Уилки Коллинз - Hide and Seek

“It can’t be that tiresome old Lady Brambledown come to worry you again about altering her picture,” said Mrs. Blyth.

“Stop! surely it isn’t—” began Valentine. But before he could say another word, the door opened; and, to the utter amazement of everybody but the poor girl whose ear no voice could reach, the servant announced:

“MRS. PECKOVER.”

Time had lavishly added to Mrs. Peckover’s size, but had generously taken little or nothing from her in exchange. Her hair had certainly turned grey since the period when Valentine first met her at the circus; but the good-humored face beneath was just as hearty to look at now, as ever it had been in former days. Her cheeks had ruddily expanded; her chin had passed from the double to the triple stage of jovial development—any faint traces of a waist which she might formerly have possessed were utterly obliterated—but it was pleasantly evident, to judge only from the manner of her bustling entry into Mrs. Blyth’s room, that her active disposition had lost nothing of its early energy, and could still gaily defy all corporeal obstructions to the very last.

Nodding and smiling at Mr. and Mrs. Blyth, and Zack, till her vast country bonnet trembled aguishly on her head, the good woman advanced, shaking every moveable object in the room, straight to the tea-table, and enfolded Madonna in her capacious arms. The girl’s light figure seemed to disappear in a smothering circumambient mass of bonnet ribbons and unintelligible drapery, as Mrs. Peckover saluted her with a rattling fire of kisses, the report of which was audible above the voluble talking of Mr. Blyth and the boisterous laughter of Zack.

“I’ll tell you all about how I came here directly, sir; only I couldn’t help saying how-d’ye-do in the old way to little Mary to begin with,” said Mrs. Peckover apologetically. It had been found impossible to prevail on her to change the familiar name of “little Mary,” which she had pronounced so often and so fondly in past years, for the name which had superseded it in Valentine’s house. The truth was, that this worthy creature knew nothing whatever about Raphael; and, considering “Madonna” to be an outlandish foreign word intimately connected with Guy Fawkes and the Gunpowder Plot, firmly believed that no respectable Englishwoman ought to compromise her character by attempting to pronounce it.

“I’ll tell you, sir—I’ll tell you directly why I’ve come to London,” repeated Mrs. Peckover, backing majestically from the tea-table, and rolling round easily on her own axis in the direction of the couch, to ask for the fullest particulars of the state of Mrs. Blyth’s health.

“Much better, my good friend—much better,” was the cheerful answer; “but do tell us (we are so glad to see you!) how you came to surprise us all in this way?”

“Well, ma’am,” began Mrs. Peckover, “it’s almost as great a surprise to me to be in London, as it is—Be quiet, young Good-for-Nothing; I won’t even shake hands with you if you don’t behave yourself!” These last words she addressed to Zack, whose favorite joke it had always been, from the day of their first acquaintance at Valentine’s house, to pretend to be violently in love with her. He was now standing with his arms wide open, the toasting-fork in one hand and the muffin he had burnt in the other, trying to look languishing, and entreating Mrs. Peckover to give him a kiss.

“When you know how to toast a muffin properly, p’raps I may give you one,” said she, chuckling as triumphantly over her own small retort as if she had been a professed wit. “Do, Mr. Blyth, sir, please to keep him quiet, or I shan’t be able to get on with a single word of what I’ve got to say. Well, you see, ma’am, Doctor Joyce—”

“How is he?” interrupted Valentine, handing Mrs. Peckover a cup of tea.

“He’s the best gentleman in the world, sir, but he will have his glass of port after dinner; and the end of it is, he’s laid up again with the gout.”

“And Mrs. Joyce?”

“Laid up too, sir—it’s a dreadful sick house at the Rectory—laid up with the inferlenzer.”

“Have any of the children caught the influenza too?” asked Mrs. Blyth. “I hope not.”

“No, ma’am, they’re all nicely, except the youngest; and it’s on account of her—don’t you remember her, sir, growing so fast, when you was last at the Rectory?—that I’m up in London.

“Is the child ill?” asked Valentine anxiously. “She’s such a picturesque little creature, Lavvie! I long to paint her.”

“I’m afraid, sir, she’s not fit to be put into a picter now,” said Mrs. Peckover. “Mrs. Joyce is in sad trouble about her, because of one of her shoulders which has growed out somehow. The doctor at Rubbleford don’t doubt but what it may be got right again; but he said she ought to be shown to some great London doctor as soon as possible. So, neither her papa nor her mamma being able to take her up to her aunt’s house, they trusted her to me. As you know, sir, ever since Doctor Joyce got my husband that situation at Rubbleford, I’ve been about the Rectory, helping with the children and the housekeeping, and all that:—and Miss Lucy being used to me, we come along together in the railroad quite pleasant and comfortable. I was glad enough, you may be sure, of the chance of getting here, after not having seen little Mary for so long. So I just left Miss Lucy at her aunt’s, where they were very kind, and wanted me to stop all night. But I told them that, thanks to your goodness, I always had a bed here when I was in London; and I took the cab on, after seeing the little girl safe and comfortable up-stairs. That’s the whole story of how I come to surprise you in this way, ma’am,—and now I’ll finish my tea.”

Having got to the bottom of her cup, and to the end of a muffin amorously presented to her by the incorrigible Zack, Mrs. Peckover had leisure to turn again to Madonna; who, having relieved her of her bonnet and shawl, was now sitting close at her side.

“I didn’t think she was looking quite so well as usual, when I first come in,” said Mrs. Peckover, patting the girl’s cheek with her chubby fingers; “but she seems to have brightened up again now.” (This was true: the sad stillness had left Madonna’s face, at sight of the friend and mother of her early days.) “Perhaps she’s been sticking a little too close to her drawing lately—”

“By the bye, talking of drawings, what’s become of my drawing?” cried Zack, suddenly recalled for the first time to the remembrance of Madonna’s gift.

“Dear me!” pursued Mrs. Peckover, looking towards the three drawing-boards, which had been placed together round the pedestal of the cast; “are all those little Mary’s doings? She’s cleverer at it, I suppose, by this time, than ever. Ah, Lord! what an old woman I feel, when I think of the many years ago—”

“Come and look at what she has done to-night,” interrupted Valentine, taking Mrs. Peckover by the arm, and pressing it very significantly as he glanced at the part of the table where young Thorpe was sitting.

“My drawing—where’s my drawing?” repeated Zack. “Who put it away when tea came in? Oh, there it is, all safe on the book case.”

“I congratulate you, sir, on having succeeded at last in remembering that there is such a thing in the world as Madonna’s present,” said Mrs. Blyth sarcastically.

Zack looked up bewildered from his tea, and asked directly what those words meant.

“Oh, never mind,” said Mrs. Blyth in the same tone, “they’re not worth explaining. Did you ever hear of a young gentleman who thought more of a plate of muffins than of a lady’s gift? I dare say not! I never did. It’s too ridiculously improbable to be true, isn’t it? There! don’t speak to me; I’ve got a book here that I want to finish. No, it’s no use; I shan’t say another word.”