Джордж Оруэлл - Keep the Aspidistra Flying

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London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and ‘rather moth-eaten already,’ a poet whose one small book of verse has fallen ‘flatter than any pancake,’ Gordon has given up a ‘good’ job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), ‘If you have no money … women won’t love you.’ On the windowsill of Gordon’s shabby rooming-house room is a sickly but unkillable aspidistra–a plant he abhors as the banner of the sort of ‘mingy, lower-middle-class decency’ he is fleeing in his downward flight. Orwell’s darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls ‘the money-world’ in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all–that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end–a ‘happy’ ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell’s steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

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'Of course it all comes back to money.'

This remark came out of the blue. She looked up at him in surprise.

'What do you mean, it all comes back to money?'

'I mean the way nothing ever goes right in my life. It's always money, money, money that's at the bottom of everything. And especially between me and you. That's why you don't really love me. There's a sort of film of money between us. I can feel it every time I kiss you.'

'Money! What HAS money got to do with it, Gordon?'

'Money's got to do with everything. If I had more money you'd love me more.'

'Of course, I wouldn't! Why should I?'

'You couldn't help it. Don't you see that if I had more money I'd be more worth loving? Look at me now! Look at my face, look at these clothes I'm wearing, look at everything else about me. Do you suppose I'd be like that if I had two thousand a year? If I had more money I should be a different person.'

'If you were a different person I shouldn't love you.'

'That's nonsense, too. But look at it like this. If we were married would you sleep with me?'

'What questions you do ask! Of course I would. Otherwise, where would be the sense of being married?'

'Well then, suppose I was decently well off, WOULD you marry me?'

'What's the good of talking about it, Gordon? You know we can't afford to marry.'

'Yes, but IF we could. Would you?'

'I don't know. Yes, I would, I dare say.'

'There you are, then! That's what I said—money!'

'No, Gordon, no! That's not fair! You're twisting my words round.'

'No, I'm not. You've got this money–business at the bottom of your heart. Every woman's got it. You wish I was in a GOOD job now, don't you?'

'Not in the way you mean it. I'd like you to be earning more money—yes.'

'And you think I ought to have stayed on at the New Albion, don't you? You'd like me to go back there now and write slogans for Q. T. Sauce and Truweet Breakfast Crisps. Wouldn't you?'

'No, I wouldn't. I NEVER said that.'

'You thought it, though. It's what any woman would think.'

He was being horribly unfair, and he knew it. The one thing Rosemary had never said, the thing she was probably quite incapable of saying, was that he ought to go back to the New Albion. But for the moment he did not even want to be fair. His sexual disappointment still pricked him. With a sort of melancholy triumph he reflected that, after all, he was right. It was money that stood between them. Money, money, all is money! He broke into a half–serious tirade:

'Women! What nonsense they make of all our ideas! Because one can't keep free of women, and every woman makes one pay the same price. "Chuck away your decency and make more money"—that's what women say. "Chuck away your decency, suck the blacking off the boss's boots, and buy me a better fur coat than the woman next door." Every man you can see has got some blasted woman hanging round his neck like a mermaid, dragging him down and down—down to some beastly little semi–detached villa in Putney, with hire– purchase furniture and a portable radio and an aspidistra in the window. It's women who make all progress impossible. Not that I believe in progress,' he added rather unsatisfactorily.

'What absolute NONSENSE you do talk, Gordon! As though women were to blame for everything!'

'They are to blame, finally. Because it's the women who really believe in the money–code. The men obey it; they have to, but they don't believe in it. It's the women who keep it going. The women and their Putney villas and their fur coats and their babies and their aspidistras.'

'It is NOT the women, Gordon! Women didn't invent money, did they?'

'It doesn't matter who invented it, the point is that it's women who worship it. A woman's got a sort of mystical feeling towards money. Good and evil in a women's mind mean simply money and no money. Look at you and me. You won't sleep with me, simply and solely because I've got no money. Yes, that IS the reason. (He squeezed her arm to silence her.) You admitted it only a minute ago. And if I had a decent income you'd go to bed with me tomorrow. It's not because you're mercenary. You don't want me to PAY you for sleeping with me. It's not so crude as that. But you've got that deep–down mystical feeling that somehow a man without money isn't worthy of you. He's a weakling, a sort of half–man—that's how you feel. Hercules, god of strength and god of money—you'll find that in Lempriere. It's women who keep all mythologies going. Women!'

'Women!' echoed Rosemary on a different note. 'I hate the way men are always talking about WOMEN. "Women do this," and "WOMEN do that"—as though all women were exactly the same!'

'Of course all women are the same! What does any woman want except a safe income and two babies and a semi–detached villa in Putney with an aspidistra in the window?'

'Oh, you and your aspidistras!'

'On the contrary, YOUR aspidistras. You're the sex that cultivates them.'

She squeezed his arm and burst out laughing. She was really extraordinarily good–natured. Besides, what he was saying was such palpable nonsense that it did not even exasperate her. Gordon's diatribes against women were in reality a kind of perverse joke; indeed, the whole sex–war is at bottom only a joke. For the same reason it is great fun to pose as a feminist or an anti–feminist according to your sex. As they walked on they began a violent argument upon the eternal and idiotic question of Man versus Woman. The moves in this argument—for they had it as often as they met— were always very much the same. Men are brutes and women are soulless, and women have always been kept in subjection and they jolly well ought to be kept in subjection, and look at Patient Griselda and look at Lady Astor, and what about polygamy and Hindu widows, and what about Mother Pankhurst's piping days when every decent woman wore mousetraps on her garters and couldn't look at a man without feeling her right hand itch for a castrating knife? Gordon and Rosemary never grew tired of this kind of thing. Each laughed with delight at the other's absurdities. There was a merry war between them. Even as they disputed, arm in arm, they pressed their bodies delightedly together. They were very happy. Indeed, they adored one another. Each was to the other a standing joke and an object infinitely precious. Presently a red and blue haze of Neon lights appeared in the distance. They had reached the beginning of the Tottenham Court Road. Gordon put his arm round her waist and turned her to the right, down a darkish side–street. They were so happy together that they had got to kiss. They stood clasped together under the lamp–post, still laughing, two enemies breast to breast. She rubbed her cheek against his.

'Gordon, you are such a dear old ass! I can't help loving you, scrubby jaw and all.'

'Do you really?'

'Really and truly.'

Her arms still round him, she leaned a little backwards, pressing her belly against his with a sort of innocent voluptuousness.

'Life IS worth living, isn't it, Gordon?'

'Sometimes.'

'If only we could meet a bit oftener! Sometimes I don't see you for weeks.'

'I know. It's bloody. If you knew how I hate my evenings alone!'

'One never seems to have time for anything. I don't even leave that beastly office till nearly seven. What do you do with yourself on Sundays, Gordon?'

'Oh, God! Moon about and look miserable, like everyone else.'

'Why not let's go out for a walk in the country sometimes. Then we would have all day together. Next Sunday, for instance?'

The words chilled him. They brought back the thought of money, which he had succeeded in putting out of his mind for half an hour past. A trip into the country would cost money, far more than he could possibly afford. He said in a non–committal tone that transferred the whole thing to the realm of abstraction:

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