Уилки Коллинз - The Two Destinies
Здесь есть возможность читать онлайн «Уилки Коллинз - The Two Destinies» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1999, Жанр: Классическая проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.
- Название:The Two Destinies
- Автор:
- Жанр:
- Год:1999
- ISBN:нет данных
- Рейтинг книги:4 / 5. Голосов: 1
-
Избранное:Добавить в избранное
- Отзывы:
-
Ваша оценка:
- 80
- 1
- 2
- 3
- 4
- 5
The Two Destinies: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Two Destinies»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
The Two Destinies — читать онлайн бесплатно полную книгу (весь текст) целиком
Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Two Destinies», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.
Интервал:
Закладка:
Sir James’s reply contained these words only: “The letter inclosed tells its own sad story, without help from me. I cannot grieve for her; but I can feel sorry for you.”
The letter thus described was addressed to Sir James by the doctor at Lerwick. I copy it (without comment) in these words:
“The late stormy weather has delayed the vessel by means of which we communicate with the mainland. I have only received your letter to-day. With it, there has arrived a little box, containing a gold locket and chain; being the present which you ask me to convey privately to Miss Dunross, from a friend of yours whose name you are not at liberty to mention.
“In transmitting these instructions, you have innocently placed me in a position of extreme difficulty.
“The poor lady for whom the gift is intended is near the end of her life—a life of such complicated and terrible suffering that death comes, in her case, literally as a mercy and a deliverance. Under these melancholy circumstances, I am, I think, not to blame if I hesitate to give her the locket in secret; not knowing with what associations this keepsake may be connected, or of what serious agitation it may not possibly be the cause.
“In this state of doubt I have ventured on opening the locket, and my hesitation is naturally increased. I am quite ignorant of the remembrances which my unhappy patient may connect with the portrait. I don’t know whether it will give her pleasure or pain to receive it, in her last moments on earth. I can only decide to take it with me, when I see her to-morrow, and to let circumstances determine whether I shall risk letting her see it or not. Our post to the South only leaves this place in three days’ time. I can keep my letter open, and let you know the result.
“I have seen her; and I have just returned to my own house. My distress of mind is great. But I will do my best to write intelligibly and fully of what has happened.
“Her sinking energies, when I first saw her this morning, had rallied for the moment. The nurse informed me that she had slept during the early hours of the new day. Previously to this, there were symptoms of fever, accompanied by some slight delirium. The words that escaped her in this condition appear to have related mainly to an absent person whom she spoke of by the name of ‘George.’ Her one anxiety, I am told, was to see ‘George’ again before she died.
“Hearing this, it struck me as barely possible that the portrait in the locket might be the portrait of the absent person. I sent her nurse out of the room, and took her hand in mine. Trusting partly to her own admirable courage and strength of mind, and partly to the confidence which I knew she placed in me as an old friend and adviser, I adverted to the words which had fallen from her in the feverish state. And then I said, ‘You know that any secret of yours is safe in my keeping. Tell me, do you expect to receive any little keepsake or memorial from ‘George’?
“It was a risk to run. The black veil which she always wears was over her face. I had nothing to tell me of the effect which I was producing on her, except the changing temperature, or the partial movement, of her hand, as it lay in mine, just under the silk coverlet of the bed.
“She said nothing at first. Her hand turned suddenly from cold to hot, and closed with a quick pressure on mine. Her breathing became oppressed. When she spoke, it was with difficulty. She told me nothing; she only put a question:
“‘Is he here?’ she asked.
“I said, ‘Nobody is here but myself.’
“‘Is there a letter?’
“I said ‘No.’
“She was silent for a while. Her hand turned cold; the grasp of her fingers loosened. She spoke again: ‘Be quick, doctor! Whatever it is, give it to me, before I die.’
“I risked the experiment; I opened the locket, and put it into her hand.
