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Robert Aickman: Cold Hand in Mine: Strange Stories

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Robert Aickman Cold Hand in Mine: Strange Stories

Cold Hand in Mine: Strange Stories: краткое содержание, описание и аннотация

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«Cold Hand in Mine» was first published in the UK in 1975 and in the US in 1977. The story «Pages from a Young Girl's Journal» won Aickman the World Fantasy Award in 1975. It was originally published in «The Magazine of Fantasy & Science Fiction» in 1973 before appearing in this collection. «Cold Hand in Mine» stands as one of Aickman's best collections and contains eight stories that show off his powers as a «strange story» writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story («Pages from a Young Girl's Journal») but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing. «Of all the authors of uncanny tales, Aickman is the best ever…His tales literally haunt me; his plots and his turns of phrase run through my head at the most unlikely moments.» — Russell Kirk.

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And, of course, if I stayed, my turn must be coming close in any case.

Still, the fifth man called was not me. He was a tall, lanky, perfectly black Negro. I had not especially spotted him as such before. He appeared to drive the sword in with all the force you might expect of a black man, even though he was so slight, then threw it on the floor of the platform with a clatter, which no one else had done before him, and actually drew the girl to her feet when kissing her. When he stepped back, his foot struck the sword. He paused for a second, gazing at the girl, then carefully put the sword back on the heap.

The girl was still standing, and it passed across my mind that the Negro might try to kiss her again. But he didn't. He went quietly back to his place. Behind the scenes of it all, there appeared to be some rules, which all the other men knew about. They behaved almost as though they came quite often to the show, if a show was what it was.

Sinking down once more into her dilapidated canvas chair, the girl kept her eyes fixed on mine. I could not even tell what colour her eyes were, but the fact of the matter is that they turned my heart right over. I was so simple and inexperienced that nothing like that had ever happened to me before in my whole life. The incredible green powder made no difference. Nothing that had just been happening made any difference. I wanted that girl more than I had ever wanted anything. And I don't mean I just wanted her body. That comes later in life. I wanted to love her and tousle her and all the other, better things we want before the time comes when we know that however much we want them, we're not going to get them.

But, in justice to myself, I must say that I did not want to take my place in a queue for her.

That was about the last thing I wanted. And it was one chance in three that I should be next to be called. I drew a deep breath and managed to scuttle out. I can't pretend it was difficult. I was sitting near the back of the tent, as I've said, and no one tried to stop me. The lad at the entrance merely gaped at me like a fish. No doubt he was quite accustomed to the occasional patron leaving early. I fancied that the bruiser on the platform was in the act of turning to me at the very instant I got up, but I knew it was probably imagination on my part. I don't think he spoke, nor did any of the other men react. Most men at shows of that kind prefer to behave as if they were invisible. I did get mixed up in the greasy tent flap, and the lad in the green sweater did nothing to help, but that was all. I streaked across the fairground, still almost deserted, and still with the roundabout tinkling away, all for nothing, but very prettily. I tore back to my nasty bedroom, and locked myself in.

On and off, there was the usual fuss and schemozzle in the house, and right through the hours of darkness. I know, because I couldn't sleep. I couldn't have slept that night if I'd been lying between damask sheets in the Hilton Hotel. The girl on the platform had got deep under my skin, green face and all: the girl and the show too, of course. I think I can truly say that what I experienced that night altered my whole angle on life, and it had nothing to do with the rows that broke out in the other bedrooms, or the cackling and bashing on the staircase, or the constant pulling the plug, which must have been the noisiest in the Midlands, especially as it took six or seven pulls or more for each flush. That night I really grasped the fact that most of the time we have no notion of what we really want, or we lose sight of it. And the even more important fact that what we really want just doesn't fit in with life as a whole, or very seldom. Most folk learn slowly, and never altogether learn at all. I seemed to learn all at once.

Or perhaps not quite, because there was very much more to come.

The next morning I had calls to make, but well before the time arrived for the first of them I had sneaked back to that tiny, battered, little fairground. I even skipped breakfast, but breakfast in Uncle Elias's special lodging was very poor anyway, though a surprising number turned up for it each day. You wondered where so many had been hiding away all night. I don't know what I expected to find at the fair. Perhaps I wasn't sure I should find the fair there at all.

But I did. In full daylight, it looked smaller, sadder, and more utterly hopeless for making a living even than the night before. The weather was absolutely beautiful, and so many of the houses in the immediate area were empty, to say nothing of the factories, that there were very few people around. The fair itself was completely empty, which took me by surprise. I had expected some sort of gypsy scene and had failed to realize that there was nowhere on the lot for even gypsies to sleep. The people who worked the fair must have gone to bed at home, like the rest of the world. The plot of land was surrounded by a wire-mesh fence, put up by the owner to keep out tramps and meth-drinkers, but by now the fence wasn't up to much, as you would expect, and, after looking round, I had no difficulty in scrambling through a hole in it, which the lads of the village had carved out for fun and from having nothing better to do. I walked over to the dingy booth in the far corner, and tried to lift the flap.

It proved to have been tied up at several places and apparently from the inside. I could not see how the person doing the tying had got out of the tent when he had finished, but that was the sort of trick of the trade you would expect of fairground folk. I found it impossible to see inside the tent at all without using my pocketknife, which I should have hesitated to do at the best of times, but while I was fiddling around, I heard a voice just behind me.

"What's up with you?"

There was a very small, old man standing at my back. I had certainly not heard him come up, even though the ground was so rough and lumpy. He was hardly more than a dwarf, he was as brown as a horse-chestnut or very nearly, and there was not a hair on his head.

"I wondered what was inside," I said feebly.

"A great big python, two miles long, that don't even pay its rent," said the little man.

"How's that?" I asked. "Hasn't it a following?"

"Old-fashioned," said the little man. "Old-fashioned and out of date. Doesn't appeal to the women. The women don't like the big snakes. But the women have the money these times, and the power and the glory too." He changed his tone. "You're trespassing."

"Sorry, old man," I said. "I couldn't hold myself back on a lovely morning like this."

"I'm the watchman," said the little man. "I used to have snakes too. Little ones, dozens and dozens of them. All over me, and every one more poisonous than the next. Eyes darting, tongues flicking, scales shimmering: then in, right home, then back, then in again, then back. Still in the end, it wasn't a go. There's a time and a span for all things. But I like to keep around. So now I'm the watchman. While the job lasts. While anything lasts. Move on then. Move on."

I hesitated.

"This big snake you talk of," I began, "this python — "

But he interrupted quite shrilly.

"There's no more to be said. Not to the likes of you, any road. Off the ground you go, and sharply. Or I'll call the police constable. He and I work hand in glove. I take care to keep it that way. You may not have heard that trespass is a breach of the peace. Stay here and you'll be sorry for the rest of your life."

The little man was actually squaring up to me, even thought the top of his brown skull (not shiny, by the way, but matt and patchy, as if he had some trouble with it) rose hardly above my waist. Clearly, he was daft.

As I had every kind of reason for going, I went. I did not even ask the little man about the times of performances that evening, or if there were any. Inside myself, I had no idea whether I should be back, even if there were performances, as there probably were.

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