Эрнест Хорнунг - A Bride from The Bush

The Blighs' serviceable vehicle had found an anchorage by the inner rails in the thick of all this, but not in the thickest. They were, in fact, no farther than a furlong from the Corner, and thus in comparatively open water. At this point the shrubs planted between the two converging courses come to an end, and the two roads are separated by little more than twenty yards. A little way farther on you can see only the bobbing heads of the riders over in Rotten Row; but at this point you have indeed "the whole show" before you. The position had been taken up on the Bride's express petition. It was the riding that interested Gladys. She had no eyes for the smart people in the carriages when once she could watch with as little trouble the hacks and their riders in Rotten Row. The little interest she took in the passing and re–passing of Royalty was somewhat disappointing. But it was plain that she was enjoying herself in her own way; and that was everything. When the Traverses came up, the interruption of this innocent enjoyment was a distinct annoyance to Gladys.

Alfred—to whom it was not an afternoon of wild delight—got out of the carriage with some alacrity; and Miss Travers, with a very engaging freedom of manner, got in. She button–holed the Bride (if that is not an exclusively masculine act—as between man and man), and at first the Bride did not like it. Very soon, however, Gladys was pleased to withdraw her attention, partially, from Rotten Row and transfer it to Miss Travers. Like everybody else, the Bride was immensely attracted; Miss Travers's manner was so sympathetic, yet unaffected, and so amazingly free (Gladys thought) from English stiffness; and her face was infinitely kind and sweet, and her voice musical and soft.

So Mr. Travers, with one foot upon the carriage–step, brought Lady Bligh up to date in her politics generally, and in his own political experiences in particular; and Alfred made aimless patterns on the ground with his feet; and Miss Travers questioned Gladys on the subject upon which all strangers who were told where she came from invariably and instantly did question her. But Miss Travers did this in a way of her own, and a charming way. You would have thought it had been the dream of her life to go to Australia; you would have inferred that it was her misfortune and not her fault that her lines were cast in England instead of out there; and yet you would not, you could not, have suspected her of hypocrisy. She was one of those singular people who seem actually to prefer, in common conversation, the tuum to the meum . Gladys was charmed. But still she stole furtive glances across the space dividing them from the tan; and her answers, which would have been eager and impetuous enough in any other circumstances, came often slowly; she was obviously distraite .

Miss Travers saw this, and followed the direction of the dark, eager eyes, and thought she understood. But suddenly there came a quick gleam into the Bride's eyes which Miss Travers did not understand. A horsewoman was crossing their span of vision in the Row at a brisk canter. The Bride became strangely agitated. Her face was transfigured with surprise and delight and incredulity. Her lips came apart, but no breath escaped them. Her flashing eyes followed the cantering horsewoman, who, in figure and in colouring, if not in feature, was just such another as Gladys herself, and who sat her horse to perfection. But she was cantering past; she would not turn her head, she would not look; a moment more and the shrubs would hide her from Gladys—perhaps for ever.

Before that moment passed, Gladys stood up in the carriage, trembling with excitement. Careless of the place—forgetful of Lady Bligh, of all that had passed, of the good understanding so hardly gained—attracting the attention of Royalty by conspicuously turning her back upon them as they passed for the fourth time—the Bride encircled her lips with her two gloved palms, and uttered a cry that few of the few hundreds who heard it ever forgot:—

" Coo–ee! "

That was the startling cry as nearly as it can be written. But no letters can convey the sustained shrillness of the long, penetrating note represented by the first syllable, nor the weird, die–away wail of the second. It is the well–known Bush call, the "jodel" of the black–fellow; but it has seldom been heard from a white throat as Gladys Bligh let it out that afternoon in Hyde Park, in the presence of Royalty.

To say that there was a sensation in the vicinity of the Blighs' carriage—to say that its occupants were for the moment practically paralysed—is to understate matters, rather. But, before they could recover themselves, the Bride had jumped from the carriage, pressed through the posts, rushed across to the opposite railings, and seized in both hands the hand of the other dark and strapping young woman, who had reined in her horse at once upon the utterance of the " Coo–ee! "

And there was a nice little observation, audible to many, which Gladys had let fall in flying:—

"Good Lord deliver us—it's her !"

Patience and sweetness of disposition may not only be driven beyond endurance; they may be knocked outside in, knocked into their own antitheses. And one need not go to crime or even to sin to find offences which no amount of abstract angelicalness could readily forgive or ever forget. It is a sufficiently bad offence, if not an actual iniquity, to bring well–to–do people into public derision through an act of flagrant thoughtlessness and unparalleled social barbarity. But if the people are not only well–to–do, but well and honourably known, and relatives by your marriage, who have been more than kind to you, you could scarcely expect a facile pardon. Sincerity apart, they would be more than mortal if they so much as pretended to forgive you out of hand, and little less than divine if they did not tell you at once what they thought of you, and thereafter ignore you until time healed their wounds.

Woman of infinite sweetness though she was, Lady Bligh was mortal, not divine; and she showed her clay by speaking very plainly indeed, as the carriage swept out of the Park, and by speaking no more (to Gladys) that day. A good deal of cant is current about people whose anger is violent ("while it lasts"), but short–lived ("he gets over it in a moment"); but it is difficult to believe in those people. If there be just cause for wrath, with or without violence, it is not in reason that you can be in a rollicking good humour the next minute. That is theatrical anger, the anger of the heavy father. Lady Bligh, with all her virtues, could nurse the genuine passion—an infant that thrives at the breast. Indeed, it is probable that before the end of the silent drive to Twickenham (Alfred never opened his clenched teeth all the way) this thoroughly good woman positively detested the daughter whom she had just learnt to love. For it is a fallacy to suppose that the pepper–and–salt emotion of love and hatred in equal parts is the prerogative of lovers; you will find it oftener in the family.

What penitence Gladys had expressed had been lame—crippled by an excuse. Moreover, her tone had lacked complete contrition. Indeed, if not actually defiant, her manner was at least repellent. She had been spoken to hotly; some of the heat was reflected; it was a hot moment.

As for her excuse, it, of course, was ridiculous— qua excuse.

She had seen her oldest—indeed, her only—girl friend, Ada Barrington. Ada (Gladys pronounced it "Ida") was another squatter's daughter; their fathers had been neighbours, more or less, for many years; but Ada's father owned more stations than one, was a wealthy man—in fact, a "woollen king." Gladys had known they were in Europe, but that was all. And she had seen Ada cantering past, but Ada had not seen her. So she had " coo–ee'd ." What else was there to be done? Gladys did not exactly ask this question, but she implied it plainly. As it happened, if she had not " coo–ee'd ," she never would have seen Ada again, to a certainty; for the Barringtons had taken a place in Suffolk, and were going down there the very next day. That was all. Perhaps it was too much.