• Пожаловаться

Jerome Jerome: Sketches in Lavender, Blue and Green

Здесь есть возможность читать онлайн «Jerome Jerome: Sketches in Lavender, Blue and Green» весь текст электронной книги совершенно бесплатно (целиком полную версию). В некоторых случаях присутствует краткое содержание. категория: Классическая проза / Юмористическая проза / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

libcat.ru: книга без обложки

Sketches in Lavender, Blue and Green: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Sketches in Lavender, Blue and Green»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Jerome Jerome: другие книги автора


Кто написал Sketches in Lavender, Blue and Green? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

Sketches in Lavender, Blue and Green — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Sketches in Lavender, Blue and Green», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Everybody agreed it was charming, but wished it were over. The general effect was weird in the extreme.

Lord C- spoke up fairly well, but the bride's responses were singularly indistinct, the usual order of things being thus reversed. The story of the naval lieutenant was remembered, and added to, and some of the more sentimental of the women began to cry in sympathy.

In the vestry things assumed a brighter tone. There was no lack of witnesses to sign the register. The verger pointed out to them the place, and they wrote their names, as people in such cases do, without stopping to read. Then it occurred to some one that the bride had not yet signed. She stood apart, with her veil still down, and appeared to have been forgotten. Encouraged, she came forward meekly, and took the pen from the hand of the verger. The countess came and stood behind her.

"Mary," wrote the bride, in a hand that looked as though it ought to have been firm, but which was not.

"Dear me," said the countess, "I never knew there was a Mary in your name. How differently you write when you write slowly."

The bride did not answer, but followed with "Susannah."

"Why, what a lot of names you must have, my dear!" exclaimed the countess. "When are you going to get to the ones we all know?"

"Ruth," continued the bride without answering.

Breeding is not always proof against strong emotion. The countess snatched the bride's veil from her face, and Mary Susannah Ruth Sewell stood before her, flushed and trembling, but looking none the less pretty because of that. At this point the crowd came in useful.

"I am sure your ladyship does not wish a scene," said Mary, speaking low. "The thing is done."

"The thing can be undone, and will be," retorted the countess in the same tone. "You, you—"

"My wife, don't forget that, mother," said Lord C- coming between them, and slipping Mary's hand on to his arm. "We are both sorry to have had to go about the thing in this roundabout way, but we wanted to avoid a fuss. I think we had better be getting away. I'm afraid Mr. Hodskiss is going to be noisy."

The doctor poured himself out a glass of claret, and drank it off. His throat must have been dry.

"And what became of Clementina?" I asked. "Did the naval lieutenant, while the others were at church, dash up in a post-chaise and carry her off?"

"That's what ought to have happened, for the whole thing to be in keeping," agreed the doctor. "I believe as a matter of fact she did marry him eventually, but not till some years later, after the contractor had died."

"And did Mr. Hodskiss make a noise in the vestry?" I persisted. The doctor never will finish a story.

"I can't say for certain," answered my host, "I only saw the gentleman once. That was at a shareholders' meeting. I should incline to the opinion that he did."

"I suppose the bride and bridegroom slipped out as quietly as possible and drove straight off," I suggested.

"That would have been the sensible thing for them to do," agreed the doctor.

"But how did she manage about her travelling frock?" I continued. "She could hardly have gone back to her Aunt Jane's and changed her things." The doctor has no mind for minutiae.

"I cannot tell you about all that," he replied. "I think I mentioned that Mary was a practical girl. Possibly she had thought of these details."

"And did the countess take the matter quietly?" I asked.

I like a tidy story, where everybody is put into his or her proper place at the end. Your modern romance leaves half his characters lying about just anyhow.

"That also I cannot tell you for certain," answered the doctor, "but I give her credit for so much sense. Lord C- was of age, and with Mary at his elbow, quite knew his own mind. I believe they travelled for two or three years. The first time I myself set eyes on the countess (nee Mary Sewell) was just after the late earl's death. I thought she looked a countess, every inch of her, but then I had not heard the story. I mistook the dowager for the housekeeper."

BLASE BILLY

It was towards the end of August. He and I appeared to be the only two men left to the Club. He was sitting by an open window, the Times lying on the floor beside him. I drew my chair a little closer and remarked:- "Good morning."

