Уилки Коллинз - Rambles Beyond Railways; or, Notes in Cornwall taken A-foot
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- Название:Rambles Beyond Railways; or, Notes in Cornwall taken A-foot
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- Год:2009
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Rambles Beyond Railways; or, Notes in Cornwall taken A-foot: краткое содержание, описание и аннотация
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This second private apartment appeared to be about forty feet long; six immense wooden tables, painted of a ghastly yellow colour, were ranged down it side by side. Nothing was placed on any of them—they looked like dissecting-tables waiting for "subjects." There was yet another and a seventh table—a round one, half lost in a corner, to which we retreated for refuge—it was covered with crape and bombazine, half made up into mourning garments proper to the first and intensest stage of grief. The servant brought us one small candle to cheer the scene; and desired to be informed whether we wanted two sheets apiece to our beds, or whether we could do with a sheet at top and a blanket at bottom, as other people did? This question cowed us at once into gloomy submission to our fate. We just hinted that we had contracted bad habits of sleeping between two sheets, and left the rest to chance; reckless how we slept, or where we slept, whether we passed the night on the top of one of the six dissecting-tables, or with a blanket at bottom, as other people passed it. Soon the servant returned to tell us that we had got our two sheets each, and to send us to bed—snatching up the landlady's mourning garments, while she spoke, with a scared, suspicious look, as if she thought that the next outrageous luxury we should require would be a nightgown apiece of crape and bombazine.
Reflecting on our lamentable situation the last thing at night, we derived some consolation from remembering that we should leave our quarters early the next morning. It was not Liskeard that we had come to see, but the country around Liskeard—the famous curiosities of Nature and Art that are to be found some six or eight miles away from the town. Accordingly, we were astir betimes on the morrow. The sky was fair; the breeze was exhilarating. Once past the doleful doorway of the inn, we found ourselves departing under the fairest auspices for a pilgrimage to the ruins of St. Cleer's Well, and to the granite piles and Druid remains, now entitled the "Cheese-Wring" and "Hurler" rocks.
On leaving the town, our way lay to the northward, up rising ground. For the first two miles, the scenery differed little from what we had already beheld in Cornwall. The lanes were still sunk down between high banks, like dry ditches; all varieties of ferns grew in exquisite beauty and luxuriance on either side of us; the trees were small in size, and thickly clothed with leaves; and the views were generally narrowed to a few well-cultivated fields, with sturdy little granite-built cottages now and then rising beyond. It was only when we had reached what must have been a considerable elevation, that any change appeared in the face of the country. Five minutes more of walking, and a single turn in the road, brought us suddenly to the limits of trees, meadows, and cottages; and displayed before us, with almost startling abruptness, the magnificent prospect of a Cornish Moor.
The expanse of open plain that we now beheld stretched away uninterruptedly on the right hand, as far as the distant hills. Towards the left, the view was broken and varied by some rough stone walls, a narrow road, and a dip in the earth beyond. Wherever we looked, far or near, we saw masses of granite of all shapes and sizes, heaped irregularly on the ground among dark clusters of heath. An old furze-cutter was the only human figure that appeared on the desolate scene. Approaching him to ask our way to St. Cleer's Well—no signs of which could be discerned on the wilderness before us—we found the old fellow, though he was eighty years of age, working away with all the vigour of youth. On this wild moor he had lived and laboured from childhood; and he began to talk proudly of its great length and breadth, and of the wonderful sights that were to be seen on different parts of it, the moment we addressed him. He described to us, in his own homely forcible way, the awful storms that he had beheld, the fearful rattling and roaring of thunder over the great unsheltered plain before us—the hail and sleet driven so fiercely before the hurricane, that a man was half-blinded if he turned his face towards it for a moment—the forked lightning shooting from pitch-dark clouds, leaping and running fearfully over the level ground, blackening, splitting, tearing from their places the stoutest rocks on the moor. Three masses of granite lay heaped together near the spot where we had halted—the furze-cutter pointed to them with his bill-hook, and told us that what we now looked on was once one great rock, which he had seen riven in an instant by the lightning into the fragmentary form that it now presented. If we mounted the highest of these three masses, he declared that we might find out our own way to St. Cleer's Well by merely looking around us. We followed his directions. Towards the east, far away over the magnificent sweep of moorland, and on the slope of the hill that bounded it, appeared the tall chimneys and engine-houses of the Great Caraton Copper Mine—the only objects raised by the hand of man that were to be seen on this part of the view. Towards the west, much nearer at hand, four grey turrets were just visible beyond some rising ground. These turrets belonged to the tower of St. Cleer's Church, and the Well was close by it.
