Джон Голсуорси - Swan Song

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From preface: In naming this second part of The Forsyte Chronicles "A Modern Comedy" the word Comedy is stretched, perhaps as far as the word Saga was stretched to cover the first part. And yet, what but a comedic view can be taken, what but comedic significance gleaned, of so restive a period as that in which we have lived since the war? An Age which knows not what it wants, yet is intensely preoccupied with getting it, must evoke a smile, if rather a sad one.

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That evening when the house was shuttered, he lit his pipe and stole out again. He had got his second wind. Whether he would have, but for Soames’s death, he did not know. It was as if, by lying in that shadowy corner under a crab-apple tree, ‘old Forsyte’ were still protecting his beloved. For her, Michael felt nothing but compassion. The bird had been shot with both barrels, and still lived; no one with any sporting instinct could hurt it further. Nothing for it but to pick her up and mend the wings as best he could. Something strong in Michael, so strong that he hadn’t known of its existence, had rallied to his aid. Sportsmanship—chivalry? No! It was nameless; it was an instinct, a feeling that there was something beyond self to be considered, even when self was bruised and cast down. All his life he had detested the ebullient egoism of the ‘crime passionel’, the wronged spouse, honour, vengeance, “all that tommy-rot and naked savagery.” To be excused from being a decent man! One was never excused from that. Otherwise life was just where it was in the reindeer age, the pure tragedy of the primeval hunters, before civilisation and comedy began.

Whatever had been between those two—and he felt it had been all—it was over, and she, ‘down and out.’ He must stand by her and keep his mouth shut. If he couldn’t do that now, he ought never to have married her, lukewarm as he had known her to be. And, drawing deeply at his pipe, he went down the dark garden to the river.

The sky was starry, and with the first touch of cold, a slight mist was rising, filming the black water so that it scarcely seemed to move. Now and then in the stillness he could hear the drone of a distant car, and somewhere a little beast squeaking. Starlight, and the odour of bushes and the earth, the hoot of an owl, bats flitting, and those tall poplar shapes, darker than the darkness—what better setting for his mood just then!

An ironical world, his father had said! Yes, queerly ironical, with shape melting into shape, mood into mood, sound into sound, and nothing fixed anywhere, unless it were that starlight, and the instinct within all living things which said: “Go on!”

A drift of music came down the river. There would be a party at some house. They were dancing probably, as he had seen the gnats dancing that afternoon! And then something out of the night seemed to catch him by the throat. God! It was beautiful, amazing! Breathing, in this darkness, as many billion shapes as there were stars above, all living, and all different! What a world! The Eternal Mood at work! And if you died, like that old boy, and lay forever beneath a crab-apple tree—well, it was the Mood resting a moment in your still shape—no! not even resting, moving on in the mysterious rhythm that one called Life. Who could arrest the moving Mood—who wanted to? And if some pale possessor like that poor old chap, tried and succeeded for a moment, the stars twinkled just a little more when he was gone. To have and to hold! As though you could!

And Michael drew in his breath. A sound of singing came down the water to him, trailing, distant, high, and sweet. It was as if a swan had sung!

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