Charles Dickens - The Mystery of Edwin Drood

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The first genuine mystery novel written by Dickens was never finished and was published posthumously in 1870 leaving the mystery unsolved forever. The choirmaster of Cloisterham, Jack Jasper, has a ward named Edwin Drood, a respectable young man engaged to Rosa Bud. Underneath the respectability Drood is an opium addict and no longer loves Rosa, the secret love of Jasper. Drood breaks the engagement and disappears completely. Also in love with Rosa, Neville Landless is arrested for Drood's murder, but released for lack of a body. Fearing Rosa's feelings for Landless, Jasper confesses his love and threatens to further implicate Landless in the murder unless she returns his love. The manuscript ends as Datchery, a shadowy character bedeviling Jasper, is introduced. Speculation abounds, but the mystery remains.

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Comes Mr. Tope with his large keys, and yawningly unlocks and sets open. Come Mrs. Tope and attendant sweeping sprites. Come, in due time, organist and bellows-boy, peeping down from the red curtains in the loft, fearlessly flapping dust from books up at that remote elevation, and whisking it from stops and pedals. Come sundry rooks, from various quarters of the sky, back to the great tower; who may be presumed to enjoy vibration, and to know that bell and organ are going to give it them. Come a very small and straggling congregation indeed: chiefly from Minor Canon Corner and the Precincts. Come Mr. Crisparkle, fresh and bright; and his ministering brethren, not quite so fresh and bright. Come the Choir in a hurry (always in a hurry, and struggling into their nightgowns at the last moment, like children shirking bed), and comes John Jasper leading their line. Last of all comes Mr. Datchery into a stall, one of a choice empty collection very much at his service, and glancing about him for Her Royal Highness the Princess Puffer.

The service is pretty well advanced before Mr. Datchery can discern Her Royal Highness. But by that time he has made her out, in the shade. She is behind a pillar, carefully withdrawn from the Choir- master's view, but regards him with the closest attention. All unconscious of her presence, he chants and sings. She grins when he is most musically fervid, and — yes, Mr. Datchery sees her do it! — shakes her fist at him behind the pillar's friendly shelter.

Mr. Datchery looks again, to convince himself. Yes, again! As ugly and withered as one of the fantastic carvings on the under brackets of the stall seats, as malignant as the Evil One, as hard as the big brass eagle holding the sacred books upon his wings (and, according to the sculptor's representation of his ferocious attributes, not at all converted by them), she hugs herself in her lean arms, and then shakes both fists at the leader of the Choir.

And at that moment, outside the grated door of the Choir, having eluded the vigilance of Mr. Tope by shifty resources in which he is an adept, Deputy peeps, sharp-eyed, through the bars, and stares astounded from the threatener to the threatened.

The service comes to an end, and the servitors disperse to breakfast. Mr. Datchery accosts his last new acquaintance outside, when the Choir (as much in a hurry to get their bedgowns off, as they were but now to get them on) have scuffled away.

'Well, mistress. Good morning. You have seen him?'

'I've seen him, deary; I've seen him!'

'And you know him?'

'Know him! Better far than all the Reverend Parsons put together know him.'

Mrs. Tope's care has spread a very neat, clean breakfast ready for her lodger. Before sitting down to it, he opens his corner- cupboard door; takes his bit of chalk from its shelf; adds one thick line to the score, extending from the top of the cupboard door to the bottom; and then falls to with an appetite.

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