Шарлотта Бронте - Shirley

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Robert Moore is a harsh mill-owner who pushes his workers so far that one of them tries to kill him. While dealing with the attempt on his life, Robert is also confronted with two very different women. One is Caroline Helstone, a shy girl virtually imprisoned in her uncle’s rectory and in love with Robert. The other is Shirley, a wealthy, outgoing woman who reject’s Robert’s self-seeking offer of marriage.

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"How culpably careless in her to leave her desk open, where I know she has money! In the lock hang the keys of all her repositories, of her very jewel–casket. There is a purse in that little satin bag; I see the tassel of silver beads hanging out. That spectacle would provoke my brother Robert. All her little failings would, I know, be a source of irritation to him. If they vex me it is a most pleasurable vexation. I delight to find her at fault; and were I always resident with her, I am aware she would be no niggard in thus ministering to my enjoyment. She would just give me something to do, to rectify—a theme for my tutor lectures. I never lecture Henry, never feel disposed to do so. If he does wrong—and that is very seldom, dear, excellent lad!—a word suffices. Often I do no more than shake my head. But the moment her minois mutin meets my eye, expostulatory words crowd to my lips. From a taciturn man I believe she would transform me into a talker. Whence comes the delight I take in that talk? It puzzles myself sometimes. The more crâne, malin, taquin is her mood, consequently the clearer occasion she gives me for disapprobation, the more I seek her, the better I like her. She is never wilder than when equipped in her habit and hat, never less manageable than when she and Zoë come in fiery from a race with the wind on the hills; and I confess it—to this mute page I may confess it—I have waited an hour in the court for the chance of witnessing her return, and for the dearer chance of receiving her in my arms from the saddle. I have noticed (again it is to this page only I would make the remark) that she will never permit any man but myself to render her that assistance. I have seen her politely decline Sir Philip Nunnely's aid. She is always mighty gentle with her young baronet, mighty tender for his feelings, forsooth, and of his very thin–skinned amour propre . I have marked her haughtily reject Sam Wynne's. Now I know—my heart knows it, for it has felt it—that she resigns herself to me unreluctantly. Is she conscious how my strength rejoices to serve her? I myself am not her slave—I declare it—but my faculties gather to her beauty, like the genii to the glisten of the lamp. All my knowledge, all my prudence, all my calm, and all my power stand in her presence humbly waiting a task. How glad they are when a mandate comes! What joy they take in the toils she assigns! Does she know it?

"I have called her careless. It is remarkable that her carelessness never compromises her refinement. Indeed, through this very loophole of character, the reality, depth, genuineness of that refinement may be ascertained. A whole garment sometimes covers meagreness and malformation; through a rent sleeve a fair round arm may be revealed. I have seen and handled many of her possessions, because they are frequently astray. I never saw anything that did not proclaim the lady—nothing sordid, nothing soiled. In one sense she is as scrupulous as, in another, she is unthinking. As a peasant girl, she would go ever trim and cleanly. Look at the pure kid of this little glove, at the fresh, unsullied satin of the bag.

"What a difference there is between S. and that pearl C. H.! Caroline, I fancy, is the soul of conscientious punctuality and nice exactitude. She would precisely suit the domestic habits of a certain fastidious kinsman of mine—so delicate, dexterous, quaint, quick, quiet—all done to a minute, all arranged to a strawbreadth. She would suit Robert. But what could I do with anything so nearly faultless? She is my equal, poor as myself. She is certainly pretty: a little Raffaelle head hers—Raffaelle in feature, quite English in expression, all insular grace and purity; but where is there anything to alter, anything to endure, anything to reprimand, to be anxious about? There she is, a lily of the valley, untinted, needing no tint. What change could improve her? What pencil dare to paint? My sweetheart, if I ever have one, must bear nearer affinity to the rose—a sweet, lively delight guarded with prickly peril. My wife, if I ever marry, must stir my great frame with a sting now and then; she must furnish use to her husband's vast mass of patience. I was not made so enduring to be mated with a lamb; I should find more congenial responsibility in the charge of a young lioness or leopardess. I like few things sweet but what are likewise pungent—few things bright but what are likewise hot. I like the summer day, whose sun makes fruit blush and corn blanch. Beauty is never so beautiful as when, if I tease it, it wreathes back on me with spirit. Fascination is never so imperial as when, roused and half ireful, she threatens transformation to fierceness. I fear I should tire of the mute, monotonous innocence of the lamb; I should ere long feel as burdensome the nestling dove which never stirred in my bosom; but my patience would exult in stilling the flutterings and training the energies of the restless merlin. In managing the wild instincts of the scarce manageable bête fauve my powers would revel.