He suppressed a yawn, and replied "Mornin'"—dropping the "g." The custom was just coming into fashion; he was always correct.

"Going to be a very hot day, I am afraid," I continued.

"'Fraid so," was the response, after which he turned his head away and gently closed his eyes.

I opined that conversation was not to his wish, but this only made me more determined to talk, and to talk to him above all others in London. The desire took hold of me to irritate him—to break down the imperturbable calm within which he moved and had his being; and I gathered myself together, and settled down to the task.

"Interesting paper the Times," I observed.

"Very," he replied, taking it from the floor and handing it to me. "Won't you read it?"

I had been careful to throw into my voice an aggressive cheeriness which I had calculated would vex him, but his manner remained that of a man who is simply bored. I argued with him politely concerning the paper; but he insisted, still with the same weary air, that he had done with it. I thanked him effusively. I judged that he hated effusiveness.

"They say that to read a Times leader," I persisted, "is a lesson in English composition."

"So I've been told," he answered tranquilly. "Personally I don't take them."

The Times, I could see, was not going to be of much assistance to me. I lit a cigarette, and remarked that he was not shooting. He admitted the fact. Under the circumstances, it would have taxed him to deny it, but the necessity for confession aroused him.

"To myself," he said, "a tramp through miles of mud, in company with four gloomy men in black velveteen, a couple of depressed-looking dogs, and a heavy gun, the entire cavalcade being organised for the purpose of killing some twelve-and-sixpence worth of poultry, suggests the disproportionate."

I laughed boisterously, and cried, "Good, good—very good!"

He was the type of man that shudders inwardly at the sound of laughter. I had the will to slap him on the back, but I thought maybe that would send him away altogether.

I asked him if he hunted. He replied that fourteen hours' talk a day about horses, and only about horses tired him, and that in consequence he had abandoned hunting.

"You fish?" I said.

"I was never sufficiently imaginative," he answered.

"You travel a good deal," I suggested.

He had apparently made up his mind to abandon himself to his fate, for he turned towards me with a resigned air. An ancient nurse of mine had always described me as the most "wearing" child she had ever come across. I prefer to speak of myself as persevering.

"I should go about more," he said, "were I able to see any difference between one place and another."

"Tried Central Africa?" I inquired.

"Once or twice," he answered. "It always reminds me of Kew Gardens."

"China?" I hazarded.

"Cross between a willow-pattern plate and a New York slum," was his comment.

"The North Pole?" I tried, thinking the third time might be lucky.

"Never got quite up to it," he returned. "Reached Cape Hakluyt once."

"How did that impress you?" I asked.

"It didn't impress me," he replied.

The talk drifted to women and bogus companies, dogs, literature, and such-like matters. I found him well informed upon and bored by all.

"They used to be amusing," he said, speaking of the first named, "until they began to take themselves seriously. Now they are merely silly."

I was forced into closer companionship with "Blase Billy" that autumn, for by chance a month later he and I found ourselves the guests of the same delightful hostess, and I came to liking him better. He was a useful man to have about one. In matters of fashion one could always feel safe following his lead. One knew that his necktie, his collar, his socks, if not the very newest departure, were always correct; and upon social paths, as guide, philosopher, and friend, he was invaluable. He knew every one, together with his or her previous convictions. He was acquainted with every woman's past, and shrewdly surmised every man's future. He could point you out the coal-shed where the Countess of Glenleman had gambolled in her days of innocence, and would take you to breakfast at the coffee-shop off the Mile End Road where "Sam. Smith, Estd. 1820," own brother to the world-famed society novelist, Smith-Stratford, lived an uncriticised, unparagraphed, unphotographed existence upon the profits of "rashers" at three-ha'pence and "door-steps" at two a penny. He knew at what houses it was inadvisable to introduce soap, and at what tables it would be bad form to denounce political jobbery. He could tell you offhand what trade-mark went with what crest, and remembered the price paid for every baronetcy created during the last twenty-five years.

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Sketches in Lavender, Blue and Green»

Представляем Вашему вниманию похожие книги на «Sketches in Lavender, Blue and Green» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


Отзывы о книге «Sketches in Lavender, Blue and Green»

Обсуждение, отзывы о книге «Sketches in Lavender, Blue and Green» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.