Джордж Оруэлл - Keep the Aspidistra Flying

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London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and ‘rather moth-eaten already,’ a poet whose one small book of verse has fallen ‘flatter than any pancake,’ Gordon has given up a ‘good’ job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), ‘If you have no money … women won’t love you.’ On the windowsill of Gordon’s shabby rooming-house room is a sickly but unkillable aspidistra–a plant he abhors as the banner of the sort of ‘mingy, lower-middle-class decency’ he is fleeing in his downward flight. Orwell’s darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls ‘the money-world’ in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all–that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end–a ‘happy’ ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell’s steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

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'But what am I to do, Gordon? What am I to do?'

At this moment the sun disappeared behind the clouds. It became perceptibly colder. After all, the scene was grotesque—the naked woman lying in the grass, the dressed man standing moodily by with his hands in his pockets. She'd catch her death of cold in another moment, lying there like that. The whole thing was absurd and indecent.

'But what else am I to do?' she repeated.

'I should think you might start by putting your clothes on,' he said coldly.

He had only said it to avenge his irritation; but its result was to make her so painfully and obviously embarrassed that he had to turn his back on her. She had dressed herself in a very few moments. As she knelt lacing up her shoes he heard her sniff once or twice. She was on the point of crying and was struggling to restrain herself. He felt horribly ashamed. He would have liked to throw himself on his knees beside her, put his arms round her, and ask her pardon. But he could do nothing of the kind; the scene had left him lumpish and awkward. It was with difficulty that he could command his voice even for the most banal remark.

'Are you ready?' he said flatly.

'Yes.'

They went back to the road, climbed through the wire, and started down the hill without another word. Fresh clouds were rolling across the sun. It was getting much colder. Another hour and the early dusk would have fallen. They reached the bottom of the hill and came in sight of the Ravenscroft Hotel, scene of their disaster.

'Where are we going?' said Rosemary in a small sulky voice.

'Back to Slough, I suppose. We must cross the bridge and have a look at the signposts.'

They scarcely spoke again till they had gone several miles. Rosemary was embarrassed and miserable. A number of times she edged closer to him, meaning to take his arm, but he edged away from her; and so they walked abreast with almost the width of the road between them. She imagined that she had offended him mortally. She supposed that it was because of his disappointment— because she had pushed him away at the critical moment—that he was angry with her; she would have apologized if he had given her a quarter of a chance. But as a matter of fact he was scarcely thinking of this any longer. His mind had turned away from that side of things. It was the money–business that was troubling him now—the fact that he had only eightpence in his pocket. In a very little while he would have to confess it. There would be the bus fares from Farnham to Slough, and tea in Slough, and cigarettes, and more bus fares and perhaps another meal when they got back to London; and just eightpence to cover the lot! He would have to borrow from Rosemary after all. And that was so damned humiliating. It is hateful to have to borrow money off someone you have just been quarrelling with. What nonsense it made of all his fine attitudes! There was he, lecturing her, putting on superior airs, pretending to be shocked because she took contraception for granted; and the next moment turning round and asking her for money! But there you are, you see, that's what money can do. There is no attitude that money or the lack of it cannot puncture.

By half past four it was almost completely dark. They tramped along misty roads where there was no illumination save the cracks of cottage windows and the yellow beam of an occasional car. It was getting beastly cold, too, but they had walked four miles and the exercise had warmed them. It was impossible to go on being unsociable any longer. They began to talk more easily and by degrees they edged closer together. Rosemary took Gordon's arm. Presently she stopped him and swung him round to face her.

'Gordon, WHY are you so beastly to me?'

'How am I beastly to you?'

'Coming all this way without speaking a word!'

'Oh, well!'

'Are you still angry with me because of what happened just now?'

'No. I was never angry with you. YOU'RE not to blame.'

She looked up at him, trying to divine the expression of his face in the almost pitch darkness. He drew her against him, and, as she seemed to expect it, tilted her face back and kissed her. She clung to him eagerly; her body melted against his. She had been waiting for this, it seemed.

'Gordon, you do love me, don't you?'

'Of course I do.'

'Things went wrong somehow. I couldn't help it. I got frightened suddenly.'

'It doesn't matter. Another time it'll be all right.'

She was lying limp against him, her head on his breast. He could feel her heart beating. It seemed to flutter violently, as though she were taking some decision.

'I don't care,' she said indistinctly, her face buried in his coat.

'Don't care about what?'

'The baby. I'll risk it. You can do what you like with me.'

At these surrendering words a weak desire raised itself in him and died away at once. He knew why she had said it. It was not because, at this moment, she really wanted to be made love to. It was from a mere generous impulse to let him know that she loved him and would take a dreaded risk rather than disappoint him.

'Now?' he said.

'Yes, if you like.'

He considered. He so wanted to be sure that she was his! But the cold night air flowed over them. Behind the hedges the long grass would be wet and chill. This was not the time or the place. Besides, that business of the eightpence had usurped his mind. He was not in the mood any longer.

'I can't,' he said finally.

'You can't! But, Gordon! I thought—'

'I know. But it's all different now.'

'You're still upset?'

'Yes. In a way.'

'Why?'

He pushed her a little away from him. As well have the explanation now as later. Nevertheless he was so ashamed that he mumbled rather than said:

'I've got a beastly thing to say to you. It's been worrying me all the way along.'

'What is it?'

'It's this. Can you lend me some money? I'm absolutely cleaned out. I had just enough money for today, but that beastly hotel bill upset everything. I've only eightpence left.'

Rosemary was amazed. She broke right out of his arms in her amazement.

'Only eightpence left! What ARE you talking about? What does it matter if you've only eightpence left?'

'Don't I tell you I shall have to borrow money off you in another minute? You'll have to pay for your own bus fares, and my bus fares, and your tea and Lord knows what. And I asked you to come out with me! You're supposed to be my guest. It's bloody.'

'Your GUEST! Oh, Gordon. Is THAT what's been worrying you all this time?'

'Yes.'

'Gordon, you ARE a baby! How can you let yourself be worried by a thing like that? As though I minded lending you money! Aren't I always telling you I want to pay my share when we go out together?'

'Yes, and you know how I hate your paying. We had that out the other night.'

'Oh, how absurd, how absurd you are! Do you think there's anything to be ashamed of in having no money?'

'Of course there is! It's the only thing in the world there IS to be ashamed of.'

'But what's it got to do with you and me making love, anyway? I don't understand you. First you want to and then you don't want to. What's money got to do with it?'

'Everything.'

He wound her arm in his and started down the road. She would never understand. Nevertheless he had got to explain.

'Don't you understand that one isn't a full human being—that one doesn't FEEL a human being—unless one's got money in one's pocket?'

'No. I think that's just silly.'

'It isn't that I don't want to make love to you. I do. But I tell you I can't make love to you when I've only eightpence in my pocket. At least when you know I've only eightpence. I just can't do it. It's physically impossible.'

'But why? Why?'

'You'll find it in Lempriere,' he said obscurely.

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