Гюстав Флобер - The Temptation of St. Antony

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The Temptation of St. Antony is based on the story of the third-century saint who lived on an isolated mountaintop in the Egyptian desert. Saint Anthony, while living in the desert, remembers former temptations and is beset by the onslaught of philosophic doubt.

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"The world is getting cold. It is necessary to heat the springs, the volcanoes, and the rivers, which run from metals under the earth!—Strike harder! with vigorous arm! with all your strength!"

The Cabiri hurt themselves with their hammers, blind themselves with the sparks, and, groping their way along, are lost in the shadow.

Ceres , standing in her chariot which is drawn by wheels having wings in their naves—"Stop! Stop!

"They had good reason to exclude the strangers, the atheists, the epicureans, and the Christians! The mystery of the basket is unveiled, the sanctuary profaned—all is lost!"

She descends with a rapid fall—bursting into exclamation of despair, and dragging back the horses.

"Ah! falsehood! Daira is not given up to me. The brazen bell calls me to the dead. It is another kind of Tartarus. There is no returning from it. Horror!"

The abyss swallows her up.

Bacchus , laughing frantically:

"What does it matter! The wife of Archontes is my spouse! Even the law goes down before drunkenness. For me the new song and the multiplied forms!

"The fire which consumed my mother runs in my veins. Let it burn the stronger, even though I perish!

"Male and female, good for both, I deliver myself to ye, Bacchantes! I deliver myself to ye, Bacchantes! and the vine will twist around the trunks of trees! Howl! dance! writhe! Unbind the tiger and the slave! bite the flesh with ferocious teeth!"

And Pan, Silenus, the Satyrs, the Bacchantes, the Mimallones, and the Mænades, with their serpents, their torches, and their black masks, scatter flowers, then shake their dulcimers, strike their thyrsi, pelt each other with shells, crunch grapes, strangle a he–goat, and rend Bacchus.

Apollo , lashing his coursers, whose glistening hairs fly off—

"I have left behind me Delos the stony, so empty that everything there now seems dead; and I am striving to reach the Delphian oracle before its inspiring vapour should be completely lost. The mules browse on its laurel. The pythoness, gone astray, is found there no longer.

"By a stronger concentration, I will have sublime poems, eternal monuments; and all matter will be penetrated with the vibrations of my cithara."

He fingers its chords. They break and snap against his face. He flings down the instrument, and driving his four–horse chariot furiously:

"No! enough of forms! Farther still—to the very summit—to the world of pure thought!"

But the horses, falling back, begin to prance so that the chariot is smashed; and, entangled in the fragments of the pole and the knottings of the horses, he falls head–foremost into the abyss.

The sky is darkened. Venus, blue as a violet from the cold, shivers.

"I covered with my girdle the entire horizon of Hellas. Its fields shone with the roses of my cheeks; its shores were cut according to the form of my lips; and its mountains, whiter than my doves, palpitated under the hands of the sculptors. My spirit showed itself in the order of festivities, the arrangements of head–dresses, the dialogues of philosophers, and the constitution of republics. But I have loved men too much. It is Love that has dishonoured me!"

She falls back in tears.

"The world is abominable. My bosom feels the lack of air.

"O Mercury, inventor of the lyre, and conductor of souls, bear me away!"

She places a finger upon her mouth, and, describing an immense parabola, topples over into the abyss.

And now nothing can be seen. The darkness is complete.

In the meantime two red arrows seem to escape from the pupils of Hilarion.

Antony at length notices his high stature:

"Many times already, while you were speaking, you appeared to me to be growing tall; and it was not an illusion. How is this? Explain it to me. Your appearance appals me!"

Steps draw nigh.

"What is this now?"

Hilarion stretches forth his arms:

"Look!"

Then, under a pale ray of the moon, Antony distinguishes an interminable caravan which defiles over the crest of the rocks; and each passenger, one after another, falls from the cliff into the gulf.

First, there are the three great gods of Samothrace—Axieros, Axiokeros, and Axiokersa—joined in a cluster, with purple masks, and their hands raised.

Æsculapius advances with a melancholy air, without even seeing Samos and Telesphorus, who question him with anguish. Sosipolis, the Elean, with the form of a python, rolls out his rings towards the abyss. Doespœna, through vertigo, flings herself in there of her own accord. Britomartis, shrieking with fear, clasps the folds of her fillet. The Centaurs arrive with a great galloping, and dash, pell–mell, into the black hole.

Limping behind them come the sad group of nymphs. Those of the meadows are covered with dust; those of the woods groan and bleed, wounded by the woodcutters' axes.

The Gelludæ, the Stryges, the Empusæ, all the infernal goddesses intermingling their hooks, their torches, and their snakes, form a pyramid; and at the summit, upon a vulture's skin, Eurynomus, bluish like flesh–flies, devours his own arms.

Then in a whirlwind disappears at the same time, Orthia the sanguinary, Hymnia of Orchomena, the Saphria of the Patræans, Aphia of Ægina, Bendis of Thrace, and Stymphalia with the leg of a bird. Triopas, in place of three eyeballs, has nothing more than three orbits. Erichthonius, with spindle–shanks, crawls like a cripple on his wrists.

Hilarion —"What happiness, is it not, to see all of them in a state of abjectness and agony? Mount with me on this stone, and you will be like Xerxes reviewing his army.

"Yonder, at a great distance, in the midst of fogs, do you perceive that giant with yellow beard who lets fall a sword red with blood? He is the Scythian Zalmoxis between two planets—Artimpasa, Venus; and Orsiloche, the Moon.

"Farther off, emerging out of the pale clouds, are the gods who are adored by the Cimmerians, beyond even Thule!

"Their great halls were warm, and by the light of the naked swords that covered the vault they drank hydromel in horns of ivory. They ate the liver of the whale in copper plates forged by the demons, or else they listened to the captive sorcerers sweeping their hands across the harps of stone. They are weary! they are cold! The snow wears down their bearskins, and their feet are exposed through the rents in their sandals.

"They mourn for the meadows where, upon hillocks of grass, they used to recover breath in the battle, the long ships whose prows cut through the mountains of ice, and the skates they used in order to follow the orbit of the poles while carrying on the extremities of their arms the firmament, which turned around with them."

A shower of hoar–frost pours down upon them. Antony lowers his glance to the opposite side, and he perceives—outlining themselves in black upon a red background—strange personages with chin–pieces and gauntlets, who throw balls at one another, leap one on top of the other, make grimaces, and dance frantically.

Hilarion —"These are the gods of Etruria, the innumerable Æsars. Here is Tages, the inventor of auguries. He attempts with one hand to increase the divisions of the heavens, while with the other he leans upon the earth. Let him come back to it!

"Nortia is contemplating the wall into which she drove nails to mark the number of the years. Its surface is covered and its last period accomplished. Like two travellers driven about by a tempest, Kastur and Polutuk take shelter under the same mantle."

Antony , closes his eyes—"Enough! Enough!"

But now through the air with a great noise of wings pass all the Victories of the Capitol, hiding their foreheads in their hands, and losing the trophies suspended from their arms.

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