Роберт Чамберс - The Dark Star

To see her standing there on the sidewalk in the full, unshadowed morning light, silent, dishevelled, scarcely clothed, seemed to him part of the ghastly unreality of this sombre and menacing vision, from which he ought to rouse himself.

She turned her head slowly; her haggard eyes met his without expression; and he found his tongue with the effort of a man who strives for utterance through a threatening dream:

"We can't stay here," he said. The sound of his own voice steadied and cleared his senses. He glanced down at his own attire, blood–stained, and ragged; felt for the loose end of his collar, rebuttoned it, and knotted the draggled white tie with the unconscious indifference of habit.

"What a nightmare!" he muttered to himself. "The world has been turned upside down over night." He looked up at her: "We can't stay here," he repeated. "Where do you live?"

She did not appear to hear him. She had already started to move toward the rue Vilna, where the troopers barring that street still sat their restive horses. They were watching her and her dishevelled companion with the sophisticated amusement of men who, by clean daylight, encounter fagged–out revellers of a riotous night.

Neeland spoke to her again, then followed her and took her arm.

"Where are you going?" he repeated, uneasily.

"I shall give myself up," she replied in a dull voice.

"To whom?"

"To the Municipals over there."

"Give yourself up!" he repeated. "Why?"

She passed a slender hand over her eyes as though unutterably weary:

"Neeland," she said, "I am lost already…. And I am very tired."

"What do you mean?" he demanded, drawing her back under a porte–cochère . "You live somewhere, don't you? If it's safe for you to go back to your lodgings, I'll take you there. Is it?"

"No."

"Well, then, I'll take you somewhere else. I'll find somewhere to take you―"

She shook her head:

"It is useless, Neeland. There is no chance of my leaving the city now—no chance left—no hope. It is simpler for me to end the matter this way―"

"Can't you go to the Turkish Embassy!"

She looked up at him in a surprised, hopeless way:

"Do you suppose that any Embassy ever receives a spy in trouble? Do you really imagine that any government ever admits employing secret agents, or stirs a finger to aid them when they are in need?"

"I told you I'd stand by you," he reminded her bluntly.

"You have been—kind—Neeland."

"And you have been very loyal to me, Scheherazade. I shall not abandon you."

"How can you help me? I can't get out of this city. Wherever I go, now, it will be only a matter of a few hours before I am arrested."

"The American Embassy. There is a man there," he reminded her.

She shrugged her naked shoulders:

"I cannot get within sight of the Trocadero before the secret police arrest me. Where shall I go? I have no passport, no papers, not even false ones. If I go to the lodgings where I expected to find shelter it means my arrest, court martial, and execution in a caserne within twenty–four hours. And it would involve others who trust me—condemn them instantly to a firing squad—if I am found by the police in their company!…No, Neeland. There's no hope for me. Too many know me in Paris. I took a risk in coming here when war was almost certain. I took my chances, and lost. It's too late to whimper now."

As he stared at her something suddenly brightened above them; and he looked up and saw the first sunbeam painting a chimney top with palest gold.

"Come," he said, "we've got to get out of this! We've got to go somewhere—find a taxicab and get under shelter―"

She yielded to the pressure of his arm and moved forward beside him. He halted for a moment on the curb, looking up and down the empty streets for a cab of any sort, then, with the instinct of a man for whom the Latin Quarter had once been a refuge and a home, he started across the Boulevard, his arm clasping hers.

All the housetops were glittering with the sun as they passed the ranks of the Municipal cavalry.

A young officer looked down mischievously as they traversed the Boulevard—the only moving objects in that vast and still perspective.

" Mon Dieu! " he murmured. "A night like that is something to remember in the winter of old age!"

Neeland heard him. The gay, bantering, irresponsible Gallic wit awoke him to himself; the rising sun, tipping the city's spires with fire, seemed to relight a little, long–forgotten flame within him. His sombre features cleared; he said confidently to the girl beside him:

"Don't worry; we'll get you out of it somehow or other. It's been a rather frightful dream, Scheherazade, nothing worse―"

Her arm suddenly tightened against his and he turned to look at the shattered Café des Bulgars which they were passing, where two policemen stood looking at a cat which was picking its way over the mass of débris, mewing dismally.

One of the policemen, noticing them, smiled sympathetically at their battered appearance.

"Would you like to have a cat for your lively ménage ?" he said, pointing to the melancholy animal which Neeland recognised as the dignified property of the Cercle Extranationale.

The other policeman, more suspicious, eyed Ilse Dumont closely as she knelt impulsively and picked up the homeless cat.

"Where are you going in such a state?" he asked, moving over the heaps of splintered glass toward her.

"Back to the Latin Quarter," said Neeland, so cheerfully that suspicion vanished and a faint grin replaced the official frown.

" Allons, mes enfants ," he muttered. " Faut pas s'attrouper dans la rue . Also you both are a scandal. Allons! Filez! Houp! The sun is up already!"

They went out across the rue Royale toward the Place de la Concorde, which spread away before them in deserted immensity and beauty.

There were no taxicabs in sight. Ilse, carrying the cat in her arms, moved beside Neeland through the deathly stillness of the city, as though she were walking in a dream. Everywhere in the pale blue sky above them steeple and dome glittered with the sun; there were no sounds from quai or river; no breeze stirred the trees; nothing moved on esplanade or bridge; the pale blue August sky grew bluer; the gilded tip of the obelisk glittered like a living flame.

Neeland turned and looked up the Champs Elysées.

Far away on the surface of the immense avenue a tiny dark speck was speeding—increasing in size, coming nearer.

"A taxi," he said with a quick breath of relief. "We'll be all right now."

Nearer and nearer came the speeding vehicle, rushing toward them between the motionless green ranks of trees. Neeland walked forward across the square to signal it, waited, watching its approach with a slight uneasiness.

Now it sped between the rearing stone horses, and now, swerving, swung to the left toward the rue Royale. And to his disgust and disappointment he saw it was a private automobile.

"The devil!" he muttered, turning on his heel.

At the same moment, as though the chauffeur had suddenly caught an order from within the limousine, the car swung directly toward him once more.

As he rejoined Ilse, who stood clasping the homeless cat to her breast, listlessly regarding the approaching automobile, the car swept in a swift circle around the fountain where they stood, stopped short beside them; and a woman flung open the door and sprang out to the pavement.

And Ilse Dumont, standing there in the rags of her frail gown, cuddling to her breast the purring cat, looked up to meet her doom in the steady gaze of the Princess Naïa Mistchenka.

Every atom of colour left her face, and her ashy lips parted. Otherwise, she made no sign of fear, no movement.