Джозеф Конрад - Chance

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Chance: краткое содержание, описание и аннотация

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Chance is narrated by Conrad’s regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement (source: Wikipedia)

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What he imagined he knew of women himself I can't tell. I did not know anything of the opportunities he might have had. But this is a subject which, if approached with undue solemnity, is apt to elude one's grasp entirely. No doubt Fyne knew something of a woman who was Captain Anthony's sister. But that, admittedly, had been a very solemn study. I smiled at him gently, and as if encouraged or provoked, he completed his thought rather explosively.

"And that girl understands nothing … It's sheer lunacy."

"I don't know," I said, "whether the circumstances of isolation at sea would be any alleviation to the danger. But it's certain that they shall have the opportunity to learn everything about each other in a lonely tete–a–tete ."

"But dash it all," he cried in hollow accents which at the same time had the tone of bitter irony—I had never before heard a sound so quaintly ugly and almost horrible—"You forget Mr. Smith."

"What Mr. Smith?" I asked innocently.

Fyne made an extraordinary simiesque grimace. I believe it was quite involuntary, but you know that a grave, much–lined, shaven countenance when distorted in an unusual way is extremely apelike. It was a surprising sight, and rendered me not only speechless but stopped the progress of my thought completely. I must have presented a remarkably imbecile appearance.

"My brother–in–law considered it amusing to chaff me about us introducing the girl as Miss Smith," said Fyne, going surly in a moment. "He said that perhaps if he had heard her real name from the first it might have restrained him. As it was, he made the discovery too late. Asked me to tell Zoe this together with a lot more nonsense."

Fyne gave me the impression of having escaped from a man inspired by a grimly playful ebullition of high spirits. It must have been most distasteful to him; and his solemnity got damaged somehow in the process, I perceived. There were holes in it through which I could see a new, an unknown Fyne.

"You wouldn't believe it," he went on, "but she looks upon her father exclusively as a victim. I don't know," he burst out suddenly through an enormous rent in his solemnity, "if she thinks him absolutely a saint, but she certainly imagines him to be a martyr."

It is one of the advantages of that magnificent invention, the prison, that you may forget people which are put there as though they were dead. One needn't worry about them. Nothing can happen to them that you can help. They can do nothing which might possibly matter to anybody. They come out of it, though, but that seems hardly an advantage to themselves or anyone else. I had completely forgotten the financier de Barral. The girl for me was an orphan, but now I perceived suddenly the force of Fyne's qualifying statement, "to a certain extent." It would have been infinitely more kind all round for the law to have shot, beheaded, strangled, or otherwise destroyed this absurd de Barral, who was a danger to a moral world inhabited by a credulous multitude not fit to take care of itself. But I observed to Fyne that, however insane was the view she held, one could not declare the girl mad on that account.

"So she thinks of her father—does she? I suppose she would appear to us saner if she thought only of herself."

"I am positive," Fyne said earnestly, "that she went and made desperate eyes at Anthony … "

"Oh come!" I interrupted. "You haven't seen her make eyes. You don't know the colour of her eyes."

"Very well! It don't matter. But it could hardly have come to that if she hadn't … It's all one, though. I tell you she has led him on, or accepted him, if you like, simply because she was thinking of her father. She doesn't care a bit about Anthony, I believe. She cares for no one. Never cared for anyone. Ask Zoe. For myself I don't blame her," added Fyne, giving me another view of unsuspected things through the rags and tatters of his damaged solemnity. "No! by heavens, I don't blame her—the poor devil."

I agreed with him silently. I suppose affections are, in a sense, to be learned. If there exists a native spark of love in all of us, it must be fanned while we are young. Hers, if she ever had it, had been drenched in as ugly a lot of corrosive liquid as could be imagined. But I was surprised at Fyne obscurely feeling this.

"She loves no one except that preposterous advertising shark," he pursued venomously, but in a more deliberate manner. "And Anthony knows it."

"Does he?" I said doubtfully.

"She's quite capable of having told him herself," affirmed Fyne, with amazing insight. "But whether or no, I've told him."

"You did? From Mrs. Fyne, of course."

Fyne only blinked owlishly at this piece of my insight.

"And how did Captain Anthony receive this interesting information?" I asked further.

"Most improperly," said Fyne, who really was in a state in which he didn't mind what he blurted out. "He isn't himself. He begged me to tell his sister that he offered no remarks on her conduct. Very improper and inconsequent. He said … I was tired of this wrangling. I told him I made allowances for the state of excitement he was in."

"You know, Fyne," I said, "a man in jail seems to me such an incredible, cruel, nightmarish sort of thing that I can hardly believe in his existence. Certainly not in relation to any other existences."

"But dash it all," cried Fyne, "he isn't shut up for life. They are going to let him out. He's coming out! That's the whole trouble. What is he coming out to, I want to know? It seems a more cruel business than the shutting him up was. This has been the worry for weeks. Do you see now?"

I saw, all sorts of things! Immediately before me I saw the excitement of little Fyne—mere food for wonder. Further off, in a sort of gloom and beyond the light of day and the movement of the street, I saw the figure of a man, stiff like a ramrod, moving with small steps, a slight girlish figure by his side. And the gloom was like the gloom of villainous slums, of misery, of wretchedness, of a starved and degraded existence. It was a relief that I could see only their shabby hopeless backs. He was an awful ghost. But indeed to call him a ghost was only a refinement of polite speech, and a manner of concealing one's terror of such things. Prisons are wonderful contrivances. Shut—open. Very neat. Shut—open. And out comes some sort of corpse, to wander awfully in a world in which it has no possible connections and carrying with it the appalling tainted atmosphere of its silent abode. Marvellous arrangement. It works automatically, and, when you look at it, the perfection makes you sick; which for a mere mechanism is no mean triumph. Sick and scared. It had nearly scared that poor girl to her death. Fancy having to take such a thing by the hand! Now I understood the remorseful strain I had detected in her speeches.

"By Jove!" I said. "They are about to let him out! I never thought of that."

Fyne was contemptuous either of me or of things at large.

"You didn't suppose he was to be kept in jail for life?"

At that moment I caught sight of Flora de Barral at the junction of the two streets. Then some vehicles following each other in quick succession hid from my sight the black slight figure with just a touch of colour in her hat. She was walking slowly; and it might have been caution or reluctance. While listening to Fyne I stared hard past his shoulder trying to catch sight of her again. He was going on with positive heat, the rags of his solemnity dropping off him at every second sentence.

That was just it. His wife and he had been perfectly aware of it. Of course the girl never talked of her father with Mrs. Fyne. I suppose with her theory of innocence she found it difficult. But she must have been thinking of it day and night. What to do with him? Where to go? How to keep body and soul together? He had never made any friends. The only relations were the atrocious East–end cousins. We know what they were. Nothing but wretchedness, whichever way she turned in an unjust and prejudiced world. And to look at him helplessly she felt would be too much for her.

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