Muriel Spark - The Complete Short Stories

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Contents The Go-Away Bird
The Curtain Blown by the Breeze
Bang-Bang You’re Dead
The Seraph and the Zambezi
The Pawnbroker’s Wife
The Snobs
A Member of the Family
The Fortune-Teller
The Fathers’ Daughters
Open to the Public
The Dragon
The Leaf Sweeper
Harper and Wilton
The Executor
Another Pair of Hands
The Girl I Left Behind Me
Miss Pinkerton’s Apocalypse
The Pearly Shadow
Going Up and Coming Down
You Should Have Seen the Mess
Quest for Lavishes Ghast
The Young Man Who Discovered the Secret of Life
Daisy Overend
The House of the Famous Poet
The Playhouse Called Remarkable
Chimes
Ladies and Gentlemen
Come Along, Marjorie
The Twins
‘A Sad Tale’s Best for Winter’
Christmas Fugue
The First Year of My Life
The Gentile Jewesses
Alice Long’s Dachshunds
The Dark Glasses
The Ormolu Clock
The Portobello Road
The Black Madonna
The Thing about Police Stations
A Hundred and Eleven Years Without a Chauffeur
The Hanging Judge

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The property was distributed among the family, but I was the sole literary executor. And it was up to me to do what I liked with his literary remains. It was a good thing I had everything inventoried and filed, ready for sale. They came and took the total archive as they called it away, all the correspondence and manuscripts except one. That one I kept for myself. It was the novel he was writing when he died, an unfinished manuscript. I thought, Why not? Maybe I will finish it myself and publish it. I am no fool, and my uncle must have known how the book was going to end. I never read any of his correspondence, mind you; I was too busy those months filing it all in order. I did think, however, that I would read this manuscript and perhaps put an ending to it. There were already ten chapters. My uncle had told me there was only another chapter to go. So I said nothing to the Foundation about that one unfinished manuscript; I was only too glad when they had come and gone, and the papers were out of the house. I got the painters in to clean the study. Mrs Donaldson said she had never seen the house looking so like a house should be.

Under my uncle’s will I inherited the house, and I planned eventually to rent rooms to tourists in the summer, bed and breakfast. In the meantime I set about reading the unfinished manuscript, for it was only April, and I’m not a one to let the grass grow under my feet. I had learnt to decipher that old-fashioned handwriting of his which looked good on the page but was not too clear. My uncle had a treasure in me those last months of his life, although he said I was like a book without an index —all information, and no way of getting at it. I asked him to tell me what information he ever got out of Elaine, who never passed an exam in her life.

This last work of my uncle’s was an unusual story for him, set in the seventeenth century here among the Pentland Hills. He had told me only that he was writing something strong and cruel, and that this was easier to accomplish in a historical novel. It was about the slow identification and final trapping of a witch, and I could see as I read it that he hadn’t been joking when he said it was strong and cruel; he had often said things to frighten and alarm me, I don’t know why. By chapter ten the trial of the witch in Edinburgh was only halfway through. Her fate depended entirely on chapter eleven, and on the negotiations that were being conducted behind the scenes by the opposing factions of intrigue. My uncle had left a pile of notes he had accumulated towards this novel, and I retained these along with the manuscript. But there was no sign in the notes as to how my uncle had decided to resolve the fate of the witch — whose name was Edith but that is by the way. I put the notebooks and papers away, for there were many other things to be done following the death of my famous uncle. The novel itself was written by hand in twelve notebooks. In the twelfth only the first two pages had been filled, the rest of the pages were blank, I am sure of this. The two filled pages came to the end of chapter ten. At the top of the next page was written ‘Chapter Eleven’. I looked through the rest of the notebook to make sure my uncle had not made some note there on how he intended to continue; all blank, I am sure of it. I put the twelve notebooks, together with the sheaf of loose notes, in a drawer of the solid-mahogany dining-room sideboard.