"O my pupil! O Peri! too mutinous for heaven, too innocent for hell, never shall I do more than see, and worship, and wish for thee. Alas! knowing I could make thee happy, will it be my doom to see thee possessed by those who have not that power?

"However kindly the hand, if it is feeble, it cannot bend Shirley; and she must be bent. It cannot curb her; and she must be curbed.

"Beware, Sir Philip Nunnely! I never see you walking or sitting at her side, and observe her lips compressed, or her brow knit, in resolute endurance of some trait of your character which she neither admires nor likes, in determined toleration of some weakness she believes atoned for by a virtue, but which annoys her despite that belief; I never mark the grave glow of her face, the unsmiling sparkle of her eye, the slight recoil of her whole frame when you draw a little too near, and gaze a little too expressively, and whisper a little too warmly—I never witness these things but I think of the fable of Semele reversed.

"It is not the daughter of Cadmus I see, nor do I realize her fatal longing to look on Jove in the majesty of his god–head. It is a priest of Juno that stands before me, watching late and lone at a shrine in an Argive temple. For years of solitary ministry he has lived on dreams. There is divine madness upon him. He loves the idol he serves, and prays day and night that his frenzy may be fed, and that the Ox–eyed may smile on her votary. She has heard; she will be propitious. All Argos slumbers. The doors of the temple are shut; the priest waits at the altar.

"A shock of heaven and earth is felt—not by the slumbering city, only by that lonely watcher, brave and unshaken in his fanaticism. In the midst of silence, with no preluding sound, he is wrapped in sudden light. Through the roof, through the rent, wide–yawning, vast, white–blazing blue of heaven above, pours a wondrous descent, dread as the downrushing of stars. He has what he asked. Withdraw—forbear to look—I am blinded. I hear in that fane an unspeakable sound. Would that I could not hear it! I see an insufferable glory burning terribly between the pillars. Gods be merciful and quench it!

"A pious Argive enters to make an early offering in the cool dawn of morning. There was thunder in the night; the bolt fell here. The shrine is shivered, the marble pavement round split and blackened. Saturnia's statue rises chaste, grand, untouched; at her feet piled ashes lie pale. No priest remains; he who watched will be seen no more.

* * * * *

"There is the carriage! Let me lock up the desk and pocket the keys. She will be seeking them to–morrow; she will have to come to me. I hear her: 'Mr. Moore, have you seen my keys?'

"So she will say, in her clear voice, speaking with reluctance, looking ashamed, conscious that this is the twentieth time of asking. I will tantalize her, keep her with me, expecting, doubting; and when I do restore them, it shall not be without a lecture. Here is the bag, too, and the purse; the glove—pen—seal. She shall wring them all out of me slowly and separately—only by confession, penitence, entreaty. I never can touch her hand, or a ringlet of her head, or a ribbon of her dress, but I will make privileges for myself. Every feature of her face, her bright eyes, her lips, shall go through each change they know, for my pleasure—display each exquisite variety of glance and curve, to delight, thrill, perhaps more hopelessly to enchain me. If I must be her slave, I will not lose my freedom for nothing."

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