Шарлотта Бронте - Shirley

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Robert Moore is a harsh mill-owner who pushes his workers so far that one of them tries to kill him. While dealing with the attempt on his life, Robert is also confronted with two very different women. One is Caroline Helstone, a shy girl virtually imprisoned in her uncle’s rectory and in love with Robert. The other is Shirley, a wealthy, outgoing woman who reject’s Robert’s self-seeking offer of marriage.

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"The machinery of all my nature; the whole enginery of this human mill; the boiler, which I take to be the heart, is fit to burst."

"That suld be putten i' print; it's striking. It's almost blank verse. Ye'll be jingling into poetry just e'now. If the afflatus comes, give way, Robert. Never heed me; I'll bear it this whet [time]."

"Hideous, abhorrent, base blunder! You may commit in a moment what you will rue for years—what life cannot cancel."

"Lad, go on. I call it pie, nuts, sugar–candy. I like the taste uncommonly. Go on. It will do you good to talk. The moor is before us now, and there is no life for many a mile round."

"I will talk. I am not ashamed to tell. There is a sort of wild cat in my breast, and I choose that you shall hear how it can yell."

"To me it is music. What grand voices you and Louis have! When Louis sings—tones off like a soft, deep bell—I've felt myself tremble again. The night is still. It listens. It is just leaning down to you, like a black priest to a blacker penitent. Confess, lad. Smooth naught down. Be candid as a convicted, justified, sanctified Methody at an experience meeting. Make yourself as wicked as Beelzebub. It will ease your mind."

"As mean as Mammon, you would say. Yorke, if I got off horseback and laid myself down across the road, would you have the goodness to gallop over me, backwards and forwards, about twenty times?"

"Wi' all the pleasure in life, if there were no such thing as a coroner's inquest."

"Hiram Yorke, I certainly believed she loved me. I have seen her eyes sparkle radiantly when she has found me out in a crowd; she has flushed up crimson when she has offered me her hand, and said, 'How do you do, Mr. Moore?'

"My name had a magical influence over her. When others uttered it she changed countenance—I know she did. She pronounced it herself in the most musical of her many musical tones. She was cordial to me; she took an interest in me; she was anxious about me; she wished me well; she sought, she seized every opportunity to benefit me. I considered, paused, watched, weighed, wondered. I could come to but one conclusion—this is love.

"I looked at her, Yorke. I saw in her youth and a species of beauty. I saw power in her. Her wealth offered me the redemption of my honour and my standing. I owed her gratitude. She had aided me substantially and effectually by a loan of five thousand pounds. Could I remember these things? Could I believe she loved me? Could I hear wisdom urge me to marry her, and disregard every dear advantage, disbelieve every flattering suggestion, disdain every well–weighed counsel, turn and leave her? Young, graceful, gracious—my benefactress, attached to me, enamoured of me. I used to say so to myself; dwell on the word; mouth it over and over again; swell over it with a pleasant, pompous complacency, with an admiration dedicated entirely to myself, and unimpaired even by esteem for her; indeed I smiled in deep secrecy at her naïveté and simplicity in being the first to love, and to show it. That whip of yours seems to have a good heavy handle, Yorke; you can swing it about your head and knock me out of the saddle, if you choose. I should rather relish a loundering whack."

"Tak patience, Robert, till the moon rises and I can see you. Speak plain out—did you love her or not? I could like to know. I feel curious."

"Sir—sir—I say—she is very pretty, in her own style, and very attractive. She has a look, at times, of a thing made out of fire and air, at which I stand and marvel, without a thought of clasping and kissing it. I felt in her a powerful magnet to my interest and vanity. I never felt as if nature meant her to be my other and better self. When a question on that head rushed upon me, I flung it off, saying brutally I should be rich with her and ruined without her—vowing I would be practical, and not romantic."

"A very sensible resolve. What mischief came of it, Bob?"

"With this sensible resolve I walked up to Fieldhead one night last August. It was the very eve of my departure for Birmingham; for, you see, I wanted to secure Fortune's splendid prize. I had previously dispatched a note requesting a private interview. I found her at home, and alone.

"She received me without embarrassment, for she thought I came on business. I was embarrassed enough, but determined. I hardly know how I got the operation over; but I went to work in a hard, firm fashion—frightful enough, I dare say. I sternly offered myself—my fine person—with my debts, of course, as a settlement.

"It vexed me, it kindled my ire, to find that she neither blushed, trembled, nor looked down. She responded, 'I doubt whether I have understood you, Mr. Moore.'

"And I had to go over the whole proposal twice, and word it as plainly as A B C, before she would fully take it in. And then, what did she do? Instead of faltering a sweet Yes, or maintaining a soft, confused silence (which would have been as good), she started up, walked twice fast through the room, in the way that she only does, and no other woman, and ejaculated, 'God bless me!'

"Yorke, I stood on the hearth, backed by the mantelpiece; against it I leaned, and prepared for anything—everything. I knew my doom, and I knew myself. There was no misunderstanding her aspect and voice. She stopped and looked at me.

"'God bless me!' she piteously repeated, in that shocked, indignant, yet saddened accent. 'You have made a strange proposal—strange from you ; and if you knew how strangely you worded it and looked it, you would be startled at yourself. You spoke like a brigand who demanded my purse rather than like a lover who asked my heart.'

"A queer sentence, was it not, Yorke? And I knew, as she uttered it, it was true as queer. Her words were a mirror in which I saw myself.

"I looked at her, dumb and wolfish. She at once enraged and shamed me.

"'Gérard Moore, you know you don't love Shirley Keeldar.' I might have broken out into false swearing—vowed that I did love her; but I could not lie in her pure face. I could not perjure myself in her truthful presence. Besides, such hollow oaths would have been vain as void. She would no more have believed me than she would have believed the ghost of Judas, had he broken from the night and stood before her. Her female heart had finer perceptions than to be cheated into mistaking my half–coarse, half–cold admiration for true–throbbing, manly love.

"What next happened? you will say, Mr. Yorke.

"Why, she sat down in the window–seat and cried. She cried passionately. Her eyes not only rained but lightened. They flashed, open, large, dark, haughty, upon me. They said, 'You have pained me; you have outraged me; you have deceived me.'

"She added words soon to looks.

"'I did respect—I did admire—I did like you,' she said—'yes, as much as if you were my brother; and you—you want to make a speculation of me. You would immolate me to that mill, your Moloch!'

"I had the common sense to abstain from any word of excuse, any attempt at palliation. I stood to be scorned.

"Sold to the devil for the time being, I was certainly infatuated. When I did speak, what do you think I said?

"'Whatever my own feelings were, I was persuaded you loved me , Miss Keeldar.'

"Beautiful, was it not? She sat quite confounded. 'Is it Robert Moore that speaks?' I heard her mutter. 'Is it a man—or something lower?'

"'Do you mean,' she asked aloud—'do you mean you thought I loved you as we love those we wish to marry?'

"It was my meaning, and I said so.

"'You conceived an idea obnoxious to a woman's feelings,' was her answer. 'You have announced it in a fashion revolting to a woman's soul. You insinuate that all the frank kindness I have shown you has been a complicated, a bold, and an immodest manœuvre to ensnare a husband. You imply that at last you come here out of pity to offer me your hand, because I have courted you. Let me say this: Your sight is jaundiced; you have seen wrong. Your mind is warped; you have judged wrong. Your tongue betrays you; you now speak wrong. I never loved you. Be at rest there. My heart is as pure of passion for you as yours is barren of affection for me.'

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