Дэшил Хэммет - The Hunter and Other Stories

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The Hunter and Other Stories: краткое содержание, описание и аннотация

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Twenty-one unknown works from America's hard-boiled legend A dogged P. I. who sees no reason to temper justice with mercy. A boxer whose fears lie outside the ring. A magician with a perilous dedication to his craft. An accidental hero struggling to redefine his identity. Lovers tangled in the attractions and regrets of their relationship. Sam Spade in the one murder mystery he'll never solve. These and other terrific tales make up The Hunter and Other Stories, a landmark literary publication from one of the greatest writers of the twentieth century, Dashiell Hammett. This collection introduces a dozen never-before-published stories gleaned from Hammett’s archives, revives five seldom seen short-fiction narratives, unveils three screen treatments unearthed from film-industry files, and concludes with an unfinished Sam Spade adventure discovered in a private collection. Hammett is regarded as a pioneer and master of hard-boiled detective fiction, but these works show him in a broader light. His shrewd explorations of failed romance, hypocrisy, crass opportunism, and courage in the face of conflict will both reshape his legacy and reconfirm his extraordinary genius for dialogue, plot, and character.
This book’s full-length screen treatments include "On the Make,” the basis for the rarely screened 1935 film Mr. Dynamite — with a corrupt detective who never misses an opportunity to take advantage of his clients rather than help them—and "The Kiss-Off," the story for City Streets (1931), starring Sylvia Sydney and Gary Cooper, who play two people caught in a romance complicated by racketeering’s obligations and temptations. Containing perceptive commentary from distinguished Hammett biographer Richard Layman and Hammett’s granddoughter Julie M. Rivett, The Hunter and Other Stories will be a beloved addition to the canon for longtime Hammett fans and an uniquing introduction a new generation to one of the most influential voices in American fiction.

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“I then tried the camouflage, picked up the box, walked to the center of the room. The hat and muffler concealed the hole. I then walked to the table and replaced the box, this time casually alongside the hat, deftly putting the end in the hole. The hat moved only a few inches and the muffler hung over the brim, perfectly hiding and shadowing the trap, though most of the box was clearly visible. It looked perfectly natural. I then placed the box farther out, moved the hat against the hole, and the trap was arranged.

“Now to try my experiment in human credulity. I telephoned Berthier’s. Armand came immediately. ‘Hazim,’ I said. ‘I wish to ask you a favor.’ Armand recognized my voice, and inquired if I were carrying myself well. ‘My dear friend,’ I began in English, ‘I have found that the Genoa train leaves at five o’clock, and I am in a dreadful rush and am not half packed. I have the money here in my hotel. Could you conceivably bring me the necklace and collect the money here? It would help me tremendously.’

“I also suggested that Armand bring someone with him for safety’s sake, as four million in notes, which had to be expedited through two branch banks, was not an affair to treat lightly. Someone might know about it. I knew Berthier’s would certainly have Armand guarded, with one or perhaps two assistants.

“Armand was audibly distressed, and asked me to wait. It seemed like an hour before the response came. ‘Yes, Mr. Hazim, we shall be pleased to deliver the necklace on receipt of the funds. I shall come with a man from our regular service and will have the statement ready to sign.’

“I urged him to hurry, and said I would be glad to turn over the money, as the presence of such an amount in my rooms made me nervous.

“That was exactly three fifteen. I quickly arranged the chairs so two or three would have to sit well away from the table. I laid my bearskin over the chair nearest the table. I opened the trunk as if I were packing. I telephoned the clerk to be sure to send my visitors to the salon door of my suite.

“My cap and long coat were ready in the bedroom. The door into the hall was almost closed, but not latched, so I would not have to turn the knob. I quickly removed my coat and vest, and laid them on a chair in the bedroom, ready to spring into. I wore a shirt with a soft collar attached. I removed my ready-tied cravat and hung it over a towel rack and turned my collar inside very carelessly as if for shaving purposes.

“In the bowl I prepared some shaving lather, and when that was all ready I was all set for making off with the prince’s necklace and that other one — if it came.

“I’ll admit I was nervous. I was considering the whole plot as a rather absurd enterprise, and all I could think of was the probably alert eyes and ears of the two or more suspicious employees on the glove box.”

