horsa? Cross– gartering and winged helmets. Dorothy sliced two more sheets of brown paper into strips, and took up the breastplate to give it its final coating. The problem of faith and no faith had vanished utterly from her mind. It was beginning to get dark, but, too busy to stop and light the lamp, she worked on, pasting strip after strip of paper into place, with absorbed, with pious concentration, in the penetrating smell of the glue–pot.

THE END

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