Джозеф Конрад - Chance

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Chance is narrated by Conrad’s regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement (source: Wikipedia)

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"Come, Marlow," I said, "you exaggerate surely—if only by your way of putting things. It's too startling."

"I exaggerate!" he defended himself. "My way of putting things! My dear fellow I have merely stripped the rags of business verbiage and financial jargon off my statements. And you are startled! I am giving you the naked truth. It's true too that nothing lays itself open to the charge of exaggeration more than the language of naked truth. What comes with a shock is admitted with difficulty. But what will you say to the end of his career?

It was of course sensational and tolerably sudden. It began with the Orb Deposit Bank. Under the name of that institution de Barral with the frantic obstinacy of an unimaginative man had been financing an Indian prince who was prosecuting a claim for immense sums of money against the government. It was an enormous number of scores of lakhs—a miserable remnant of his ancestors' treasures—that sort of thing. And it was all authentic enough. There was a real prince; and the claim too was sufficiently real—only unfortunately it was not a valid claim. So the prince lost his case on the last appeal and the beginning of de Barral's end became manifest to the public in the shape of a half–sheet of note paper wafered by the four corners on the closed door of The Orb offices notifying that payment was stopped at that establishment.

Its consort The Sceptre collapsed within the week. I won't say in American parlance that suddenly the bottom fell out of the whole of de Barral concerns. There never had been any bottom to it. It was like the cask of Danaides into which the public had been pleased to pour its deposits. That they were gone was clear; and the bankruptcy proceedings which followed were like a sinister farce, bursts of laughter in a setting of mute anguish—that of the depositors; hundreds of thousands of them. The laughter was irresistible; the accompaniment of the bankrupt's public examination.

I don't know if it was from utter lack of all imagination or from the possession in undue proportion of a particular kind of it, or from both—and the three alternatives are possible—but it was discovered that this man who had been raised to such a height by the credulity of the public was himself more gullible than any of his depositors. He had been the prey of all sorts of swindlers, adventurers, visionaries and even lunatics. Wrapping himself up in deep and imbecile secrecy he had gone in for the most fantastic schemes: a harbour and docks on the coast of Patagonia, quarries in Labrador—such like speculations. Fisheries to feed a canning Factory on the banks of the Amazon was one of them. A principality to be bought in Madagascar was another. As the grotesque details of these incredible transactions came out one by one ripples of laughter ran over the closely packed court—each one a little louder than the other. The audience ended by fairly roaring under the cumulative effect of absurdity. The Registrar laughed, the barristers laughed, the reporters laughed, the serried ranks of the miserable depositors watching anxiously every word, laughed like one man. They laughed hysterically—the poor wretches—on the verge of tears.

There was only one person who remained unmoved. It was de Barral himself. He preserved his serene, gentle expression, I am told (for I have not witnessed those scenes myself), and looked around at the people with an air of placid sufficiency which was the first hint to the world of the man's overweening, unmeasurable conceit, hidden hitherto under a diffident manner. It could be seen too in his dogged assertion that if he had been given enough time and a lot more money everything would have come right. And there were some people (yes, amongst his very victims) who more than half believed him, even after the criminal prosecution which soon followed. When placed in the dock he lost his steadiness as if some sustaining illusion had gone to pieces within him suddenly. He ceased to be himself in manner completely, and even in disposition, in so far that his faded neutral eyes matching his discoloured hair so well, were discovered then to be capable of expressing a sort of underhand hate. He was at first defiant, then insolent, then broke down and burst into tears; but it might have been from rage. Then he calmed down, returned to his soft manner of speech and to that unassuming quiet bearing which had been usual with him even in his greatest days. But it seemed as though in this moment of change he had at last perceived what a power he had been; for he remarked to one of the prosecuting counsel who had assumed a lofty moral tone in questioning him, that—yes, he had gambled—he liked cards. But that only a year ago a host of smart people would have been only too pleased to take a hand at cards with him. Yes—he went on—some of the very people who were there accommodated with seats on the bench; and turning upon the counsel "You yourself as well," he cried. He could have had half the town at his rooms to fawn upon him if he had cared for that sort of thing. "Why, now I think of it, it took me most of my time to keep people, just of your sort, off me," he ended with a good humoured—quite unobtrusive, contempt, as though the fact had dawned upon him for the first time.

This was the moment, the only moment, when he had perhaps all the audience in Court with him, in a hush of dreary silence. And then the dreary proceedings were resumed. For all the outside excitement it was the most dreary of all celebrated trials. The bankruptcy proceedings had exhausted all the laughter there was in it. Only the fact of wide–spread ruin remained, and the resentment of a mass of people for having been fooled by means too simple to save their self–respect from a deep wound which the cleverness of a consummate scoundrel would not have inflicted. A shamefaced amazement attended these proceedings in which de Barral was not being exposed alone. For himself his only cry was: Time! Time! Time would have set everything right. In time some of these speculations of his were certain to have succeeded. He repeated this defence, this excuse, this confession of faith, with wearisome iteration. Everything he had done or left undone had been to gain time. He had hypnotized himself with the word. Sometimes, I am told, his appearance was ecstatic, his motionless pale eyes seemed to be gazing down the vista of future ages. Time—and of course, more money. "Ah! If only you had left me alone for a couple of years more," he cried once in accents of passionate belief. "The money was coming in all right." The deposits you understand—the savings of Thrift. Oh yes they had been coming in to the very last moment. And he regretted them. He had arrived to regard them as his own by a sort of mystical persuasion. And yet it was a perfectly true cry, when he turned once more on the counsel who was beginning a question with the words "You have had all these immense sums …" with the indignant retort " What have I had out of them?"

"It was perfectly true. He had had nothing out of them—nothing of the prestigious or the desirable things of the earth, craved for by predatory natures. He had gratified no tastes, had known no luxury; he had built no gorgeous palaces, had formed no splendid galleries out of these "immense sums." He had not even a home. He had gone into these rooms in an hotel and had stuck there for years, giving no doubt perfect satisfaction to the management. They had twice raised his rent to show I suppose their high sense of his distinguished patronage. He had bought for himself out of all the wealth streaming through his fingers neither adulation nor love, neither splendour nor comfort. There was something perfect in his consistent mediocrity. His very vanity seemed to miss the gratification of even the mere show of power. In the days when he was most fully in the public eye the invincible obscurity of his origins clung to him like a shadowy garment. He had handled millions without ever enjoying anything of what is counted as precious in the community of men, because he had neither the brutality of temperament nor the fineness of mind to make him desire them with the will power of a masterful adventurer … "

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