Charles Dickens - The Mystery of Edwin Drood

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The first genuine mystery novel written by Dickens was never finished and was published posthumously in 1870 leaving the mystery unsolved forever. The choirmaster of Cloisterham, Jack Jasper, has a ward named Edwin Drood, a respectable young man engaged to Rosa Bud. Underneath the respectability Drood is an opium addict and no longer loves Rosa, the secret love of Jasper. Drood breaks the engagement and disappears completely. Also in love with Rosa, Neville Landless is arrested for Drood's murder, but released for lack of a body. Fearing Rosa's feelings for Landless, Jasper confesses his love and threatens to further implicate Landless in the murder unless she returns his love. The manuscript ends as Datchery, a shadowy character bedeviling Jasper, is introduced. Speculation abounds, but the mystery remains.

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Then they go up the winding staircase of the great tower, toilsomely, turning and turning, and lowering their heads to avoid the stairs above, or the rough stone pivot around which they twist. Durdles has lighted his lantern, by drawing from the cold, hard wall a spark of that mysterious fire which lurks in everything, and, guided by this speck, they clamber up among the cobwebs and the dust. Their way lies through strange places. Twice or thrice they emerge into level, low-arched galleries, whence they can look down into the moon-lit nave; and where Durdles, waving his lantern, waves the dim angels' heads upon the corbels of the roof, seeming to watch their progress. Anon they turn into narrower and steeper staircases, and the night-air begins to blow upon them, and the chirp of some startled jackdaw or frightened rook precedes the heavy beating of wings in a confined space, and the beating down of dust and straws upon their heads. At last, leaving their light behind a stair — for it blows fresh up here — they look down on Cloisterham, fair to see in the moonlight: its ruined habitations and sanctuaries of the dead, at the tower's base: its moss- softened red-tiled roofs and red-brick houses of the living, clustered beyond: its river winding down from the mist on the horizon, as though that were its source, and already heaving with a restless knowledge of its approach towards the sea.

Once again, an unaccountable expedition this! Jasper (always moving softly with no visible reason) contemplates the scene, and especially that stillest part of it which the Cathedral overshadows. But he contemplates Durdles quite as curiously, and Durdles is by times conscious of his watchful eyes.

Only by times, because Durdles is growing drowsy. As aeronauts lighten the load they carry, when they wish to rise, similarly Durdles has lightened the wicker bottle in coming up. Snatches of sleep surprise him on his legs, and stop him in his talk. A mild fit of calenture seizes him, in which he deems that the ground so far below, is on a level with the tower, and would as lief walk off the tower into the air as not. Such is his state when they begin to come down. And as aeronauts make themselves heavier when they wish to descend, similarly Durdles charges himself with more liquid from the wicker bottle, that he may come down the better.

The iron gate attained and locked — but not before Durdles has tumbled twice, and cut an eyebrow open once — they descend into the crypt again, with the intent of issuing forth as they entered. But, while returning among those lanes of light, Durdles becomes so very uncertain, both of foot and speech, that he half drops, half throws himself down, by one of the heavy pillars, scarcely less heavy than itself, and indistinctly appeals to his companion for forty winks of a second each.

'If you will have it so, or must have it so,' replies Jasper, 'I'll not leave you here. Take them, while I walk to and fro.'

Durdles is asleep at once; and in his sleep he dreams a dream.

It is not much of a dream, considering the vast extent of the domains of dreamland, and their wonderful productions; it is only remarkable for being unusually restless and unusually real. He dreams of lying there, asleep, and yet counting his companion's footsteps as he walks to and fro. He dreams that the footsteps die away into distance of time and of space, and that something touches him, and that something falls from his hand. Then something clinks and gropes about, and he dreams that he is alone for so long a time, that the lanes of light take new directions as the moon advances in her course. From succeeding unconsciousness he passes into a dream of slow uneasiness from cold; and painfully awakes to a perception of the lanes of light — really changed, much as he had dreamed — and Jasper walking among them, beating his hands and feet.

'Holloa!' Durdles cries out, unmeaningly alarmed.

'Awake at last?' says Jasper, coming up to him. 'Do you know that your forties have stretched into thousands?'

'No.'

'They have though.'

'What's the time?'

'Hark! The bells are going in the Tower!'

They strike four quarters, and then the great bell strikes.

'Two!' cries Durdles, scrambling up; 'why didn't you try to wake me, Mister Jarsper?'

'I did. I might as well have tried to wake the dead — your own family of dead, up in the corner there.'

'Did you touch me?'

'Touch you! Yes. Shook you.'

As Durdles recalls that touching something in his dream, he looks down on the pavement, and sees the key of the crypt door lying close to where he himself lay.

'I dropped you, did I?' he says, picking it up, and recalling that part of his dream. As he gathers himself up again into an upright position, or into a position as nearly upright as he ever maintains, he is again conscious of being watched by his companion.

'Well?' says Jasper, smiling, 'are you quite ready? Pray don't hurry.'

'Let me get my bundle right, Mister Jarsper, and I'm with you.' As he ties it afresh, he is once more conscious that he is very narrowly observed.

'What do you suspect me of, Mister Jarsper?' he asks, with drunken displeasure. 'Let them as has any suspicions of Durdles name 'em.'

'I've no suspicions of you, my good Mr. Durdles; but I have suspicions that my bottle was filled with something stiffer than either of us supposed. And I also have suspicions,' Jasper adds, taking it from the pavement and turning it bottom upwards, 'that it's empty.'

Durdles condescends to laugh at this. Continuing to chuckle when his laugh is over, as though remonstrant with himself on his drinking powers, he rolls to the door and unlocks it. They both pass out, and Durdles relocks it, and pockets his key.

'A thousand thanks for a curious and interesting night,' says Jasper, giving him his hand; 'you can make your own way home?'

'I should think so!' answers Durdles. 'If you was to offer Durdles the affront to show him his way home, he wouldn't go home.

Durdles wouldn't go home till morning; And then Durdles wouldn't go home,

Durdles wouldn't.' This with the utmost defiance.

'Good-night, then.'

'Good-night, Mister Jarsper.'

Each is turning his own way, when a sharp whistle rends the silence, and the jargon is yelped out:

Widdy widdy wen! I—ket—ches—Im—out—ar—ter—ten. Widdy widdy wy! Then—E—don't—go—then—I—shy— Widdy Widdy Wake-cock warning!'

Instantly afterwards, a rapid fire of stones rattles at the Cathedral wall, and the hideous small boy is beheld opposite, dancing in the moonlight.

'What! Is that baby-devil on the watch there!' cries Jasper in a fury: so quickly roused, and so violent, that he seems an older devil himself. 'I shall shed the blood of that impish wretch! I know I shall do it!' Regardless of the fire, though it hits him more than once, he rushes at Deputy, collars him, and tries to bring him across. But Deputy is not to be so easily brought across. With a diabolical insight into the strongest part of his position, he is no sooner taken by the throat than he curls up his legs, forces his assailant to hang him, as it were, and gurgles in his throat, and screws his body, and twists, as already undergoing the first agonies of strangulation. There is nothing for it but to drop him. He instantly gets himself together, backs over to Durdles, and cries to his assailant, gnashing the great gap in front of his mouth with rage and malice:

'I'll blind yer, s'elp me! I'll stone yer eyes out, s'elp me! If I don't have yer eyesight, bellows me!' At the same time dodging behind Durdles, and snarling at Jasper, now from this side of him, and now from that: prepared, if pounced upon, to dart away in all manner of curvilinear directions, and, if run down after all, to grovel in the dust, and cry: 'Now, hit me when I'm down! Do it!'

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