Virginia Woolf - Mrs. Dalloway

"What a pity!" she said. "I had hoped to have dancing."

It was so extraordinarily nice of them to have come! But talk of dancing! The rooms were packed.

There was old Aunt Helena in her shawl. Alas, she must leave them- Lord Gayton and Nancy Blow. There was old Miss Parry, her aunt.

For Miss Helena Parry was not dead: Miss Parry was alive. She was past eighty. She ascended staircases slowly with a stick. She was placed in a chair (Richard had seen to it). People who had known Burma in the 'seventies were always led up to her. Where had Peter got to? They used to be such friends. For at the mention of India, or even Ceylon, her eyes (only one was glass) slowly deepened, became blue, beheld, not human beings-she had no tender memories, no proud illusions about Viceroys, Generals, Mutinies-it was orchids she saw, and mountain passes and herself carried on the backs of coolies in the 'sixties over solitary peaks; or descending to uproot orchids (startling blossoms, never beheld before) which she painted in water-colour; an indomitable Englishwoman, fretful if disturbed by the War, say, which dropped a bomb at her very door, from her deep meditation over orchids and her own figure journeying in the 'sixties in India-but here was Peter.

"Come and talk to Aunt Helena about Burma," said Clarissa.

And yet he had not had a word with her all the evening!

"We will talk later," said Clarissa, leading him up to Aunt Helena, in her white shawl, with her stick.

"Peter Walsh," said Clarissa.

That meant nothing.

Clarissa had asked her. It was tiring; it was noisy; but Clarissa had asked her. So she had come. It was a pity that they lived in London-Richard and Clarissa. If only for Clarissa's health it would have been better to live in the country. But Clarissa had always been fond of society.

"He has been in Burma," said Clarissa.

Ah. She could not resist recalling what Charles Darwin had said about her little book on the orchids of Burma.

(Clarissa must speak to Lady Bruton.)

No doubt it was forgotten now, her book on the orchids of Burma, but it went into three editions before 1870, she told Peter. She remembered him now. He had been at Bourton (and he had left her, Peter Walsh remembered, without a word in the drawing-room that night when Clarissa had asked him to come boating).

"Richard so much enjoyed his lunch party," said Clarissa to Lady Bruton.

"Richard was the greatest possible help," Lady Bruton replied. "He helped me to write a letter. And how are you?"

"Oh, perfectly well!" said Clarissa. (Lady Bruton detested illness in the wives of politicians.)

"And there's Peter Walsh!" said Lady Bruton (for she could never think of anything to say to Clarissa; though she liked her. She had lots of fine qualities; but they had nothing in common-she and Clarissa. It might have been better if Richard had married a woman with less charm, who would have helped him more in his work. He had lost his chance of the Cabinet). "There's Peter Walsh!" she said, shaking hands with that agreeable sinner, that very able fellow who should have made a name for himself but hadn't (always in difficulties with women), and, of course, old Miss Parry.

Wonderful old lady!

Lady Bruton stood by Miss Parry's chair, a spectral grenadier, draped in black, inviting Peter Walsh to lunch; cordial; but without small talk, remembering nothing whatever about the flora or fauna of India. She had been there, of course; had stayed with three Viceroys; thought some of the Indian civilians uncommonly fine fellows; but what a tragedy it was-the state of India! The Prime Minister had just been telling her (old Miss Parry huddled up in her shawl, did not care what the Prime Minister had just been telling her), and Lady Bruton would like to have Peter Walsh's opinion, he being fresh from the centre, and she would get Sir Sampson to meet him, for really it prevented her from sleeping at night, the folly of it, the wickedness she might say, being a soldier's daughter. She was an old woman now, not good for much.

But her house, her servants, her good friend Milly Brush-did he remember her?-were all there only asking to be used if-if they could be of help, in short. For she never spoke of England, but this isle of men, this dear, dear land, was in her blood (without reading Shakespeare), and if ever a woman could have worn the helmet and shot the arrow, could have led troops to attack, ruled with indomitable justice barbarian hordes and lain under a shield noseless in a church, or made a green grass mound on some primeval hillside, that woman was Millicent Bruton. Debarred by her sex and some truancy, too, of the logical faculty (she found it impossible to write a letter to the Times), she had the thought of Empire always at hand, and had acquired from her association with that armoured goddess her ramrod bearing, her robustness of demeanour, so that one could not figure her even in death parted from the earth or roaming territories over which, in some spiritual shape, the Union Jack had ceased to fly. To be not English even among the dead-no, no! Impossible!

But was it Lady Bruton (whom she used to know)? Was it Peter Walsh grown grey? Lady Rosseter asked herself (who had been Sally Seton). It was old Miss Parry certainly-the old aunt who used to be so cross when she stayed at Bourton. Never should she forget running along the passage naked, and being sent for by Miss Parry!

And Clarissa! oh Clarissa! Sally caught her by the arm.

Clarissa stopped beside them.

"But I can't stay," she said. "I shall come later. Wait," she said, looking at Peter and Sally. They must wait, she meant, until all these people had gone.

"I shall come back," she said, looking at her old friends, Sally and Peter, who were shaking hands, and Sally, remembering the past no doubt, was laughing.

But her voice was wrung of its old ravishing richness; her eyes not aglow as they used to be, when she smoked cigars, when she ran down the passage to fetch her sponge bag, without a stitch of clothing on her, and Ellen Atkins asked, What if the gentlemen had met her?

But everybody forgave her. She stole a chicken from the larder because she was hungry in the night; she smoked cigars in her bedroom; she left a priceless book in the punt. But everybody adored her (except perhaps Papa). It was her warmth; her vitality- she would paint, she would write. Old women in the village never to this day forgot to ask after "your friend in the red cloak who seemed so bright." She accused Hugh Whitbread, of all people (and there he was, her old friend Hugh, talking to the Portuguese Ambassador), of kissing her in the smoking-room to punish her for saying that women should have votes. Vulgar men did, she said.

And Clarissa remembered having to persuade her not to denounce him at family prayers-which she was capable of doing with her daring, her recklessness, her melodramatic love of being the centre of everything and creating scenes, and it was bound, Clarissa used to think, to end in some awful tragedy; her death; her martyrdom; instead of which she had married, quite unexpectedly, a bald man with a large buttonhole who owned, it was said, cotton mills at Manchester. And she had five boys!

She and Peter had settled down together. They were talking: it seemed so familiar-that they should be talking. They would discuss the past. With the two of them (more even than with Richard) she shared her past; the garden; the trees; old Joseph Breitkopf singing Brahms without any voice; the drawing-room wallpaper; the smell of the mats. A part of this Sally must always be; Peter must always be. But she must leave them. There were the Bradshaws, whom she disliked. She must go up to Lady Bradshaw (in grey and silver, balancing like a sea-lion at the edge of its tank, barking for invitations, Duchesses, the typical successful man's wife), she must go up to Lady Bradshaw and say…