Уилки Коллинз - Rambles Beyond Railways; or, Notes in Cornwall taken A-foot

We happened to arrive at the well at the period when the villagers were going home to dinner. After the first quarter of an hour, we were left almost alone among the ruins. The only person who approached to speak to us was a poor old woman, bent and tottering with age, who lived in a little cottage hard by. She brought us a glass, thinking we might wish to taste the water of the spring; and presented me with a rose out of her garden. Such small scraps of information as she had gathered together about the well, she repeated to us in low, reverential tones, as if its former religious uses still made it an object of veneration in her eyes. After a time, she too quitted us; and we were then left quite alone by the side of the spring.

It was a bright, sunshiny day; a pure air was abroad; nothing sounded audibly but the singing of birds at some distance, and the rustling of the few leaves that clothed one or two young trees in a neighbouring garden. Unoccupied though I was, the minutes passed away as quickly and as unheeded with me, as with my companion who was busily engaged in sketching. The ruins of the ancient Oratory, viewed amid the pastoral repose of all things around them, began imperceptibly to exert over me that mysterious power of mingling the impressions of the present with the memories of the past, which all ruins possess. While I sat looking idly into the water of the well, and thinking of the groups that had gathered round it in years long gone by, recollections began to rise vividly on my mind of other ruins that I had seen in other countries, with friends, some scattered, some gone now—of pleasant pilgrimages, in boyish days, along the storied shores of Baiæ, or through the desolate streets of the Dead City under Vesuvius—of happy sketching excursions to the aqueducts on the plains of Rome, or to the temples and villas of Tivoli; during which, I had first learned to appreciate the beauties of Nature under guidance which, in this world, I can never resume; and had seen the lovely prospects of Italian landscape pictured by a hand now powerless in death. Remembrances such as these, of pleasures which remembrance only can recall as they were, made time fly fast for me by the brink of the holy well. I could have sat there all day, and should not have felt, at night, that the day had been ill spent.

But the sunlight began to warn us that noon was long past. We had some distance yet to walk, and many things more to see. Shortly after my friend had completed his sketch, therefore, we reluctantly left St. Clare's Well, and went on our way briskly, up the little valley, and out again on the wide surface of the moor.

It was now our object to steer a course over the wide plain around us, leading directly to the "Cheese-Wring" rocks (so called from their supposed resemblance to a Cornish cheese-press or " wring "). On our road to this curiosity, about a mile and a half from St. Clare's Well, we stopped to look at one of the most perfect and remarkable of the ancient British monuments in Cornwall. It is called Trevethey Stone, and consists of six large upright slabs of granite, overlaid by a seventh, which covers them in the form of a rude, slanting roof. These slabs are so irregular in form as to look quite unhewn. They all vary in size and thickness. The whole structure rises to a height, probably, of fourteen feet; and, standing as it does on elevated ground, in a barren country, with no stones of a similar kind erected near it, presents an appearance of rugged grandeur and aboriginal simplicity, which renders it an impressive, almost a startling object to look on. Antiquaries have discovered that its name signifies The Place of Graves; and have discovered no more. No inscription appears on it; the date of its erection is lost in the darkest of the dark periods of English history.

Our path had been gradually rising all the way from St. Clare's Well; and, when we left Trevethey Stone, we still continued to ascend, proceeding along the tram-way leading to the Caraton Mine. Soon the scene presented another abrupt and extraordinary change. We had been walking hitherto amid almost invariable silence and solitude; but now, with each succeeding minute, strange, mingled, unintermitting noises began to grow louder and louder around us. We followed a sharp curve in the tram-way, and immediately found ourselves saluted by an entirely new prospect, and surrounded by an utterly bewildering noise. All about us monstrous wheels were turning slowly; machinery was clanking and groaning in the hoarsest discords; invisible waters were pouring onward with a rushing sound; high above our heads, on skeleton platforms, iron chains clattered fast and fiercely over iron pulleys, and huge steam pumps puffed and gasped, and slowly raised and depressed their heavy black beams of wood. Far beneath the embankment on which we stood, men, women, and children were breaking and washing ore in a perfect marsh of copper-coloured mud and copper-coloured water. We had penetrated to the very centre of the noise, the bustle, and the population on the surface of a great mine.

When we walked forward again, we passed through a thick plantation of young firs; and then, the sounds behind us became slowly and solemnly deadened the further we went on. When we had arrived at the extremity of the line of trees, they ceased softly and suddenly. It was like a change in a dream.

We now left the tram-way, and stood again on the moor—on a wilder and lonelier part of it than we had yet beheld. The Cheese-Wring and its adjacent rocks were visible a mile and a half away, on the summit of a steep hill. Wherever we looked, the horizon was bounded by the long, dark, undulating edges of the moor. The ground rose and fell in little hillocks and hollows, tufted with dry grass and furze, and strewn throughout with fragments of granite. The whole plain appeared like the site of an ancient city of palaces, overthrown and crumbled into atoms by an earthquake. Here and there, some cows were feeding; and sometimes a large crow winged his way lazily before us, lessening and lessening slowly in the open distance, until he was lost to sight. No human beings were discernible anywhere; the majestic loneliness and stillness of the scene were almost oppressive both to eye and ear. Above us, immense fleecy masses of brilliant white cloud, wind-driven from the Atlantic, soared up grandly, higher and higher over the bright blue sky. Everywhere, the view had an impressively stern, simple, aboriginal look. Here were tracts of solitary country which had sturdily retained their ancient character through centuries of revolution and change; plains pathless and desolate even now, as when Druid processions passed over them by night to the place of the secret sacrifice, and skin-clad warriors of old Britain halted on them in council, or hurried across them to the fight.

On we went, up and down, in a very zig-zag course, now looking forward towards the Cheese-Wring from the top of a rock, now losing sight of it altogether in the depths of a hollow. By the time we had advanced about half way over the distance it was necessary for us to walk, we observed, towards the left hand, a wide circle of detached upright rooks. These we knew, from descriptions and engravings, to be the "Hurlers"—so we turned aside at once to look at them from a nearer point of view.

There are two very different histories of these rocks; the antiquarian account of them is straightforward and practical enough, simply asserting that they are the remains of a Druid temple, the whole region about them having been one of the principal stations of the Druids in Cornwall. The popular account of the Hurlers (from which their name is derived) is very different. It is contended, on the part of the people, that once upon a time (nobody knows how long ago), these rocks were Cornish men, who profanely went out (nobody knows from what place), to enjoy the national sport of hurling the ball on one fine "Sabbath morning," and were suddenly turned into pillars of stone, as a judgment on their own wickedness, and a warning to all their companions as well.