David Herbert Lawrence: Lady Chatterley's Lover

Nevertheless he travelled with his manservant and his very neat car, this Dublin mongrel.

There was something about him that Connie liked. He didn't put on airs to himself, he had no illusions about himself. He talked to Clifford sensibly, briefly, practically, about all the things Clifford wanted to know. He didn't expand or let himself go. He knew he had been asked down to Wragby to be made use of, and like an old, shrewd, almost indifferent business man, or big-business man, he let himself be asked questions, and he answered with as little waste of feeling as possible.

'Money!' he said. 'Money is a sort of instinct. It's a sort of property of nature in a man to make money. It's nothing you do. It's no trick you play. It's a sort of permanent accident of your own nature; once you start, you make money, and you go on; up to a point, I suppose.'

'But you've got to begin,' said Clifford.

'Oh, quite! You've got to get in. You can do nothing if you are kept outside. You've got to beat your way in. Once you've done that, you can't help it.'

'But could you have made money except by plays?' asked Clifford.

'Oh, probably not! I may be a good writer or I may be a bad one, but a writer and a writer of plays is what I am, and I've got to be. There's no question of that.'

'And you think it's a writer of popular plays that you've got to be?' asked Connie.

'There, exactly!' he said, turning to her in a sudden flash. 'There's nothing in it! There's nothing in popularity. There's nothing in the public, if it comes to that. There's nothing really in my plays to make them popular. It's not that. They just are like the weather…the sort that will have to be…for the time being.'

He turned his slow, rather full eyes, that had been drowned in such fathomless disillusion, on Connie, and she trembled a little. He seemed so old…endlessly old, built up of layers of disillusion, going down in him generation after generation, like geological strata; and at the same time he was forlorn like a child. An outcast, in a certain sense; but with the desperate bravery of his rat-like existence.

'At least it's wonderful what you've done at your time of life,' said Clifford contemplatively.

'I'm thirty…yes, I'm thirty!' said Michaelis, sharply and suddenly, with a curious laugh; hollow, triumphant, and bitter.

'And are you alone?' asked Connie.

'How do you mean? Do I live alone? I've got my servant. He's a Greek, so he says, and quite incompetent. But I keep him. And I'm going to marry. Oh, yes, I must marry.'

'It sounds like going to have your tonsils cut,' laughed Connie. 'Will it be an effort?'

He looked at her admiringly. 'Well, Lady Chatterley, somehow it will! I find… excuse me… I find I can't marry an Englishwoman, not even an Irishwoman…'

'Try an American,' said Clifford.

'Oh, American!' He laughed a hollow laugh. 'No, I've asked my man if he will find me a Turk or something…something nearer to the Oriental.'

Connie really wondered at this queer, melancholy specimen of extraordinary success; it was said he had an income of fifty thousand dollars from America alone. Sometimes he was handsome: sometimes as he looked sideways, downwards, and the light fell on him, he had the silent, enduring beauty of a carved ivory Negro mask, with his rather full eyes, and the strong queerly-arched brows, the immobile, compressed mouth; that momentary but revealed immobility, an immobility, a timelessness which the Buddha aims at, and which Negroes express sometimes without ever aiming at it; something old, old, and acquiescent in the race! Aeons of acquiescence in race destiny, instead of our individual resistance. And then a swimming through, like rats in a dark river. Connie felt a sudden, strange leap of sympathy for him, a leap mingled with compassion, and tinged with repulsion, amounting almost to love. The outsider! The outsider! And they called him a bounder! How much more bounderish and assertive Clifford looked! How much stupider!

Michaelis knew at once he had made an impression on her. He turned his full, hazel, slightly prominent eyes on her in a look of pure detachment. He was estimating her, and the extent of the impression he had made. With the English nothing could save him from being the eternal outsider, not even love. Yet women sometimes fell for him…Englishwomen too.

He knew just where he was with Clifford. They were two alien dogs which would have liked to snarl at one another, but which smiled instead, perforce. But with the woman he was not quite so sure.

Breakfast was served in the bedrooms; Clifford never appeared before lunch, and the dining-room was a little dreary. After coffee Michaelis, restless and ill-sitting soul, wondered what he should do. It was a fine November day … fine for Wragby. He looked over the melancholy park. My God! What a place!

He sent a servant to ask, could he be of any service to Lady Chatterley: he thought of driving into Sheffield. The answer came, would he care to go up to Lady Chatterley's sitting-room.

Connie had a sitting-room on the third floor, the top floor of the central portion of the house. Clifford's rooms were on the ground floor, of course. Michaelis was flattered by being asked up to Lady Chatterley's own parlour. He followed blindly after the servant…he never noticed things, or had contact with his surroundings. In her room he did glance vaguely round at the fine German reproductions of Renoir and Cezanne.

'It's very pleasant up here,' he said, with his queer smile, as if it hurt him to smile, showing his teeth. 'You are wise to get up to the top.'

'Yes, I think so,' she said.

Her room was the only gay, modern one in the house, the only spot in Wragby where her personality was at all revealed. Clifford had never seen it, and she asked very few people up.

Now she and Michaelis sit on opposite sides of the fire and talked. She asked him about himself, his mother and father, his brothers…other people were always something of a wonder to her, and when her sympathy was awakened she was quite devoid of class feeling. Michaelis talked frankly about himself, quite frankly, without affectation, simply revealing his bitter, indifferent, stray-dog's soul, then showing a gleam of revengeful pride in his success.

'But why are you such a lonely bird?' Connie asked him; and again he looked at her, with his full, searching, hazel look.

'Some birds are that way,' he replied. Then, with a touch of familiar irony: 'but, look here, what about yourself? Aren't you by way of being a lonely bird yourself?' Connie, a little startled, thought about it for a few moments, and then she said: 'Only in a way! Not altogether, like you!'

'Am I altogether a lonely bird?' he asked, with his queer grin of a smile, as if he had toothache; it was so wry, and his eyes were so perfectly unchangingly melancholy, or stoical, or disillusioned or afraid.

'Why?' she said, a little breathless, as she looked at him. 'You are, aren't you?'

She felt a terrible appeal coming to her from him, that made her almost lose her balance.

'Oh, you're quite right!' he said, turning his head away, and looking sideways, downwards, with that strange immobility of an old race that is hardly here in our present day. It was that that really made Connie lose her power to see him detached from herself.

He looked up at her with the full glance that saw everything, registered everything. At the same time, the infant crying in the night was crying out of his breast to her, in a way that affected her very womb.

'It's awfully nice of you to think of me,' he said laconically.

'Why shouldn't I think of you?' she exclaimed, with hardly breath to utter it.

He gave the wry, quick hiss of a laugh.

'Oh, in that way!…May I hold your hand for a minute?' he asked suddenly, fixing his eyes on her with almost hypnotic power, and sending out an appeal that affected her direct in the womb.