George Meredith - The Egoist - A Comedy in Narrative

"And so he handed her to his cousin and secretary, Vernon Whitford, who opened his mouth and shut his eyes."

You hear the world? How are we to stop it from chattering? Enough that he had no desire to harm her. Some gentle anticipations of her being tarnished were imperative; they came spontaneously to him; otherwise the radiance of that bright Abominable in loss would have been insufferable; he could not have borne it; he could never have surrendered her. Moreover, a happy present effect was the result. He conjured up the anticipated chatter and shrug of the world so vividly that her beauty grew hectic with the stain, bereft of its formidable magnetism. He could meet her calmly; he had steeled himself. Purity in women was his principal stipulation, and a woman puffed at, was not the person to cause him tremours.

Consider him indulgently: the Egoist is the Son of Himself. He is likewise the Father. And the son loves the father, the father the son; they reciprocate affection through the closest of ties; and shall they view behaviour unkindly wounding either of them, not for each other's dear sake abhorring the criminal? They would not injure you, but they cannot consent to see one another suffer or crave in vain. The two rub together in sympathy besides relationship to an intenser one. Are you, without much offending, sacrificed by them, it is on the altar of their mutual love, to filial piety or paternal tenderness: the younger has offered a dainty morsel to the elder, or the elder to the younger. Absorbed in their great example of devotion do they not think of you. They are beautiful.

Yet is it most true that the younger has the passions of youth: whereof will come division between them; and this is a tragic state. They are then pathetic. This was the state of Sir Willoughby lending ear to his elder, until he submitted to bite at the fruit proposed to him — with how wry a mouth the venerable senior chose not to mark. At least, as we perceive, a half of him was ripe of wisdom in his own interests. The cruder half had but to be obedient to the leadership of sagacity for his interests to be secured, and a filial disposition assisted him; painfully indeed; but the same rare quality directed the good gentleman to swallow his pain. That the son should bewail his fate were a dishonour to the sire. He reverenced, and submitted. Thus, to say, consider him indulgently, is too much an appeal for charity on behalf of one requiring but initial anatomy — a slicing in halves — to exonerate, perchance exalt him. The Egoist is our fountain-head, primeval man: the primitive is born again, the elemental reconstituted. Born again, into new conditions, the primitive may be highly polished of men, and forfeit nothing save the roughness of his original nature. He is not only his own father, he is ours; and he is also our son. We have produced him, he us. Such were we, to such are we returning: not other, sings the poet, than one who toilfully works his shallop against the tide, "si brachia forte remisit": — let him haply relax the labour of his arms, however high up the stream, and back he goes, "in pejus", to the early principle of our being, with seeds and plants, that are as carelessly weighed in the hand and as indiscriminately husbanded as our humanity.

Poets on the other side may be cited for an assurance that the primitive is not the degenerate: rather is he a sign of the indestructibility of the race, of the ancient energy in removing obstacles to individual growth; a sample of what we would be, had we his concentrated power. He is the original innocent, the pure simple. It is we who have fallen; we have melted into Society, diluted our essence, dissolved. He stands in the midst monumentally, a land-mark of the tough and honest old Ages, with the symbolic alphabet of striking arms and running legs, our early language, scrawled over his person, and the glorious first flint and arrow-head for his crest: at once the spectre of the Kitchen-midden and our ripest issue.

But Society is about him. The occasional spectacle of the primitive dangling on a rope has impressed his mind with the strength of his natural enemy: from which uncongenial sight he has turned shuddering hardly less to behold the blast that is blown upon a reputation where one has been disrespectful of the many. By these means, through meditation on the contrast of circumstances in life, a pulse of imagination has begun to stir, and he has entered the upper sphere or circle of spiritual Egoism: he has become the civilized Egoist; primitive still, as sure as man has teeth, but developed in his manner of using them.

Degenerate or not (and there is no just reason to suppose it) Sir Willoughby was a social Egoist, fiercely imaginative in whatsoever concerned him. He had discovered a greater realm than that of the sensual appetites, and he rushed across and around it in his conquering period with an Alexander's pride. On these wind-like journeys he had carried Constantia, subsequently Clara; and however it may have been in the case of Miss Durham, in that of Miss Middleton it is almost certain she caught a glimpse of his interior from sheer fatigue in hearing him discourse of it. What he revealed was not the cause of her sickness: women can bear revelations — they are exciting: but the monotonousness. He slew imagination. There is no direr disaster in love than the death of imagination. He dragged her through the labyrinths of his penetralia, in his hungry coveting to be loved more and still more, more still, until imagination gave up the ghost, and he talked to her plain hearing like a monster. It must have been that; for the spell of the primitive upon women is masterful up to the time of contact.

"And so he handed her to his cousin and secretary, Vernon Whitford, who opened his mouth and shut his eyes."

The urgent question was, how it was to be accomplished. Willoughby worked at the subject with all his power of concentration: a power that had often led him to feel and say, that as a barrister, a diplomatist, or a general, he would have won his grades: and granting him a personal interest in the business, he might have achieved eminence: he schemed and fenced remarkably well.

He projected a scene, following expressions of anxiety on account of old Vernon and his future settlement: and then Clara maintaining her doggedness, to which he was now so accustomed that he could not conceive a change in it — says he: "If you determine on breaking I give you back your word on one condition." Whereupon she starts: he insists on her promise: she declines: affairs resume their former footing; she frets: she begs for the disclosure: he flatters her by telling her his desire to keep her in the family: she is unilluminated, but strongly moved by curiosity: he philosophizes on marriage "What are we? poor creatures! we must get through life as we can, doing as much good as we can to those we love; and think as you please, I love old Vernon. Am I not giving you the greatest possible proof of it?" She will not see. Then flatly out comes the one condition. That and no other. "Take Vernon and I release you." She refuses. Now ensues the debate, all the oratory being with him. "Is it because of his unfortunate first marriage? You assured me you thought no worse of him," etc. She declares the proposal revolting. He can distinguish nothing that should offend her in a proposal to make his cousin happy if she will not him. Irony and sarcasm relieve his emotions, but he convinces her he is dealing plainly and intends generosity. She is confused; she speaks in maiden fashion. He touches again on Vernon's early escapade. She does not enjoy it. The scene closes with his bidding her reflect on it, and remember the one condition of her release. Mrs. Mountstuart Jenkinson, now reduced to believe that he burns to be free, is then called in for an interview with Clara. His aunts Eleanor and Isabel besiege her. Lætitia in passionate earnest besieges her. Her father is wrought on to besiege her. Finally Vernon is attacked by Willoughby and Mrs. Mountstuart: — and here, Willoughby chose to think, was the main difficulty. But the girl has money; she is agreeable; Vernon likes her; she is fond of his «Alps», they have tastes in common, he likes her father, and in the end he besieges her. Will she yield? De Craye is absent. There is no other way of shunning a marriage she is incomprehensibly but frantically averse to. She is in the toils. Her father will stay at Patterne Hall as long as his host desires it. She hesitates, she is overcome; in spite of a certain nausea due to Vernon's preceding alliance, she yields.