“So far as I could discover, she refrained from looking at it at first. She said, ‘Turn me in the bed, with my face to the wall.’ I obeyed her. With her back turned toward me she lifted her veil; and then (as I suppose) she looked at the portrait. A long, low cry—not of sorrow or pain: a cry of rapture and delight—burst from her. I heard her kiss the portrait. Accustomed as I am in my profession to piteous sights and sounds, I never remember so completely losing my self-control as I lost it at that moment. I was obliged to turn away to the window.
“Hardly a minute can have passed before I was back again at the bedside. In that brief interval she had changed. Her voice had sunk again; it was so weak that I could only hear what she said by leaning over her and placing my ear close to her lips.
“‘Put it round my neck,’ she whispered.
“I clasped the chain of the locket round her neck. She tried to lift her hand to it, but her strength failed her.
“‘Help me to hide it,’ she said.
“I guided her hand. She hid the locket in her bosom, under the white dressing-gown which she wore that day. The oppression in her breathing increased. I raised her on the pillow. The pillow was not high enough. I rested her head on my shoulder, and partially opened her veil. She was able to speak once more, feeling a momentary relief.
“‘Promise,’ she said, ‘that no stranger’s hand shall touch me. Promise to bury me as I am now.’
“I gave her my promise.
“Her failing breath quickened. She was just able to articulate the next words:
“‘Cover my face again.’
“I drew the veil over her face. She rested a while in silence. Suddenly the sound of her laboring respiration ceased. She started, and raised her head from my shoulder.
“‘Are you in pain?’ I asked.
“‘I am in heaven!’ she answered.
“Her head dropped back on my breast as she spoke. In that last outburst of joy her last breath had passed. The moment of her supreme happiness and the moment of her death were one. The mercy of God had found her at last.
“I return to my letter before the post goes out.
“I have taken the necessary measures for the performance of my promise. She will be buried with the portrait hidden in her bosom, and with the black veil over her face. No nobler creature ever breathed the breath of life. Tell the stranger who sent her his portrait that her last moments were joyful moments, through his remembrance of her as expressed by his gift.
“I observe a passage in your letter to which I have not yet replied. You ask me if there was any more serious reason for the persistent hiding of her face under the veil than the reason which she was accustomed to give to the persons about her. It is true that she suffered under a morbid sensitiveness to the action of light. It is also true that this was not the only result, or the worst result, of the malady that afflicted her. She had another reason for keeping her face hidden—a reason known to two persons only: to the doctor who lives in the village near her father’s house, and to myself. We are both pledged never to divulge to any living creature what our eyes alone have seen. We have kept our terrible secret even from her father; and we shall carry it with us to our graves. I have no more to say on this melancholy subject to the person in whose interest you write. When he thinks of her now, let him think of the beauty which no bodily affliction can profane—the beauty of the freed spirit, eternally happy in its union with the angels of God.
“I may add, before I close my letter, that the poor old father will not be left in cheerless solitude at the lake house. He will pass the remainder of his days under my roof, with my good wife to take care of him, and my children to remind him of the brighter side of life.”
So the letter ended. I put it away, and went out. The solitude of my room forewarned me unendurably of the coming solitude in my own life. My interests in this busy world were now narrowed to one object—to the care of my mother’s failing health. Of the two women whose hearts had once beaten in loving sympathy with mine, one lay in her grave and the other was lost to me in a foreign land. On the drive by the sea I met my mother, in her little pony-chaise, moving slowly under the mild wintry sunshine. I dismissed the man who was in attendance on her, and walked by the side of the chaise, with the reins in my hand. We chatted quietly on trivial subjects. I closed my eyes to the dreary future that was before me, and tried, in the intervals of the heart-ache, to live resignedly in the passing hour.
Читать дальшеИнтервал:
Закладка:
Похожие книги на «The Two Destinies»
Представляем Вашему вниманию похожие книги на «The Two Destinies» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.
Обсуждение, отзывы о книге «The Two Destinies» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.