A few weeks later I brought the notebooks out again, intending to consider how I might proceed with the completion of the book and so enhance its value. I read again through chapter ten; then, when I turned to the page where ‘Chapter Eleven’ was written, there in my uncle’s handwriting was the following:

Well, Susan, how do you feel about finishing my novel? Aren’t you a greedy little snoot, holding back my unfinished work, when you know the Foundation paid for the lot? What about your puritanical principles? Elaine and I are waiting to see how you manage to write Chapter Eleven. Elaine asks me to add it’s lovely to see you scouring and cleaning those neglected corners of the house. But don’t you know, Jaimie is having you on. Where does he go after lunch?

Your affect Uncle

I could hardly believe my eyes. The first shock I got was the bit about Jaimie, and then came the second shock, that the words were there at all. It was twelve-thirty at night and Jaimie had gone home. Jaimie Donaldson is the son of Mrs Donaldson, and it isn’t his fault he’s out of work. We have had experiences together, but nobody is to know that, least of all Mrs Donaldson who introduced him into the household merely to clean the windows and stoke the boiler. But the words? Where did they come from?

It is a lonely house, here in a fold of the Pentlands, surrounded by woods, five miles to the nearest cottage, six to Mrs Donaldson’s, and the buses stop at ten p.m. I felt a great fear there in the dining-room, with the twelve notebooks on the table, and the pile of papers, a great cold, and a panic. I ran to the hall and lifted the telephone but didn’t know how to explain myself or whom to phone. My story would sound like that of a woman gone crazy. Mrs Donaldson? The police? I couldn’t think what to say to them at that hour of night. ‘I have found some words that weren’t there before in my uncle’s manuscript, and in his own hand.’ It was unthinkable. Then I thought perhaps someone had played me a trick. Oh no, I knew that this couldn’t be. Only Mrs Donaldson had been in the dining-room, and only to dust, with me to help her. Jaimie had no chance to go there, not at all. I never used the dining-room now and had meals in the kitchen. But in fact I knew it wasn’t them, it was Uncle. I wished with all my heart that I was a strong woman, as I had always felt I was, strong and sensible. I stood in the hall by the telephone, shaking. ‘O God, everlasting and almighty,’ I prayed, ‘make me strong, and guide and lead me as to how Mrs Thatcher would conduct herself in circumstances of this nature.

I didn’t sleep all night. I sat in the big kitchen stoking up the fire. Only once I moved, to go back into the dining-room and make sure that those words were there. Beyond a doubt they were, and in my uncle’s handwriting — that handwriting it would take an expert forger to copy. I put the manuscript back in the drawer; I locked the dining-room door and took the key. My uncle’s study, now absolutely empty, was above the kitchen. If he was haunting the house, I heard no sound from there or from anywhere else. It was a fearful night, waiting there by the fire.

Mrs Donaldson arrived in the morning, complaining that Jaimie was getting lazy; he wouldn’t rise. Too many late nights.

‘Where does he go after lunch?’ I said.

‘Oh, he goes for a round of golf after his dinner,’ she said. ‘He’s always ready for a round of golf no matter what else there is to do. Golf is the curse of Scotland.’

I had a good idea who Jaimie was meeting on the golf course, and I could almost have been grateful to Uncle for pointing out to me in that sly way of his that Jaimie wandered in the hours after the midday meal which we called lunch and they called their dinner. By five o’clock in the afternoon Jaimie would come here to the house to fetch up the coal, bank the fire, and so forth. But all afternoon he would be on the links with that girl who works at the manse, Greta, younger sister of Elaine, the one who moved in here openly, ruining my uncle’s morals, leaving the house to rot. I always suspected that family. After Elaine died it came out he had even introduced her to all his friends; I could tell from the letters of condolence, how they said things like ‘He never got over the loss of Elaine’ and ‘He couldn’t live without her’. And sometimes he called me Elaine by mistake. I was furious. Once, for example, I said, ‘Uncle, stop pacing about down here. Go up to your study and do your scribbling; I’ll bring you a cup of cocoa.’ He said, with that glaze-eyed look he always had when he was interrupted in his thoughts, ‘What’s come over you, Elaine?’ I said, ‘I’m not Elaine, thank you very much.’

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