Edgar Poe - Steampunk Poe

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If you combined clockwork gears, parasols, and air balloons with Edgar Allan Poe, what would you get? Steampunk: Poe! This is the first collection ever of Poe stories illustrated with the influence of steampunk. Running Press Teens has selected some of the most popular, thrilling, and memorable stories and poems by the classic 19th century American writer whose literary talent continues to open the mind to countless interpretations.
Every Poe story and poems is fully illustrated with steampunk-inspired art—from 1920s aviation gear to elaborate musical instruments—creating a fresh perspective on his work containing bizarre characters of madmen and mystery. Just in time for Halloween, Steampunk: Poe is the perfect classic horror choice with a haunting steampunk twist!

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“I very much fear it is so,” replied Monsieur Maillard, now becoming excessively pale. He had scarcely finished the sentence, before loud shouts and imprecations were heard beneath the windows; and, immediately afterward, it became evident that some persons outside were endeavoring to gain entrance into the room. The door was beaten with what appeared to be a sledge-hammer, and the shutters were wrenched and shaken with prodigious violence.

A scene of the most terrible confusion ensued. Monsieur Maillard, to my excessive astonishment, threw himself under the sideboard. I had expected more resolution at his hands. The members of the orchestra, who, for the last fifteen minutes, had been seemingly too much intoxicated to do duty, now sprang all at once to their feet and to their instruments, and, scrambling upon their table, broke out, with one accord, into, “Yankee Doodle,” which they performed, if not exactly in tune, at least with an energy superhuman, during the whole of the uproar.

Meantime, upon the main dining-table, among the bottles and glasses, leaped the gentleman who, with such difficulty, had been restrained from leaping there before. As soon as he fairly settled himself, he commenced an oration, which, no doubt, was a very capital one, if it could only have been heard. At the same moment, the man with the tee-totum predilection, set himself to spinning around the apartment, with immense energy, and with arms outstretched at right angles with his body; so that he had all the air of a tee-to-tum in fact, and knocked everybody down that happened to get in his way. And now, too, hearing an incredible popping and fizzing of champagne, I discovered at length, that it proceeded from the person who performed the bottle of that delicate drink during dinner. And then, again, the frog-man croaked away as if the salvation of his soul depended upon every note that he uttered. And, in the midst of all this, the continuous braying of a donkey arose over all. As for my old friend, Madame Joyeuse, I really could have wept for the poor lady, she appeared so terribly perplexed. All she did, however, was to stand up in a corner, by the fireplace, and sing out incessantly at the top of her voice, “Cock-a-doodle-de-dooooooh!”

And now came the climaxthe catastrophe of the drama As no resistance beyond - фото 41

And now came the climax—the catastrophe of the drama. As no resistance, beyond whooping and yelling and cock-a-doodling, was offered to the encroachments of the party without, the ten windows were very speedily, and almost simultaneously, broken in. But I shall never forget the emotions of wonder and horror with which I gazed, when, leaping through these windows, and down among us pêle-mêle , fighting, stamping, scratching, and howling, there rushed a perfect army of what I took to be Chimpanzees, ourang-outangs, or big black baboons of the Cape of Good Hope.

I received a terrible beating—after which I rolled under a sofa and lay still. After lying there some fifteen minutes, however, during which time I listened with all my ears to what was going on in the room, I came to some satisfactory dénouement of this tragedy. Monsieur Maillard, it appeared, in giving me the account of the lunatic who had excited his fellows to rebellion, had been merely relating his own exploits. This gentleman had, indeed, some two or three years before, been the superintendent of the establishment; but grew crazy himself, and so became a patient. This fact was unknown to the travelling companion who introduced me. The keepers, ten in number, having been suddenly overpowered, were first well tarred, then carefully feathered, and then shut up in underground cells. They had been so imprisoned for more than a month, during which period Monsieur Maillard had generously allowed them not only the tar and feathers (which constituted his “system”), but some bread and abundance of water. The latter was pumped on them daily. At length, one escaping through a sewer, gave freedom to all the rest.

The “soothing system,” with important modifications, has been resumed at the château; yet I cannot help agreeing with Monsieur Maillard, that his own “treatment” was a very capital one of its kind. As he justly observed, it was “simple—neat—and gave no trouble at all—not the least.”

I have only to add that, although I have searched every library in Europe for the works of Doctor Tarr and Professor Fether , I have, up to the present day, utterly failed in my endeavors to procure a copy.

II Poems The Raven Once upon a midnight dreary while I pondered w - фото 42

II Poems The Raven Once upon a midnight dreary while I pondered - фото 43

II. Poems

The Raven

картинка 44

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “‘Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.”Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow;—vainly I had sought to borrow From my books surcease of sorrow—sorrow for the lost Lenore— For the rare and radiant maiden whom the angels name Lenore— Nameless here for evermore.And the silken sad uncertain rustling of each purple curtain Thrilled me—filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating: “‘Tis some visitor entreating entrance at my chamber door— Some late visitor entreating entrance at my chamber door; This it is, and nothing more.” Presently my soul grew stronger hesitating then no longer Sir said I or - фото 45

Presently my soul grew stronger; hesitating then no longer, “Sir,” said I, “or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you”—here I opened wide the door;— Darkness there and nothing more.Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, “Lenore!” This I whispered, and an echo murmured back the word, “Lenore!”— Merely this and nothing more.Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping something louder than before. “Surely,” said I, “surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore— Let my heart be still a moment, and this mystery explore;— ‘Tis the wind and nothing more.”Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore. Not the least obeisance made he; not an instant stopped or stayed he, But, with mien of lord or lady, perched above my chamber door— Perched upon a bust of Pallas just above my chamber door— Perched, and sat, and nothing more.Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven, “Nevermore.”Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning—little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door— Bird or beast upon the sculptured bust above his chamber door, With such name as “Nevermore.”But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing farther then he uttered; not a feather then he fluttered— Till I scarcely more than muttered: “Other friends have flown before— On the morrow he will leave me as my hopes have flown before.” Then the bird said, “Nevermore.”Startled at the stillness broken by reply so aptly spoken, “Doubtless,” said I, “what it utters is its only stock and store, Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore— Till the dirges of his Hope that melancholy burden bore Of ‘Never—nevermore.’” But the Raven still beguiling all my sad soul into smiling Straight I wheeled - фото 46

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