Роберт Чамберс - The Dark Star

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What if you were involved in the theft of one of the legendary jewels of all time – and you didn’t even know it? That’s exactly what happens to the innocent damsel at the center of Robert W. Chambers’ The Dark Star. She prays for a strong, silent savior to extract her from the mess she’s in – but will she recognize and call upon her own wit and spunk before it’s too late?

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Two of them lay still; one rose immediately and limped on again down the hallway, calling over the banisters to those below:

"The Germans on the leads 'ave busted into the garret! Breslau is up 'ere! Send along those American gunmen, or somebody what can shoot!"

He was a grey–haired Englishman, smooth shaven and grim; and, as he stood there at the head of the further stairs, breathing heavily, awaiting aid from below, he said to Neeland coolly enough:

"You'd better go below, sir. We 'ad our orders to take this Breslau rat alive, but we can't do it now, and there's like to be a 'orrid mess 'ere directly."

"Can we get through below?"

" You can," said the man significantly, "but they'll be detaining one o' them ladies at the door."

"Do you mean me?" said Ilse Dumont.

"Yes, ma'am, I do―"

She sprang toward the attic stairway, but the British agent whipped out a pistol and covered her.

"No," he said grimly. "You're wanted below. Go down!"

She came slowly back to where Neeland was standing.

"You'll have to take your chance below," he said under his breath. "I'll stand by you to the end."

She smiled and continued on toward the stairs where the English agent stood. Neeland and the Russian girl followed her.

The agent said:

"There's 'ell to pay below, sir."

The depths of the house rang with the infernal din of blows falling on iron shutters. A deeper, more sinister roar rose from the mob outside. There was a struggle going on inside the building, too; Neeland could hear the trampling and surging of men on every floor—voices calling from room to room, shouts of anger, the terrible outcry of a man in agony.

"Wot a rat's nest, then, there was in this here blessed 'ouse, sir!" said the British agent, coolly. "If we get Breslau and the others on the roof we've bagged 'em all."

The Russian girl was trembling so violently that Neeland took her by the arm. But Ilse Dumont, giving her a glance of contempt, moved calmly past the British agent to the head of the stairway.

"Come," she said to Neeland.

The agent, leaning over the banisters, shouted to a man on the next floor:

"Look sharp below there! I'm sendin' Miss Dumont down with Mr. Neeland, the American! Take her in charge, Bill!"

"Send her along!" bawled the man, framing his face with both hands. "Keep Breslau on the roof a bit and we'll 'ave the beggar in a few moments!"

Somebody else shouted up from the tumult below:

"It's war, 'Arry! 'Ave you 'eard? It's war this morning! Them 'Uns 'as declared war! And the perlice is a–killin' of the Apaches all over Paris!"

Ilse Dumont looked curiously at the agent, calmly at Neeland, then, dropping one hand on the banisters, she went lightly down the stairs toward the uproar below, followed by Neeland and the Russian girl clinging to his arm with both desperate little hands.

The British agent hung far over the banisters until he saw his colleague join them on the floor below; then, reassured, and on guard again, he leaned back against the corridor wall, his pistol resting on his thigh, and fixed his cold grey eyes on the attic stairs once more.

The secret agent who now joined Neeland and Ilse Dumont on the fourth floor had evidently been constructing a barricade across the hallway as a precaution in case of a rush from the Germans on the roof.

Chairs and mattresses, piled shoulder high, obstructed the passageway, blocking the stairs; and the secret agent—a very young man with red hair and in the garb of a waiter—clambered over it, revolver in one hand, a pair of handcuffs in the other. He lost his balance on top of the shaky heap; strove desperately to recover it, scrambled like a cat in a tub, stumbled, rolled over on a mattress.

And there Neeland pinned him, closing his mouth with one hand and his throat with the other, while Ilse Dumont tore weapon and handcuffs from his grasp, snapped the latter over his wrists, snatched the case from a bedroom pillow lying among the mattresses, and, with Neeland's aid, swathed the struggling man's head in it.

"Into that clothes–press!" whispered Ilse, pointing along the hallway where a door swung open.

"Help me lift him!" motioned Neeland.

Together they got him clear of the shaky barricade and, lugging him between them, deposited him on the floor of the clothes–press and locked the door.

So silent had they been that, listening, they heard no movement from the watcher on the floor above, who stood guard at the attic stairs. And it was evident he had heard nothing to make him suspicious.

The Russian girl, dreadfully pale, leaned against the wall as though her limbs scarcely supported her. Neeland passed his arm under hers, nodded to Ilse Dumont, and started cautiously down the carpeted stairs, his automatic pistol in one hand, and the revolver taken from the imprisoned secret agent clutched tightly in the other.

Down the stairs they crept, straight toward the frightful tumult still raging below—down past the wrecked club rooms; past a dead man sprawling on the landing across the blood–soaked carpet—down into the depths of the dusky building toward the lighted café floor whence came the uproar of excited men, while, from the street outside, rose the frantic yelling of the mob mingled with the crash of glass and the clanging dissonance of iron grilles and shutters which were being battered into fragments.

"It's my chance, now!" whispered Ilse Dumont, slipping past him like a shadow.

For a moment he saw her silhouetted against the yellow electric glare on the stairs below, then, half carrying the almost helpless Russian girl, he stumbled down the last flight of stairs and pushed his way through a hurrying group of men who seemed to be searching for something, for they were tearing open cupboards and buffets, dragging out table drawers and tumbling linen, crockery, and glassware all over the black and white marble floor.

The whole place was ankle deep in shattered glass and broken bottles, and the place reeked with smoke and the odour of wine and spirits.

Neeland forced his way forward into the café, looked around for Sengoun, and saw him almost immediately.

The young Russian, flushed, infuriated, his collar gone and his coat in tatters, was struggling with some men who held both his arms but did not offer to strike him.

Behind him, crowded back into a corner near the cashier's steel–grilled desk, stood Ilse Dumont, calm, disdainful, confronted by Brandes, whose swollen, greenish eyes, injected with blood, glared redly at her. Stull had hold of him and was trying to drag him away:

"For God's sake, Eddie, shut your mouth," he pleaded in English. "You can't do that to her, whatever she done to you!"

But Brandes, disengaging himself with a jerk, pushed his way past Sengoun to where Ilse stood.

"I've got the goods on you !" he said in a ferocious voice that neither Stull nor Curfoot recognised. "You know what you did to me, don't you! You took my wife from me! Yes, my wife ! She was my wife! She is my wife!—For all you did, you lying, treacherous slut!—For all you've done to break me, double–cross me, ruin me, drive me out of every place I went! And now I've got you! I've sold you out! Get that? And you know what they'll do to you, don't you? Well, you'll see when―"

Curfoot and Stull threw themselves against him, but Brandes, his round face pasty with fury, struggled back again to confront Ilse Dumont.

"Ruined me!" he repeated. "Took away from me the only thing God ever gave me for my own! Took my wife!"

"You dog!" said Ilse Dumont very slowly. "You dirty dog!"

A frightful spasm crossed Brandes' features, and Stull snatched at the pistol he had whipped out. There was a struggle; Brandes wrenched the weapon free; but Neeland tore his way past Curfoot and struck Brandes in the face with the butt of his heavy revolver.

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