Уилки Коллинз: Heart and Science: A Story of the Present Time

“Ovid is so sadly overworked, my dear, that I actually rejoice in his giving up practice, and going away from us to-morrow. We will leave you for the present with your old friend. Pray ring, if you want anything.” She kissed her hand to Carmina, and, beckoning to her son, advanced towards the door.

Teresa looked at her, and suddenly looked away again. Mrs. Gallilee stopped on her way out, at a chiffonier, and altered the arrangement of some of the china on it. The duenna followed on tiptoe—folded her thumb and two middle fingers into the palm of her hand—and, stretching out the forefinger and the little finger, touched Mrs. Gallilee on the back, so softly that she was unaware of it. “The Evil Eye,” Teresa whispered to herself in Italian, as she stole back to her place.

Ovid lingered near his cousin: neither of them had seen what Teresa had done. He rose reluctantly to go. Feeling his little attentions gratefully, Carmina checked him with innocent familiarity as he left his chair. “I must thank you,” she said, simply; “it seems hard indeed that you, who cure others, should suffer from illness yourself.”

Teresa, watching them with interest, came a little nearer.

She could now examine Ovid’s face with close and jealous scrutiny. Mrs. Gallilee reminded her son that she was waiting for him. He had some last words yet to say. The duenna drew back from the sofa, still looking at Ovid: she muttered to herself, “Holy Teresa, my patroness, show me that man’s soul in his face!” At last, Ovid took his leave. “I shall call and see how you are to-morrow,” he said, “before I go.” He nodded kindly to Teresa. Instead of being satisfied with that act of courtesy, she wanted something more. “May I shake hands?” she asked. Mrs. Gallilee was a Liberal in politics; never had her principles been tried, as they were tried when she heard those words. Teresa wrung Ovid’s hand with tremulous energy—still intent on reading his character in his face. He asked her, smiling, what she saw to interest her. “A good man, I hope,” she answered, sternly. Carmina and Ovid were amused. Teresa rebuked them, as if they had been children. “Laugh at some fitter time,” she said, “not now.”

Descending the stairs, Mrs. Gallilee and Ovid met the footman. “Mr. Mool is in the library, ma’am,” the man said.

“Have you anything to do, Ovid, for the next half-hour?” his mother asked.

“Do you wish me to see Mr. Mool? If it’s law-business, I am afraid I shall not be of much use.”

“The lawyer is here by appointment, with a copy of your late uncle’s Will,” Mrs. Gallilee answered. “You may have some interest in it. I think you ought to hear it read.”

Ovid showed no inclination to adopt this proposal. He asked an idle question. “I heard of their finding the Will—are there any romantic circumstances?”

Mrs. Gallilee surveyed her son with an expression of good-humoured contempt. “What a boy you are, in some things! Have you been reading a novel lately? My dear, when the people in Italy made up their minds, at last, to have the furniture in your uncle’s room taken to pieces, they found the Will. It had slipped behind a drawer, in a rotten old cabinet, full of useless papers. Nothing romantic (thank God!), and nothing (as Mr. Mool’s letter tells me) that can lead to misunderstandings or disputes.”

Ovid’s indifference was not to be conquered. He left it to his mother to send him word if he had a legacy “I am not as much interested in it as you are,” he explained. “Plenty of money left to you, of course?” He was evidently thinking all the time of something else.

Mrs. Gallilee stopped in the hall, with an air of downright alarm.

“Your mind is in a dreadful state,” she said.

“Have you really forgotten what I told you, only yesterday? The Will appoints me Carmina’s guardian.”

He had plainly forgotten it—he started, when his mother recalled the circumstance. “Curious,” he said to himself, “that I was not reminded of it, when I saw Carmina’s rooms prepared for her.” His mother, anxiously looking at him, observed that his face brightened when he spoke of Carmina. He suddenly changed his mind.

“Make allowances for an overworked man,” he said. “You are quite right. I ought to hear the Will read—I am at your service.”

Even Mrs. Gallilee now drew the right inference at last. She made no remark. Something seemed to move feebly under her powder and paint. Soft emotion trying to find its way to the surface? Impossible!

As they entered the library together, Miss Minerva returned to the schoolroom. She had lingered on the upper landing, and had heard the conversation between mother and son.

The library at Fairfield Gardens possessed two special attractions, besides the books. It opened into a large conservatory; and it was adorned by an admirable portrait of Mrs. Gallilee, painted by her brother.

Waiting the appearance of the fair original, Mr. Mool looked at the portrait, and then mentally reviewed the history of Mrs. Gallilee’s family. What he did next, no person acquainted with the habits of lawyers will be weak enough to believe. Mr. Mool blushed.

Is this the language of exaggeration, describing a human anomaly on the roll of attorneys? The fact shall be left to answer the question. Mr. Mool had made a mistake in his choice of a profession. The result of the mistake was—a shy lawyer.

Attended by such circumstances as these, the history of the family assumes, for the moment, a certain importance. It is connected with a blushing attorney. It will explain what happened on the reading of the Will. And it is sure beforehand of a favourable reception—for it is all about money.

Old Robert Graywell began life as the son of a small farmer. He was generally considered to be rather an eccentric man; but prospered, nevertheless, as a merchant in the city of London. When he retired from business, he possessed a house and estate in the country, and a handsome fortune safely invested in the Funds.

His children were three in number:—his son Robert, and his daughters Maria and Susan.

The death of his wife, to whom he was devotedly attached, was the first serious calamity of his life. He retired to his estate a soured and broken man. Loving husbands are not always, as a necessary consequence, tender fathers. Old Robert’s daughters afforded him no consolation on their mother’s death. Their anxiety about their mourning dresses so disgusted him that he kept out of their way. No extraordinary interest was connected with their prospects in life: they would be married—and there would be an end of them. As for the son, he had long since placed himself beyond the narrow range of his father’s sympathies. In the first place, his refusal to qualify himself for a mercantile career had made it necessary to dispose of the business to strangers. In the second place, young Robert Graywell proved—without any hereditary influence, and in the face of the strongest discouragement—to be a born painter! One of the greatest artists of that day saw the boy’s first efforts, and pronounced judgment in these plain words: “What a pity he has not got his bread to earn by his brush!”

On the death of old Robert, his daughters found themselves (to use their own expression) reduced to a trumpery legacy of ten thousand pounds each. Their brother inherited the estate, and the bulk of the property—not because his father cared about founding a family, but because the boy had always been his mother’s favourite.

The first of the three children to marry was the eldest sister.

Maria considered herself fortunate in captivating Mr. Vere—a man of old family, with a high sense of what he owed to his name. He had a sufficient income, and he wanted no more. His wife’s dowry was settled on herself. When he died, he left her a life-interest in his property amounting to six hundred a year. This, added to the annual proceeds of her own little fortune, made an income of one thousand pounds. The remainder of Mr. Vere’s property was left to his only surviving child, Ovid.