Ernest Hemingway - The Sun Also Rises

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Published in 1926 to explosive acclaim,
stands as perhaps the most impressive first novel ever written by an American writer. A roman а clef about a group of American and English expatriates on an excursion from Paris’s Left Bank to Pamplona for the July fiesta and its climactic bull fight, a journey from the center of a civilization spirtually bankrupted by the First World War to a vital, God-haunted world in which faith and honor have yet to lose their currency, the novel captured for the generation that would come to be called “Lost” the spirit of its age, and marked Ernest Hemingway as the preeminent writer of his time.

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When I went back into the inn the woman was down in the kitchen, and I asked her to get coffee for us, and that we wanted a lunch. Bill was awake and sitting on the edge of the bed.

“I saw you out of the window,” he said. “Didn’t want to interrupt you. What were you doing? Burying your money?”

“You lazy bum!”

“Been working for the common good? Splendid. I want you to do that every morning.”

“Come on,” I said. “Get up.”

“What? Get up? I never get up.”

He climbed into bed and pulled the sheet up to his chin.

“Try and argue me into getting up.”

I went on looking for the tackle and putting it all together in the tackle-bag.

“Aren’t you interested?” Bill asked.

“I’m going down and eat.”

“Eat? Why didn’t you say eat? I thought you just wanted me to get up for fun. Eat? Fine. Now you’re reasonable. You go out and dig some more worms and I’ll be right down.”

“Oh, go to hell!”

“Work for the good of all.” Bill stepped into his underclothes. “Show irony and pity.”

I started out of the room with the tackle-bag, the nets, and the rod-case.

“Hey! come back!”

I put my head in the door.

“Aren’t you going to show a little irony and pity?”

I thumbed my nose.

“That’s not irony.”

As I went down-stairs I heard Bill singing, “Irony and Pity. When you’re feeling. . . Oh, Give them Irony and Give them Pity. Oh, give them Irony. When they’re feeling. . . Just a little irony. Just a little pity.. .” He kept on singing until he came down-stairs. The tune was: “The Bells are Ringing for Me and my Gal.” I was reading a week-old Spanish paper.

“What’s all this irony and pity?”

“What? Don’t you know about Irony and Pity?”

“No. Who got it up?”

“Everybody. They’re mad about it in New York. It’s just like the Fratellinis used to be.”

The girl came in with the coffee and buttered toast. Or, rather, it was bread toasted and buttered.

“Ask her if she’s got any jam,” Bill said. “Be ironical with her.”

“Have you got any jam?”

“That’s not ironical. I wish I could talk Spanish.”

The coffee was good and we drank it out of big bowls. The girl brought in a glass dish of raspberry jam.

“Thank you.”

“Hey! that’s not the way,” Bill said. “Say something ironical. Make some crack about Primo de Rivera.”

“I could ask her what kind of a jam they think they’ve gotten into in the Riff.”

“Poor,” said Bill. “Very poor. You can’t do it. That’s all. You don’t understand irony. You have no pity. Say something pitiful.”

“Robert Cohn.”

“Not so bad. That’s better. Now why is Cohn pitiful? Be ironic.”

He took a big gulp of coffee.

“Aw, hell!” I said. “It’s too early in the morning.”

“There you go. And you claim you want to be a writei too. You’re only a newspaper man. An expatriated newspaper man. You ought to be ironical the minute you get out of bed. You ought to wake up with your mouth full of pity.”

“Go on,” I said. “Who did you get this stuff from?”

“Everybody. Don’t you read? Don’t you ever see anybody? You know what you are? You’re an expatriate. Why don’t you live in New York? Then you’d know these things. What do you want me to do? Come over here and tell you every year?”

“Take some more coffee,” I said.

“Good. Coffee is good for you. It’s the caffeine in it. Caffeine, we are here. Caffeine puts a man on her horse and a woman in his grave. You know what’s the trouble with you? You’re an expatriate. One of the worst type. Haven’t you heard that? Nobody that ever left their own country ever wrote anything worth printing. Not even in the newspapers.”

He drank the coffee.

“You’re an expatriate. You’ve lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around cafės.”

“It sounds like a swell life,” I said. “When do I work?”

“You don’t work. One group claims women support you. Another group claims you’re impotent.”

“No,” I said. “I just had an accident.”

“Never mention that,” Bill said. “That’s the sort of thing that can’t be spoken of. That’s what you ought to work up into a mystery. Like Henry’s bicycle.”

He had been going splendidly, but he stopped. I was afraid he thought he had hurt me with that crack about being impotent. I wanted to start him again.

“It wasn’t a bicycle,” I said. “He was riding horseback.”

“I heard it was a tricycle.”

“Well,” I said. “A plane is sort of like a tricycle. The joystick works the same way.”

“But you don’t pedal it.”

“No,” I said, “I guess you don’t pedal it.”

“Let’s lay off that,” Bill said.

“All right. I was just standing up for the tricycle.”

“I think he’s a good writer, too,” Bill said. “And you’re a hell of a good guy. Anybody ever tell you were a good guy?”

“I’m not a good guy.”

“Listen. You’re a hell of a good guy, and I’m fonder of you than anybody on earth. I couldn’t tell you that in New York. It’d mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel’s Lady and Judy O’Grady are Lesbians under their skin.”

He stopped.

“Want to hear some more?”

“Shoot,” I said.

“I don’t know any more. Tell you some more at lunch.”

“Old Bill,” I said.

“You bum!”

We packed the lunch and two bottles of wine in the rucksack, and Bill put it on. I carried the rod-case and the landing-nets slung over my back. We started up the road and then went across a meadow and found a path that crossed the fields and went toward the woods on the slope of the first hill. We walked across the fields on the sandy path. The fields were rolling and grassy and the grass was short from the sheep grazing. The cattle were up in the hills. We heard their bells in the woods.

The path crossed a stream on a foot-log. The log was surfaced off, and there was a sapling bent across for a rail. In the flat pool beside the stream tadpoles spotted the sand. We went up a steep bank and across the rolling fields. Looking back we saw Burguete, white houses and red roofs, and the white road with a truck going along it and the dust rising.

Beyond the fields we crossed another faster-flowing stream. A sandy road led down to the ford and beyond into the woods. The path crossed the stream on another foot-log below the ford, and joined the road, and we went into the woods.

It was a beech wood and the trees were very old. Their roots bulked above the ground and the branches were twisted. We walked on the road between the thick trunks of the old beeches and the sunlight came through the leaves in light patches on the grass. The trees were big, and the foliage was thick but it was not gloomy. There was no undergrowth, only the smooth grass, very green and fresh, and the big gray trees well spaced as though it were a park.

“This is country,” Bill said.

The road went up a hill and we got into thick woods, and the road kept on climbing. Sometimes it dipped down but rose again steeply. All the time we heard the cattle in the woods. Finally, the road came out on the top of the hills. We were on the top of the height of land that was the highest part of the range of wooded hills we had seen from Burguete. There were wild strawberries growing on the sunny side of the ridge in a little clearing in the trees.

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