Taking leave of the furze-cutter, we followed the path at once that led to St. Cleer's. Half an hour's walking brought us to the village, a straggling, picturesque place, hidden in so deep a hollow as to be quite invisible from any distance. All the little cottage-girls whom we met, carrying their jugs and pitchers of water, curtseyed and wished us good morning with the prettiest air of bashfulness and good humour imaginable. One of them, a rosy, beautiful child, who proudly informed us that she was six years old, put down her jug at a cottage-gate and ran on before to show us the way, delighted to be singled out from her companions for so important an office. We passed the grey walls of the old church, walked down a lane, and soon came in sight of the Well, the position of which was marked by a ruined Oratory, situated on some open ground close at the side of the public pathway.
St. Cleer, or—as the name is generally spelt out of Cornwall—St. Clare, the patron saint of the Well, was born in Italy, in the twelfth century—and born to a fair heritage of this world's honours and this world's possessions. But she voluntarily abandoned, at an early age, all that was alluring in the earthly career awaiting her, to devote herself entirely to the interests of her religion and the service of Heaven. She was the first woman who sat at the feet of St. Francis as his disciple, who humbly practised the self-mortification, and resolutely performed the vow of perpetual poverty, which her preceptor's harshest doctrines imposed on his followers. She soon became Abbess of the Benedictine Nuns with whom she was associated by the saint; and afterwards founded an order of her own—the order of "Poor Clares." The fame of her piety and humility, of her devotion to the cause of the sick, the afflicted, and the poor, spread far and wide. The most illustrious of the ecclesiastics of her time attended at her convent as at a holy shrine. Pope Innocent the Fourth visited her, as a testimony of his respect for her virtues; and paid homage to her memory when her blameless existence had closed, by making one among the mourners who followed her to the grave. Her name had been derived from the Latin word that signifies purity ; and from first to last, her life had kept the promise of her name.
Poor St. Clare! If she could look back, with the thoughts and interests of the days of her mortality, to the world that she has quitted for ever, how sadly would she now contemplate the Holy Well which was once hallowed in her name and for her sake! But one arched wall, thickly overgrown with ivy, still remains erect in the place that the old Oratory occupied. Fragments of its roof, its cornices, and the mouldings of its windows lie scattered on the ground, half hidden by the grasses and ferns twining prettily around them. A double cross of stone stands, sloping towards the earth, at a little distance off—soon perhaps to share the fate of the prostrate ruins about it. How changed the scene here, since the time when the rural christening procession left the church, to proceed down the quiet pathway to the Holy Well—when children were baptized in the pure spring; and vows were offered up under the roof of the Oratory, and prayers were repeated before the sacred cross! These were the pious usages of a past age; these were the ceremonies of an ancient church, whose innocent and reverent custom it was to connect closer together the beauty of Nature and the beauty of Religion, by such means as the consecration of a spring, or the erection of a roadside cross. There has been something of sacrifice as well as of glory, in the effort by which we, in our time, have freed ourselves from what was superstitious and tyrannical in the faith of the times of old—it has cost us the loss of much of the better part of that faith which was not superstition, and of more which was not tyranny. The spring of St. Clare is nothing to the cottager of our day but a place to draw water from; the village lads now lounge whistling on the fallen stones, once the consecrated arches under which their humble ancestors paused on the pilgrimage, or knelt in prayer. Wherever the eye turns, all around it speaks the melancholy language of desolation and decay—all but the water of the Holy Well. Still the little pool remains the fitting type of its patron saint—pure and tranquil as in the bygone days, when the name of St. Clare was something more than the title to a village legend, and the spring of St. Clare something better than a sight for the passing tourist among the Cornish moors. [1] RAMBLES BEYOND RAILWAYS. LAMORNA COVE. RAMBLES BEYOND RAILWAYS; OR, Notes in Cornwall taken A-Foot. By WILKIE COLLINS, AUTHOR OF "ANTONINA," "THE WOMAN IN WHITE," ETC. The Land's End, Cornwall. NEW EDITION. LONDON: RICHARD BENTLEY: NEW BURLINGTON STREET. Publisher in Ordinary to Her Majesty. 1861. DEDICATED TO THE COMPANION OF MY WALK THROUGH CORNWALL, HENRY C. BRANDLING.
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