Stefan Zweig - The Collected Stories of Stefan Zweig

And then, suddenly, the white figure comes hurrying down the steps, fast, much too fast for him to recognize her. She seems to be made of glinting moonlight, or a lost, drifting wisp of mist among the trees, chased this way by the wind and now, now in his arms. They close firmly as a claw around that wild body, heated and throbbing from her fast running. It is the same as yesterday, a single moment with this warm wave beating against his breast, and he thinks he will faint with the sweet throbbing of her heart and flow away in a stream of dark desire. But then the frenzy abruptly dies down, and he holds back his fiery feelings. He must not lose himself in that wonderful pleasure, give himself up to those lips fixed on his, before he knows what name to give this body pressed so close that it is as if her heart were beating loudly in his own chest! He bends his head back from her kiss to see her face, but shadows are falling, mingling with her hair; the twilight makes it look dark. The tangled trees grow too close together, and the light of the moon, veiled in cloud, is not strong enough for him to make out her features. He sees only her eyes shining, glowing stones sprinkled deep down somewhere, set in faintly gleaming marble.

Now he wants to hear a word, just one splinter of her voice breaking away. “Who are you?” he demands. “Tell me who you are!” But that soft, moist mouth offers only kisses, no words. He tries to force a word out of her, a cry of pain, he squeezes her arm, digs his nails into its flesh; but he is aware only of his own gasping, heated breath, and of the sultry heat of her obstinately silent lips that only moan a little now and then—whether in pain or pleasure he does not know. And it sends him nearly mad to realize that he has no power over this defiant will, that this woman coming out of the dark takes him without giving herself away to him, that he has unbounded power over her body and its desires, yet cannot command her name. Anger rises in him and he fends off her embrace; but she, feeling his arms slacken and aware of his uneasiness, caresses his hair soothingly, enticingly with her excited hand. And then, as her fingers move, he feels something make a slight ringing sound against his forehead, something metal, a medallion or coin that hangs loose from her bracelet. An idea suddenly occurs to him. As if in the transports of passion, he presses her hand to him, and in so doing embeds the coin deep in his half-bared arm until he feels its surface digging into his skin. He is sure of having a sign to follow now, and with it burning against him he willingly gives himself up to the passion he has held back. Now he presses deep into her body, sucks the desire from her lips, falling into the mysteriously pleasurable ardour of a wordless embrace.

And then, when she suddenly jumps up and takes flight, just as she did yesterday, he does not try to hold her back, for he is already feverish with curiosity to see the sign. He runs to his room, turns up the dim lamplight until it is bright, and bends avidly over the mark left by the coin in his arm.

It is no longer entirely clear, the full outline is indistinct; but one corner is still engraved red and sharp on his flesh, unmistakably precise. There are angular corners; the coin must have eight sides, medium-sized like a penny but with more of a raised surface, because the impression here is still deep, corresponding to the height of the surface. The mark burns like fire as he examines it so greedily; it suddenly hurts him, like a wound, and only now that he dips his hand in cold water does the painful burning go away. So the medallion is octagonal; he feels certain of that now. Triumph sparkles in his eyes. Tomorrow he will know everything.

Next morning he is one of the first down at the breakfast table. The only ladies present are an elderly old maid, his sister and Countess E. They are all in a cheerful mood, and their lively conversation passes him by. He has all the more opportunity for his observations. His glance swiftly falls on the Countess’s slim wrist; she is not wearing a bracelet. He can speak to her without agitation now, but his eyes keep going nervously to the door. Then his cousins, the three sisters, come in together. Uneasiness stirs in him again. He catches a glimpse of the jewellery they wear pushed up under their sleeves, but they sit down too quickly for a good view: Kitty with her chestnut-brown hair opposite him; blonde Margot; and Elisabeth, whose hair is so fair that it shines like silver in the dark and flows golden in the sun. All three, as usual, are cool, quiet and reserved, stiff with the dignity he dislikes so much about them; after all, they are not much older than he is, and were his playmates for years. His uncle’s young wife has not come down yet. The boy’s heart is more and more restless now that he feels the moment of revelation is so close, and suddenly he decides that he almost likes the mysterious torment of secrecy. However, his eyes are full of curiosity; they move around the edge of the table, where the women’s hands lie at rest on the white cloth or wander slowly like ships in a bright bay. He sees only their hands, and they suddenly seem to him like creatures with a life and soul of their own, characters on a stage. Why is the blood throbbing at his temples like that? All three cousins, he sees in alarm, are wearing bracelets, and the idea that it could be one of these three proud and outwardly immaculate young women, whom he has never known, even in childhood, as anything but unapproachable and reserved, confuses him. Which of them could it be? Kitty, whom he knows least because she is the eldest, Margot with her abrupt manner, or little Elisabeth? He dares not wish it to be any of them. Secretly, he wants it to be none of them, or he wants not to know. But now his desire carries him away.

“Could I ask you to pour me another cup of tea, please, Kitty?” His voice sounds as if he has sand in his throat. He passes her his cup; now she must raise her arm and reach over the table to him. Now—he sees a medallion dangling from her bracelet and for a moment his hand stops dead, but no, it is a green stone in a round setting that clinks softly against the porcelain. His glance gratefully rests on Kitty’s brown hair.

It takes him a moment to get his breath back.

“May I trouble you for a lump of sugar, Margot?” A slender hand comes to life on the table, stretches, picks up a silver bowl and passes it over. And there—his hand shakes slightly—he sees, where the wrist disappears into her sleeve, an old silver coin dangling from a flexible bracelet. The coin has eight sides, is the size of a penny and is obviously a family heirloom of some kind. But octagonal, with the sharp corners that dug into his flesh yesterday. His hand is no steadier, and he misses his aim with the sugar tongs at first; only then does he drop a lump of sugar into his tea, which he forgets to drink.

Margot! The name is burning on his lips in a cry of the utmost surprise, but he clenches his teeth and bites it back. He hears her speaking now—and her voice sounds to him as strange as if someone were speaking from a stand at a show—cool, composed, slightly humorous, and her breath is so calm that he almost takes fright at the thought of the terrible lie she is living. Is this really the same woman whose unsteady breath he soothed yesterday, from whose moist lips he drank kisses, who falls on him by night like a beast of prey? Again and again he stares at those lips. Yes, the pride, the reserve, could be taking refuge there and nowhere else, but what is there to show the fire within her?

He looks harder at her face, as if seeing it for the first time. And for the first time he really feels, rejoicing, trembling with happiness and almost near tears, how beautiful she is in her pride, how enticing in her secrecy. His gaze traces, with delight, the curving line of her eyebrows suddenly rising to a sharp angle, looks deep into the cool, gemstone hue of her grey-green eyes, kisses the pale, slightly translucent skin of her cheeks, imagines her lips, now sharply tensed, curving more softly for a kiss, wanders around her pale hair, and, quickly moving down again, takes in her whole figure with delight. He has never known her until this moment. Now he rises from the table and finds that his knees are trembling. He is drunk with looking at her as if on strong wine.