David Herbert Lawrence - Lady Chatterley's Lover

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Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter—the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters.
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However, everybody listens: as I do myself. A dozen years ago, common decency would have hushed the thing. But common decency no longer exists, and the colliers' wives are all up in arms and unabashed in voice. One would think every child in Tevershall, for the last fifty years, had been an immaculate conception, and every one of our nonconformist females was a shining Joan of Arc. That our estimable game-keeper should have about him a touch of Rabelais seems to make him more monstrous and shocking than a murderer like Crippen. Yet these people in Tevershall are a loose lot, if one is to believe all accounts.

The trouble is, however, the execrable Bertha Coutts has not confined herself to her own experiences and sufferings. She has discovered, at the top of her voice, that her husband has been 'keeping' women down at the cottage, and has made a few random shots at naming the women. This has brought a few decent names trailing through the mud, and the thing has gone quite considerably too far. An injunction has been taken out against the woman.

I have had to interview Mellors about the business, as it was impossible to keep the woman away from the wood. He goes about as usual, with his Miller-of-the-Dee air, I care for nobody, no not I, if nobody care for me! Nevertheless, I shrewdly suspect he feels like a dog with a tin can tied to its tail: though he makes a very good show of pretending the tin can isn't there. But I heard that in the village the women call away their children if he is passing, as if he were the Marquis de Sade in person. He goes on with a certain impudence, but I am afraid the tin can is firmly tied to his tail, and that inwardly he repeats, like Don Rodrigo in the Spanish ballad: 'Ah, now it bites me where I most have sinned!'

I asked him if he thought he would be able to attend to his duty in the wood, and he said he did not think he had neglected it. I told him it was a nuisance to have the woman trespassing: to which he replied that he had no power to arrest her. Then I hinted at the scandal and its unpleasant course. 'Ay,' he said. 'folks should do their own fuckin', then they wouldn't want to listen to a lot of clatfart about another man's.'

He said it with some bitterness, and no doubt it contains the real germ of truth. The mode of putting it, however, is neither delicate nor respectful. I hinted as much, and then I heard the tin can rattle again. 'It's not for a man the shape you're in, Sir Clifford, to twit me for havin' a cod atween my legs.'

These things, said indiscriminately to all and sundry, of course do not help him at all, and the rector, and Finley, and Burroughs all think it would be as well if the man left the place.

I asked him if it was true that he entertained ladies down at the cottage, and all he said was: 'Why, what's that to you, Sir Clifford?' I told him I intended to have decency observed on my estate, to which he replied: 'Then you mun button the mouths o' a' th' women.'—When I pressed him about his manner of life at the cottage, he said: 'Surely you might ma'e a scandal out o' me an' my bitch Flossie. You've missed summat there.' As a matter of fact, for an example of impertinence he'd be hard to beat.

I asked him if it would be easy for him to find another job. He said: 'If you're hintin' that you'd like to shunt me out of this job, it'd be easy as wink.' So he made no trouble at all about leaving at the end of next week, and apparently is willing to initiate a young fellow, Joe Chambers, into as many mysteries of the craft as possible. I told him I would give him a month's wages extra, when he left. He said he'd rather I kept my money, as I'd no occasion to ease my conscience. I asked him what he meant, and he said: 'You don't owe me nothing extra, Sir Clifford, so don't pay me nothing extra. If you think you see my shirt hanging out, just tell me.'

Well, there is the end of it for the time being. The woman has gone away: we don't know where to: but she is liable to arrest if she shows her face in Tevershall. And I heard she is mortally afraid of gaol, because she merits it so well. Mellors will depart on Saturday week, and the place will soon become normal again.

Meanwhile, my dear Connie, if you would enjoy to stay in Venice or in Switzerland till the beginning of August, I should be glad to think you were out of all this buzz of nastiness, which will have died quite away by the end of the month.

So you see, we are deep-sea monsters, and when the lobster walks on mud, he stirs it up for everybody. We must perforce take it philosophically.

The irritation, and the lack of any sympathy in any direction, of Clifford's letter, had a bad effect on Connie. But she understood it better when she received the following from Mellors:

The cat is out of the bag, along with various other pussies. You have heard that my wife Bertha came back to my unloving arms, and took up her abode in the cottage: where, to speak disrespectfully, she smelled a rat, in the shape of a little bottle of Coty. Other evidence she did not find, at least for some days, when she began to howl about the burnt photograph. She noticed the glass and the back-board in the square bedroom. Unfortunately, on the back-board somebody had scribbled little sketches, and the initials, several times repeated: C. S. R. This, however, afforded no clue until she broke into the hut, and found one of your books, an autobiography of the actress Judith, with your name, Constance Stewart Reid, on the front page. After this, for some days she went round loudly saying that my paramour was no less a person than Lady Chatterley herself. The news came at last to the rector, Mr Burroughs, and to Sir Clifford. They then proceeded to take legal steps against my liege lady, who for her part disappeared, having always had a mortal fear of the police.

Sir Clifford asked to see me, so I went to him. He talked around things and seemed annoyed with me. Then he asked if I knew that even her ladyship's name had been mentioned. I said I never listened to scandal, and was surprised to hear this bit from Sir Clifford himself. He said, of course it was a great insult, and I told him there was Queen Mary on a calendar in the scullery, no doubt because Her Majesty formed part of my harem. But he didn't appreciate the sarcasm. He as good as told me I was a disreputable character also walked about with my breeches' buttons undone, and I as good as told him he'd nothing to unbutton anyhow, so he gave me the sack, and I leave on Saturday week, and the place thereof shall know me no more.

I shall go to London, and my old landlady, Mrs Inger, 17 Coburg Square, will either give me a room or will find one for me.

Be sure your sins will find you out, especially if you're married and her name's Bertha—

There was not a word about herself, or to her. Connie resented this. He might have said some few words of consolation or reassurance. But she knew he was leaving her free, free to go back to Wragby and to Clifford. She resented that too. He need not be so falsely chivalrous. She wished he had said to Clifford: 'Yes, she is my lover and my mistress and I am proud of it!' But his courage wouldn't carry him so far.

So her name was coupled with his in Tevershall! It was a mess. But that would soon die down.

She was angry, with the complicated and confused anger that made her inert. She did not know what to do nor what to say, so she said and did nothing. She went on at Venice just the same, rowing out in the gondola with Duncan Forbes, bathing, letting the days slip by. Duncan, who had been rather depressingly in love with her ten years ago, was in love with her again. But she said to him: 'I only want one thing of men, and that is, that they should leave me alone.'

So Duncan left her alone: really quite pleased to be able to. All the same, he offered her a soft stream of a queer, inverted sort of love. He wanted to be with her.

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