Джозеф Конрад - Chance

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Chance: краткое содержание, описание и аннотация

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Chance is narrated by Conrad’s regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement (source: Wikipedia)

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"Come inside," I cried as heartily as my sinking heart would permit.

After a short but severe scuffle with his dog at the outer door, Fyne entered. I treated him without ceremony and only waved my hand towards a chair. Even before he sat down he gasped out:

"We've heard—midday post."

Gasped out! The grave, immovable Fyne of the Civil Service, gasped! This was enough, you'll admit, to cause me to put my feet to the ground swiftly. That fellow was always making me do things in subtle discord with my meditative temperament. No wonder that I had but a qualified liking for him. I said with just a suspicion of jeering tone:

"Of course. I told you last night on the road that it was a farce we were engaged in."

He made the little parlour resound to its foundations with a note of anger positively sepulchral in its depth of tone. "Farce be hanged! She has bolted with my wife's brother, Captain Anthony." This outburst was followed by complete subsidence. He faltered miserably as he added from force of habit: "The son of the poet, you know."

A silence fell. Fyne's several expressions were so many examples of varied consistency. This was the discomfiture of solemnity. My interest of course was revived.

"But hold on," I said. "They didn't go together. Is it a suspicion or does she actually say that … "

"She has gone after him," stated Fyne in comminatory tones. "By previous arrangement. She confesses that much."

He added that it was very shocking. I asked him whether he should have preferred them going off together; and on what ground he based that preference. This was sheer fun for me in regard of the fact that Fyne's too was a runaway match, which even got into the papers in its time, because the late indignant poet had no discretion and sought to avenge this outrage publicly in some absurd way before a bewigged judge. The dejected gesture of little Fyne's hand disarmed my mocking mood. But I could not help expressing my surprise that Mrs. Fyne had not detected at once what was brewing. Women were supposed to have an unerring eye.

He told me that his wife had been very much engaged in a certain work. I had always wondered how she occupied her time. It was in writing. Like her husband she too published a little book. Much later on I came upon it. It had nothing to do with pedestrianism. It was a sort of hand–book for women with grievances (and all women had them), a sort of compendious theory and practice of feminine free morality. It made you laugh at its transparent simplicity. But that authorship was revealed to me much later. I didn't of course ask Fyne what work his wife was engaged on; but I marvelled to myself at her complete ignorance of the world, of her own sex and of the other kind of sinners. Yet, where could she have got any experience? Her father had kept her strictly cloistered. Marriage with Fyne was certainly a change but only to another kind of claustration. You may tell me that the ordinary powers of observation ought to have been enough. Why, yes! But, then, as she had set up for a guide and teacher, there was nothing surprising for me in the discovery that she was blind. That's quite in order. She was a profoundly innocent person; only it would not have been proper to tell her husband so.

Chapter Three

Thrift--and the Child

But there was nothing improper in my observing to Fyne that, last night, Mrs. Fyne seemed to have some idea where that enterprising young lady had gone to. Fyne shook his head. No; his wife had been by no means so certain as she had pretended to be. She merely had her reasons to think, to hope, that the girl might have taken a room somewhere in London, had buried herself in town—in readiness or perhaps in horror of the approaching day—

He ceased and sat solemnly dejected, in a brown study. "What day?" I asked at last; but he did not hear me apparently. He diffused such portentous gloom into the atmosphere that I lost patience with him.

"What on earth are you so dismal about?" I cried, being genuinely surprised and puzzled. "One would think the girl was a state prisoner under your care."

And suddenly I became still more surprised at myself, at the way I had somehow taken for granted things which did appear queer when one thought them out.

"But why this secrecy? Why did they elope—if it is an elopement? Was the girl afraid of your wife? And your brother–in–law? What on earth possesses him to make a clandestine match of it? Was he afraid of your wife too?"

Fyne made an effort to rouse himself.

"Of course my brother–in–law, Captain Anthony, the son of … " He checked himself as if trying to break a bad habit. "He would be persuaded by her. We have been most friendly to the girl!"

"She struck me as a foolish and inconsiderate little person. But why should you and your wife take to heart so strongly mere folly—or even a want of consideration?"

"It's the most unscrupulous action," declared Fyne weightily—and sighed.

"I suppose she is poor," I observed after a short silence. "But after all … "

"You don't know who she is." Fyne had regained his average solemnity.

I confessed that I had not caught her name when his wife had introduced us to each other. "It was something beginning with an S– wasn't it?" And then with the utmost coolness Fyne remarked that it did not matter. The name was not her name.

"Do you mean to say that you made a young lady known to me under a false name?" I asked, with the amused feeling that the days of wonders and portents had not passed away yet. That the eminently serious Fynes should do such an exceptional thing was simply staggering. With a more hasty enunciation than usual little Fyne was sure that I would not demand an apology for this irregularity if I knew what her real name was. A sort of warmth crept into his deep tone.

"We have tried to befriend that girl in every way. She is the daughter and only child of de Barral."

Evidently he expected to produce a sensation; he kept his eyes fixed upon me prepared for some sign of it. But I merely returned his intense, awaiting gaze. For a time we stared at each other. Conscious of being reprehensibly dense I groped in the darkness of my mind: De Barral, De Barral—and all at once noise and light burst on me as if a window of my memory had been suddenly flung open on a street in the City. De Barral! But could it be the same? Surely not!

"The financier?" I suggested half incredulous.

"Yes," said Fyne; and in this instance his native solemnity of tone seemed to be strangely appropriate. "The convict."

Marlow looked at me, significantly, and remarked in an explanatory tone:

"One somehow never thought of de Barral as having any children, or any other home than the offices of the "Orb"; or any other existence, associations or interests than financial. I see you remember the crash …"

"I was away in the Indian Seas at the time," I said. "But of course—"

"Of course," Marlow struck in. "All the world … You may wonder at my slowness in recognizing the name. But you know that my memory is merely a mausoleum of proper names. There they lie inanimate, awaiting the magic touch—and not very prompt in arising when called, either. The name is the first thing I forget of a man. It is but just to add that frequently it is also the last, and this accounts for my possession of a good many anonymous memories. In de Barral's case, he got put away in my mausoleum in company with so many names of his own creation that really he had to throw off a monstrous heap of grisly bones before he stood before me at the call of the wizard Fyne. The fellow had a pretty fancy in names: the "Orb" Deposit Bank, the "Sceptre" Mutual Aid Society, the "Thrift and Independence" Association. Yes, a very pretty taste in names; and nothing else besides—absolutely nothing—no other merit. Well yes. He had another name, but that's pure luck—his own name of de Barral which he did not invent. I don't think that a mere Jones or Brown could have fished out from the depths of the Incredible such a colossal manifestation of human folly as that man did. But it may be that I am underestimating the alacrity of human folly in rising to the bait. No doubt I am. The greed of that absurd monster is incalculable, unfathomable, inconceivable. The career of de Barral demonstrates that it will rise to a naked hook. He didn't lure it with a fairy tale. He hadn't enough imagination for it … "

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