Дэшил Хэммет - The Hunter and Other Stories

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Twenty-one unknown works from America's hard-boiled legend A dogged P. I. who sees no reason to temper justice with mercy. A boxer whose fears lie outside the ring. A magician with a perilous dedication to his craft. An accidental hero struggling to redefine his identity. Lovers tangled in the attractions and regrets of their relationship. Sam Spade in the one murder mystery he'll never solve. These and other terrific tales make up The Hunter and Other Stories, a landmark literary publication from one of the greatest writers of the twentieth century, Dashiell Hammett. This collection introduces a dozen never-before-published stories gleaned from Hammett’s archives, revives five seldom seen short-fiction narratives, unveils three screen treatments unearthed from film-industry files, and concludes with an unfinished Sam Spade adventure discovered in a private collection. Hammett is regarded as a pioneer and master of hard-boiled detective fiction, but these works show him in a broader light. His shrewd explorations of failed romance, hypocrisy, crass opportunism, and courage in the face of conflict will both reshape his legacy and reconfirm his extraordinary genius for dialogue, plot, and character.
This book’s full-length screen treatments include "On the Make,” the basis for the rarely screened 1935 film Mr. Dynamite — with a corrupt detective who never misses an opportunity to take advantage of his clients rather than help them—and "The Kiss-Off," the story for City Streets (1931), starring Sylvia Sydney and Gary Cooper, who play two people caught in a romance complicated by racketeering’s obligations and temptations. Containing perceptive commentary from distinguished Hammett biographer Richard Layman and Hammett’s granddoughter Julie M. Rivett, The Hunter and Other Stories will be a beloved addition to the canon for longtime Hammett fans and an uniquing introduction a new generation to one of the most influential voices in American fiction.

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“A dollar and a quarter a basket. We ought to average around a dollar seventy-five for the cauliflower, if the truck strike in New York doesn’t fix us.”

He nodded. “Are you going to be around this afternoon?”

“If you want me. I was going over to Doctor Klauber’s for lunch.”

“No, go ahead, son,” he said. “She seems like a nice healthy girl.”

I laughed and said, “She wants to get in the movies and/or marry a millionaire.”

“All young girls have notions,” he told me as I followed him into the house.

Christina, now in tan skirt and beige sweater, was saying, “Let Felix get some clothes on so we can eat.”

He said, “Don’t wait for me,” disentangled himself from Alice and Sue and went upstairs three steps at a time.

Alice and Sue were identical twins — though anybody could tell them apart — and were just a couple of weeks past their sixteenth birthday. Alice was very secretly engaged to a boy named Painter who spent most of his time tinkering with outboard motors until he had them in shape to swap them for better ones and then fixing those up to trade for still better ones and so on and on. There must have been something wrong with his system somewhere or he would have owned the Queen Mary’s engines by this time. Nobody knew about the engagement except people Alice talked to. Sue was the dominant partner in the twinship: Wally thought she had designs on a boy of her own and had made Alice snare Painter so she could see how an engagement at that age worked out before risking such a serious step herself. I didn’t think she was that subtle.

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