IV

“They arrived at twenty-five minutes to four. There were only two of them. I hastily lathered the edges of my spreading beard, and called out sharply for them to enter. The boy showed in Armand and a dapper individual who was evidently a house detective of Berthier’s. Armand was all solicitude. I shook hands with him with two dry fingers, holding a towel with the other hand, as I had wished to make it apparent that I was deep in a shaving operation.

“ ‘Just edging off my beard a little.’

“The two men were quite complacent.

“ ‘And the necklace?’ I asked eagerly.

“Armand drew the case from inside his coat and opened it before my eyes. We all moved toward the window. I was effusive in my admiration of the gems. I fluttered about much like the old fool that I probably am, and finally urged them to sit down.

“I then brought the glove box and showed the prince’s necklace to both of them, and continued raving about both necklaces.

“We compared the two. The Indian was, of course, even more magnificent by contrast. The detective laid the smaller necklace back in the box, while I asked Armand to lay the big one over it in the box into which I was going to pack some cotton. My glove box was smaller and therefore easier and safer to carry, I said. I held the box open while Armand laid the necklace gingerly inside. I was careful to avoid getting the soap on the box, so I replaced it gently on the table near the hat, getting the end squarely against the hole. It seemed I had plenty of time.

“I even lingered over the box and wiped off a wayward fleck of soapsuds. The trap was set. I could not believe that the rest would be so easy, and I had to make an effort to conceal my nervousness.

“The two men sat near each other. I explained that as soon as I could clear the soap off my face I would get the sack of money and transact the business. I took Armand’s blue box from Berthier’s and threw it in the top tray of the trunk. They appeared to be the most unsuspecting creatures. They took proffered cigarettes and lighted up, whereupon I went directly into the bathroom, still carrying my towel. I dropped that towel. My briquette was there on the washstand. I hummed lightly as I turned on the hot water in the tub. It spouted out in a steaming, gushing stream. Quickly I held the lighted briquette at the hole, caught the gleam of the warped mother-of-pearl, and pulled at it with the wire.

“It brought the end down noiselessly on the folded napkin in the hole. The jewels blazed like fire. My hand shook as I made one savage jab at the pile with the long hook and felt the ineffable resistance of the two necklaces being pulled out together. I was afraid I might have to hook one at a time, but I caught just the right loops, and they came forward almost noiselessly along the napkin to where my left hand waited.

“I touched the first stone. It was the big necklace, the smaller one being underneath. My heart leaped as I saw the big pendant on one side of the heap not far from the cabochon emerald. I laid down the wire and drew them out deftly with my fingers, the gems piling richly in my spread-out left hand, until the glittering pile was free. I thrust them with one movement of my clutching fingers deep into the left pocket of my trousers. The water was churning in my ears like a cascade.

“I shut off the tap and purposely knocked the soap into the tub to make a noise, and walked into the bedroom, grabbing my cravat off the rack as I went. That was a glorious moment. The bedroom was dark. The door was unlatched. The diamonds were in my pocket. The way was clear.

“I pulled up my shirt collar, stuck on the cravat, and fixed it neatly as I reached the chair where my coat and vest lay. I plunged into them, buttoned the vest with one hand, and reached for my long coat and cap with the other. In a second I was slipping noiselessly through the door into the hall, my cap on my head, my coat over my arm.

“I had to restrain myself from running down that hall. I was in flight. It was a great thrill, to be moving away, each second taking me farther away from the enemy in that salon. Even if they are investigating at this moment, I thought, I should escape easily.

“I was gliding down those six flights of steps gleefully, released from the most tense moments I had ever gone through, when suddenly a horrible thought assailed me. What if Berthier’s had posted a detective at the hotel door. I could see my plans crashing ignominiously. I stopped and reflected. The hotel has two entrances; therefore the third person, if he is there, must be in the lobby and therefore not far from the elevator and stairway.

“I thought fast, and it was a good thing I did. I was then on the second floor. I called the floor boy, turning around quickly as if mounting instead of descending.

“ ‘Will you go to the lobby and ask if there is a man from Berthier’s waiting? If he is there, will you tell him to come up to apartment 615 immediately?’

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