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Джордж Оруэлл: Keep the Aspidistra Flying

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Джордж Оруэлл Keep the Aspidistra Flying

Keep the Aspidistra Flying: краткое содержание, описание и аннотация

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London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and ‘rather moth-eaten already,’ a poet whose one small book of verse has fallen ‘flatter than any pancake,’ Gordon has given up a ‘good’ job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), ‘If you have no money … women won’t love you.’ On the windowsill of Gordon’s shabby rooming-house room is a sickly but unkillable aspidistra–a plant he abhors as the banner of the sort of ‘mingy, lower-middle-class decency’ he is fleeing in his downward flight. Orwell’s darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls ‘the money-world’ in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all–that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end–a ‘happy’ ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell’s steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

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Gordon thought of Ravelston, his charming, rich friend, editor of Antichrist, of whom he was extravagantly fond, and whom he did not see so often as once in a fortnight; and of Rosemary, his girl, who loved him—adored him, so she said—and who, all the same, had never slept with him. Money, once again; all is money. All human relationships must be purchased with money. If you have no money, men won't care for you, women won't love you; won't, that is, care for you or love you the last little bit that matters. And how right they are, after all! For, moneyless, you are unlovable. Though I speak with the tongues of men and of angels. But then, if I haven't money, I DON'T speak with the tongues of men and of angels.

He looked again at the ad–posters. He really hated them this time. That Vitamalt one, for instance! 'Hike all day on a slab of Vitamalt!' A youthful couple, boy and girl, in clean–minded hiking kit, their hair picturesquely tousled by the wind, climbing a stile against a Sussex landscape. That girl's face! The awful bright tomboy cheeriness of it! The kind of girl who goes in for Plenty of Clean Fun. Windswept. Tight khaki shorts but that doesn't mean you can pinch her backside. And next to them—Corner Table. 'Corner Table enjoys his meal with Bovex'. Gordon examined the thing with the intimacy of hatred. The idiotic grinning face, like the face of a self–satisfied rat, the slick black hair, the silly spectacles. Corner Table, heir of the ages; victor of Waterloo, Corner Table, Modern man as his master want him to be. A docile little porker, sitting in the money–sty, drinking Bovex.

Faces passed, wind–yellowed. A tram boomed across the square, and the clock over the Prince of Wales struck three. A couple of old creatures, a tramp or a beggar and his wife, in long greasy overcoats that reached almost to the ground, were shuffling towards the shop. Book–pinchers, by the look of them. Better keep an eye on the boxes outside. The old man halted on the kerb a few yards away while his wife came to the door. She pushed it open and looked up at Gordon, between grey strings of hair, with a sort of hopeful malevolence.

'Ju buy books?' she demanded hoarsely.

'Sometimes. It depends what books they are.'

'I gossome LOVELY books 'ere.'

She came in, shutting the door with a clang. The Nancy glanced over his shoulder distastefully and moved a step or two away, into the corner. The old woman had produced a greasy little sack from under her overcoat. She moved confidentially nearer to Gordon. She smelt of very, very old breadcrusts.

'Will you 'ave 'em?' she said, clasping the neck of the sack. 'Only 'alf a crown the lot.'

'What are they? Let me see them, please.'

'LOVELY books, they are,' she breathed, bending over to open the sack and emitting a sudden very powerful whiff of breadcrusts.

''Ere!' she said, and thrust an armful of filthy–looking books almost into Gordon's face.

They were an 1884 edition of Charlotte M. Yonge's novels, and had the appearance of having been slept on for many years. Gordon stepped back, suddenly revolted.

'We can't possibly buy those,' he said shortly.

'Can't buy 'em? WHY can't yer buy 'em?'

'Because they're no use to us. We can't sell that kind of thing.'

'Wotcher make me take 'em out o' me bag for, then?' demanded the old woman ferociously.

Gordon made a detour round her, to avoid the smell, and held the door open, silently. No use arguing. You had people of this type coming into the shop all day long. The old woman made off, mumbling, with malevolence in the hump of her shoulders, and joined her husband. He paused on the kerb to cough, so fruitily that you could hear him through the door. A clot of phlegm, like a little white tongue, came slowly out between his lips and was ejected into the gutter. Then the two old creatures shuffled away, beetle–like in the long greasy overcoats that hid everything except their feet.

Gordon watched them go. They were just by–products. The throw– outs of the money–god. All over London, by tens of thousands, draggled old beasts of that description; creeping like unclean beetles to the grave.

He gazed out at the graceless street. At this moment it seemed to him that in a street like this, in a town like this, every life that is lived must be meaningless and intolerable. The sense of disintegration, of decay, that is endemic in our time, was strong upon him. Somehow it was mixed up with the ad–posters opposite. He looked now with more seeing eyes at those grinning yard–wide faces. After all, there was more there than mere silliness, greed, and vulgarity. Corner Table grins at you, seemingly optimistic, with a flash of false teeth. But what is behind the grin? Desolation, emptiness, prophecies of doom. For can you not see, if you know how to look, that behind that slick self–satisfaction, that tittering fat–bellied triviality, there is nothing but a frightful emptiness, a secret despair? The great death–wish of the modern world. Suicide pacts. Heads stuck in gas–ovens in lonely maisonettes. French letters and Amen Pills. And the reverberations of future wars. Enemy aeroplanes flying over London; the deep threatening hum of the propellers, the shattering thunder of the bombs. It is all written in Corner Table's face.

More customers coming. Gordon stood back, gentlemanly–servile.

The door–bell clanged. Two upper–middle–class ladies sailed noisily in. One pink and fruity, thirty–fivish, with voluptuous bosom burgeoning from her coat of squirrel–skin, emitting a super– feminine scent of Parma violets: the other middle–aged, tough, and curried—India, presumably. Close behind them a dark, grubby, shy young man slipped through the doorway as apologetically as a cat. He was one of the shop's best customers—a flitting, solitary creature who was almost too shy to speak and who by some strange manipulation kept himself always a day away from a shave.

Gordon repeated his formula:

'Good afternoon. Can I do anything for you? Are you looking for any particular book?'

Fruity–face overwhelmed him with a smile, but curry–face decided to treat the question as an impertinence. Ignoring Gordon, she drew fruity–face across to the shelves next to the new books where the dog–books and cat–books were kept. The two of them immediately began taking books out of the shelves and talking loudly. Curry– face had the voice of a drill–sergeant. She was no doubt a colonel's wife, or widow. The Nancy, still deep in the big book on the Russian ballet, edged delicately away. His face said that he would leave the shop if his privacy were disturbed again. The shy young man had already found his way to the poetry shelves. The two ladies were fairly frequent visitors to the shop. They always wanted to see books about cats and dogs, but never actually bought anything. There were two whole shelves of dog–books and cat–books. 'Ladies' Corner,' old McKechnie called it.

Another customer arrived, for the library. An ugly girl of twenty, hatless, in a white overall, with a sallow, blithering, honest face and powerful spectacles that distorted her eyes. She was an assistant at a chemist's shop. Gordon put on his homey library manner. She smiled at him, and with a gait as clumsy as a bear's followed him into the library.

'What kind of book would you like this time, Miss Weeks?'

'Well'—she clutched the front of her overall. Her distorted, black–treacle eyes beamed trustfully into his. 'Well, what I'd REALLY like's a good hot–stuff love story. You know—something MODERN.'

'Something modern? Something by Barbara Bedworthy for instance? Have you read Almost a Virgin?'

'Oh no, not her. She's too Deep. I can't bear Deep books. But I want something—well, YOU know—MODERN. Sex–problems and divorce and all that. YOU know.'

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