Джон Голсуорси - The Silver Spoon

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From preface: In naming this second part of The Forsyte Chronicles "A Modern Comedy" the word Comedy is stretched, perhaps as far as the word Saga was stretched to cover the first part. And yet, what but a comedic view can be taken, what but comedic significance gleaned, of so restive a period as that in which we have lived since the war? An Age which knows not what it wants, yet is intensely preoccupied with getting it, must evoke a smile, if rather a sad one.

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“We ARE,” said Mr. Blythe. “‘People who can see no good in their own country… Birds who foul their own nest… Gentry never happy unless running England down in the eyes of the world… Calamity-mongers… Pessimists…’ You don’t mind that sort of gup, I hope?”

“Unfortunately,” said Michael, “I do; it hurts me inside. It’s so damned unjust. I simply can’t bear the idea of England being in a fix.”

Mr. Blythe’s eyes rolled.

“She’s bee well not going to be, if we can help it.”

“If only I amounted to something,” murmured Michael; “but I always feel as if I could creep into one of my back teeth.”

“Have it crowned. What you want is brass, Mont. And talking of brass: There’s your late adversary! SHE’S got brass all right. Look at her!”

Michael saw Marjorie Ferrar moving away from the great Italian, in not too much of a sea-green gown, with her red-gold head held high. She came to a stand a small room’s length from Fleur, and swept her eyes this way and that. Evidently she had taken up that position in deliberate challenge.

“I must go to Fleur.”

“So must I,” said Mr. Blythe, and Michael gave him a grateful look.

And now it would have been so interesting to one less interested than Michael. The long, the tapering nose of Society could be seen to twitch, move delicately upwards, and like the trunk of some wild elephant scenting man, writhe and snout this way and that, catching the whiff of sensation. Lips were smiling and moving closer to ears; eyes turning from that standing figure to the other; little reflective frowns appeared on foreheads, as if, beneath cropped and scented scalps, brains were trying to make choice. And Marjorie Ferrar stood smiling and composed; and Fleur talked and twisted the flower in her hand; and both went on looking their best. So began a battle without sign of war declared, without even seeming recognition of each other’s presence. Mr. Blythe, indeed, stood pat between the two of them. Bulky and tall, he was an effective screen. But Michael, on the other side of her, could see and grimly follow. The Nose was taking time to apprehend the full of the aroma; the Brain to make its choice. Tide seemed at balance, not moving in or out. And then, with the slow implacability of tides, the water moved away from Fleur and lapped round her rival. Michael chattered, Mr. Blythe goggled, using the impersonal pronoun with a sort of passion; Fleur smiled, talked, twisted the flower. And, over there, Marjorie Ferrar seemed to hold a little Court. Did people admire, commiserate, approve of, or sympathise with her? Or did they disapprove of himself and Fleur? Or was it just that the ‘Pet of the Panjoys’ was always the more sensational figure? Michael watched Fleur growing paler, her smile more nervous, the twitching of the flower spasmodic. And he dared not suggest going; for she would see in it an admission of defeat. But on the faces, turned their way, the expression became more and more informative. Sir James Foskisson had done his job too well; he had slavered his clients with his own self-righteousness. Better the confessed libertine than those who brought her to judgment! And Michael thought: ‘Dashed natural, after all! Why didn’t the fellow take my tip, and let us pay and look pleasant.’

And just then close to the great Italian he caught sight of a tall young man with his hair brushed back, who was looking at his fingers. By George! It was Bertie Curfew! And there, behind him, waiting for his turn ‘to meet,’ who but MacGown himself! The humour of the gods had run amok! Head in air, soothing his mangled fingers, Bertie Curfew passed them, and strayed into the group around his former flame. Her greeting of him was elaborately casual. But up went the tapering Nose, for here came MacGown! How the fellow had changed—grim, greyish, bitter? The great Italian had met his match for once. And he too, stepped into that throng.

A queer silence was followed by a burst of speech, and then by dissolution. In twos and threes they trickled off, and there were MacGown and his betrothed standing alone. Michael turned to Fleur.

“Let’s go.”

Silence reigned in their homing cab. He had chattered himself out on the field of battle, and must wait for fresh supplies of camouflage. But he slipped his hand along till it found hers, which did not return his pressure. The card he used to play at times of stress—the eleventh baronet—had failed for the last three months; Fleur seemed of late to resent his introduction as a remedy. He followed her into the dining-room, sore at heart, bewildered in mind. He had never seen her look so pretty as in that oyster-coloured frock, very straight and simply made, with a swing out above the ankles. She sat down at the narrow dining-table, and he seated himself opposite, with the costive feeling of one who cannot find words that will ring true. For social discomfiture he himself didn’t care a tinker’s curse; but she—!

And, suddenly, she said:

“And you don’t mind?”

“For myself—not a bit.”

“Yes, you’ve still got your Foggartism and your Bethnal Green.”

“If YOU care, Fleur, I care a lot.”

“IF I care!”

“How—exactly?”

“I’d rather not increase your feeling that I’m a snob.”

“I never had any such feeling.”

“Michael!”

“Hadn’t you better say what you mean by the word?”

“You know perfectly well.”

“I know that you appreciate having people about you, and like them to think well of you. That isn’t being a snob.”

“Yes; you’re very kind, but you don’t admire it.”

“I admire you.”

“You mean, desire me. You admire Norah Curfew.”

“Norah Curfew! For all I care, she might snuff out tomorrow.”

And from her face he had the feeling that she believed him.

“If it isn’t her, it’s what she stands for—all that I’m not.”

“I admire a lot in you,” said Michael, fervently; “your intelligence, your flair; I admire you with Kit and your father; your pluck; and the way you put up with me.”

“No, I admire you much more than you admire me. Only, you see, I’m not capable of devotion.”

“What about Kit?”

“I’m devoted to myself—that’s all.”

He reached across the table and touched her hand.

“Morbid, darling.”

“No. I see too clearly to be morbid.”

She was leaning back, and her throat, very white and round, gleamed in the alabaster-shaded light; little choky movements were occurring there.

“Michael, I want you to take me round the world.”

“And leave Kit?”

“He’s too young to mind. Besides, my mother would look after him.”

If she had got as far as that, this was a deliberate desire!

“But, your father—”

“He’s not really old yet, and he’d have Kit.”

“When we rise in August, perhaps—”

“No, now.”

“It’s only five months to wait. We’d have time in the vacation to do a lot of travelling.”

Fleur looked straight at him.

“I knew you cared more for Foggartism now than for me.”

“Be reasonable, Fleur.”

“For five months—with the feeling I’ve got here!” she put her hand to her breast. “I’ve had six months of it already. You don’t realise, I suppose, that I’m down and out?”

“But, Fleur, it’s all so—”

“Yes, it’s always petty to mind being a dead failure, isn’t it?”

“But, my child—”

“Oh! If you can’t feel it—”

“I can—I felt wild this evening. But all you’ve got to do is to let them see that you don’t care; and they’ll come buzzing round again like flies. It would be running away, Fleur.”

“No,” said Fleur, coldly, “it’s not that—I don’t try twice for the same prize. Very well, I’ll stay and be laughed at.”

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