David Herbert Lawrence - Lady Chatterley's Lover

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Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter—the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters.
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In another wave of hate the artist's face looked yellow. But with a sort of silent hauteur he turned the pictures to the wall.

'I think we may go to the dining-room,' he said. And they trailed off, dismally.

After coffee, Duncan said:

'I don't at all mind posing as the father of Connie's child. But only on the condition that she'll come and pose as a model for me. I've wanted her for years, and she's always refused.' He uttered it with the dark finality of an inquisitor announcing an auto da fe.

'Ah!' said Mellors. 'You only do it on condition, then?'

'Quite! I only do it on that condition.' The artist tried to put the utmost contempt of the other person into his speech. He put a little too much.

'Better have me as a model at the same time,' said Mellors. 'Better do us in a group, Vulcan and Venus under the net of art. I used to be a blacksmith, before I was a game-keeper.'

'Thank you,' said the artist. 'I don't think Vulcan has a figure that interests me.'

'Not even if it was tubified and titivated up?'

There was no answer. The artist was too haughty for further words.

It was a dismal party, in which the artist henceforth steadily ignored the presence of the other man, and talked only briefly, as if the words were wrung out of the depths of his gloomy portentousness, to the women.

'You didn't like him, but he's better than that, really. He's really kind,' Connie explained as they left.

'He's a little black pup with a corrugated distemper,' said Mellors.

'No, he wasn't nice today.'

'And will you go and be a model to him?'

'Oh, I don't really mind any more. He won't touch me. And I don't mind anything, if it paves the way to a life together for you and me.'

'But he'll only shit on you on canvas.'

'I don't care. He'll only be painting his own feelings for me, and I don't mind if he does that. I wouldn't have him touch me, not for anything. But if he thinks he can do anything with his owlish arty staring, let him stare. He can make as many empty tubes and corrugations out of me as he likes. It's his funeral. He hated you for what you said: that his tubified art is sentimental and self-important. But of course it's true.'

Chapter 19

Dear Clifford, I am afraid what you foresaw has happened. I am really in love with another man, and do hope you will divorce me. I am staying at present with Duncan in his flat. I told you he was at Venice with us. I'm awfully unhappy for your sake: but do try to take it quietly. You don't really need me any more, and I can't bear to come back to Wragby. I'm awfully sorry. But do try to forgive me, and divorce me and find someone better. I'm not really the right person for you, I am too impatient and selfish, I suppose. But I can't ever come back to live with you again. And I feel so frightfully sorry about it all, for your sake. But if you don't let yourself get worked up, you'll see you won't mind so frightfully. You didn't really care about me personally. So do forgive me and get rid of me.

Clifford was not inwardly surprised to get this letter. Inwardly, he had known for a long time she was leaving him. But he had absolutely refused any outward admission of it. Therefore, outwardly, it came as the most terrible blow and shock to him, He had kept the surface of his confidence in her quite serene.

And that is how we are, By strength of will we cut off our inner intuitive knowledge from admitted consciousness. This causes a state of dread, or apprehension, which makes the blow ten times worse when it does fall.

Clifford was like a hysterical child. He gave Mrs Bolton a terrible shock, sitting up in bed ghastly and blank.

'Why, Sir Clifford, whatever's the matter?'

No answer! She was terrified lest he had had a stroke. She hurried and felt his face, took his pulse.

'Is there a pain? Do try and tell me where it hurts you. Do tell me!'

No answer!

'Oh dear, oh dear! Then I'll telephone to Sheffield for Dr Carrington, and Dr Lecky may as well run round straight away.'

She was moving to the door, when he said in a hollow tone:

'No!'

She stopped and gazed at him. His face was yellow, blank, and like the face of an idiot.

'Do you mean you'd rather I didn't fetch the doctor?'

'Yes! I don't want him,' came the sepulchral voice.

'Oh, but Sir Clifford, you're ill, and I daren't take the responsibility. I must send for the doctor, or I shall be blamed.'

A pause: then the hollow voice said:

'I'm not ill. My wife isn't coming back.'—It was as if an image spoke.

'Not coming back? you mean her ladyship?' Mrs Bolton moved a little nearer to the bed. 'Oh, don't you believe it. You can trust her ladyship to come back.'

The image in the bed did not change, but it pushed a letter over the counterpane.

'Read it!' said the sepulchral voice.

'Why, if it's a letter from her ladyship, I'm sure her ladyship wouldn't want me to read her letter to you, Sir Clifford. You can tell me what she says, if you wish.'

'Read it!' repeated the voice.

'Why, if I must, I do it to obey you, Sir Clifford,' she said. And she read the letter.

'Well, I am, surprised at her ladyship,' she said. 'She promised so faithfully she'd come back!'

The face in the bed seemed to deepen its expression of wild, but motionless distraction. Mrs Bolton looked at it and was worried. She knew what she was up against: male hysteria. She had not nursed soldiers without learning something about that very unpleasant disease.

She was a little impatient of Sir Clifford. Any man in his senses must have known his wife was in love with somebody else, and was going to leave him. Even, she was sure, Sir Clifford was inwardly absolutely aware of it, only he wouldn't admit it to himself. If he would have admitted it, and prepared himself for it: or if he would have admitted it, and actively struggled with his wife against it: that would have been acting like a man. But no! he knew it, and all the time tried to kid himself it wasn't so. He felt the devil twisting his tail, and pretended it was the angels smiling on him. This state of falsity had now brought on that crisis of falsity and dislocation, hysteria, which is a form of insanity. 'It comes', she thought to herself, hating him a little, 'because he always thinks of himself. He's so wrapped up in his own immortal self, that when he does get a shock he's like a mummy tangled in its own bandages. Look at him!'

But hysteria is dangerous: and she was a nurse, it was her duty to pull him out. Any attempt to rouse his manhood and his pride would only make him worse: for his manhood was dead, temporarily if not finally. He would only squirm softer and softer, like a worm, and become more dislocated.

The only thing was to release his self-pity. Like the lady in Tennyson, he must weep or he must die.

So Mrs Bolton began to weep first. She covered her face with her hand and burst into little wild sobs. 'I would never have believed it of her ladyship, I wouldn't!' she wept, suddenly summoning up all her old grief and sense of woe, and weeping the tears of her own bitter chagrin. Once she started, her weeping was genuine enough, for she had had something to weep for.

Clifford thought of the way he had been betrayed by the woman Connie, and in a contagion of grief, tears filled his eyes and began to run down his cheeks. He was weeping for himself. Mrs Bolton, as soon as she saw the tears running over his blank face, hastily wiped her own wet cheeks on her little handkerchief, and leaned towards him.

'Now, don't you fret, Sir Clifford!' she said, in a luxury of emotion. 'Now, don't you fret, don't, you'll only do yourself an injury!'

His body shivered suddenly in an indrawn breath of silent sobbing, and the tears ran quicker down his face. She laid her hand on his arm, and her own tears fell again. Again the shiver went through him, like a convulsion, and she laid her arm round his shoulder. 'There, there! There, there! Don't you fret, then, don't you! Don't you fret!' she moaned to him, while her own tears fell. And she drew him to her, and held her arms round his great shoulders, while he laid his face on her bosom and sobbed, shaking and hulking his huge shoulders, whilst she softly stroked his dusky-blond hair and said: 'There! There! There! There then! There then! Never you mind! Never you mind, then!'

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