George Meredith - The Egoist - A Comedy in Narrative

"You found Clara complacent? roguish?"

"I will call to-morrow. You have simplified my task, Sir Willoughby, very much; that is, assuming that I have not entirely mistaken you. I am so far in the dark that I have to help myself by recollecting how Lady Busshe opposed my view of a certain matter formerly. Scepticism is her forte. It will be the very oddest thing if after all…! No, I shall own, romance has not departed. Are you fond of dupes?"

"I detest the race."

"An excellent answer. I could pardon you for it." She refrained from adding, "If you are making one of me."

Sir Willoughby went to ring for her carriage.

She knew. That was palpable: Clara had betrayed him.

"The earlier Colonel De Craye leaves Patterne Hall the better: " she had said that: and, "all parties would be happier for an excursion." She knew the position of things and she guessed the remainder. But what she did not know, and could not divine, was the man who fenced her. He speculated further on the witty and the dull. These latter are the redoubtable body. They will have facts to convince them: they had, he confessed it to himself, precipitated him into the novel sphere of his dark hints to Mrs. Mountstuart; from which the utter darkness might allow him to escape, yet it embraced him singularly, and even pleasantly, with the sense of a fact established.

It embraced him even very pleasantly. There was an end to his tortures. He sailed on a tranquil sea, the husband of a stedfast woman — no rogue. The exceeding beauty of stedfastness in women clothed Lætitia in graces Clara could not match. A tried stedfast woman is the one jewel of the sex. She points to her husband like the sunflower; her love illuminates him; she lives in him, for him; she testifies to his worth; she drags the world to his feet; she leads the chorus of his praises; she justifies him in his own esteem. Surely there is not on earth such beauty!

If we have to pass through anguish to discover it and cherish the peace it gives to clasp it, calling it ours, is a full reward. Deep in his reverie, he said his adieus to Mrs. Mountstuart, and strolled up the avenue behind the carriage-wheels, unwilling to meet Lætitia till he had exhausted the fresh savour of the cud of fancy.

Supposing it done! —

It would be generous on his part. It would redound to his credit.

His home would be a fortress, impregnable to tongues. He would have divine security in his home.

One who read and knew and worshipped him would be sitting there star-like: sitting there, awaiting him, his fixed star.

It would be marriage with a mirror, with an echo; marriage with a shining mirror, a choric echo.

It would be marriage with an intellect, with a fine understanding; to make his home a fountain of repeatable wit: to make his dear old Patterne Hall the luminary of the county.

He revolved it as a chant: with anon and anon involuntarily a discordant animadversion on Lady Busshe. Its attendant imps heard the angry inward cry.

Forthwith he set about painting Lætitia in delectable human colours, like a miniature of the past century, reserving her ideal figure for his private satisfaction. The world was to bow to her visible beauty, and he gave her enamel and glow, a taller stature, a swimming air, a transcendency that exorcized the image of the old witch who had driven him to this.

The result in him was, that Lætitia became humanly and avowedly beautiful. Her dark eyelashes on the pallor of her cheeks lent their aid to the transformation, which was a necessity to him, so it was performed. He received the waxen impression.

His retinue of imps had a revel. We hear wonders of men, and we see a lifting up of hands in the world. The wonders would be explained, and never a hand need to interject, if the mystifying man were but accompanied by that monkey-eyed confraternity. They spy the heart and its twists.

The heart is the magical gentleman. None of them would follow where there was no heart. The twists of the heart are the comedy.

"The secret of the heart is its pressing love of self", says the Book.

By that secret the mystery of the organ is legible: and a comparison of the heart to the mountain rillet is taken up to show us the unbaffled force of the little channel in seeking to swell its volume, strenuously, sinuously, ever in pursuit of self; the busiest as it is the most single-aiming of forces on our earth. And we are directed to the sinuosities for posts of observation chiefly instructive.

Few maintain a stand there. People see, and they rush away to interchange liftings of hands at the sight, instead of patiently studying the phenomenon of energy.

Consequently a man in love with one woman, and in all but absolute consciousness, behind the thinnest of veils, preparing his mind to love another, will be barely credible. The particular hunger of the forceful but adaptable heart is the key of him. Behold the mountain rillet, become a brook, become a torrent, how it inarms a handsome boulder: yet if the stone will not go with it, on it hurries, pursuing self in extension, down to where perchance a dam has been raised of a sufficient depth to enfold and keep it from inordinate restlessness. Lætitia represented this peaceful restraining space in prospect.

But she was a faded young woman. He was aware of it; and systematically looking at himself with her upturned orbs, he accepted her benevolently as a God grateful for worship, and used the divinity she imparted to paint and renovate her. His heart required her so. The heart works the springs of imagination; imagination received its commission from the heart, and was a cunning artist.

Cunning to such a degree of seductive genius that the masterpiece it offered to his contemplation enabled him simultaneously to gaze on Clara and think of Lætitia. Clara came through the park-gates with Vernon, a brilliant girl indeed, and a shallow one: a healthy creature, and an animal; attractive, but capricious, impatient, treacherous, foul; a woman to drag men through the mud. She approached.

They met; Vernon soon left them.

"You have not seen Crossjay?" Willoughby inquired.

"No," said Clara. "Once more I beg you to pardon him. He spoke falsely, owing to his poor boy's idea of chivalry."

"The chivalry to the sex which commences in lies ends by creating the woman's hero, whom we see about the world and in certain courts of law."

His ability to silence her was great: she could not reply to speech like that.

"You have," said he, "made a confidante of Mrs. Mountstuart."

"Yes."

"This is your purse."

"I thank you."

"Professor Crooklyn has managed to make your father acquainted with your project. That, I suppose, is the railway ticket in the fold of the purse. He was assured at the station that you had taken a ticket to London, and would not want the fly."

"It is true. I was foolish."

"You have had a pleasant walk with Vernon — turning me in and out?"

"We did not speak of you. You allude to what he would never consent to."

"He's an honest fellow, in his old-fashioned way. He's a secret old fellow. Does he ever talk about his wife to you?"

Clara dropped her purse, and stooped and picked it up.

"I know nothing of Mr. Whitford's affairs," she said, and she opened the purse and tore to pieces the railway ticket.

"The story's a proof that romantic spirits do not furnish the most romantic history. You have the word 'chivalry' frequently on your lips. He chivalrously married the daughter of the lodging-house where he resided before I took him. We obtained information of the auspicious union in a newspaper report of Mrs. Whitford's drunkenness and rioting at a London railway terminus — probably the one whither your ticket would have taken you yesterday, for I heard the lady was on her way to us for supplies, the connubial larder being empty."