Robert Stevenson - Across the Plains
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- Название:Across the Plains
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Thus Fontainebleau, although it is truly but a pleasure-ground, and although, in favourable weather, and in the more celebrated quarters, it literally buzzes with the tourist, yet has some of the immunities and offers some of the repose of natural forests. And the solitary, although he must return at night to his frequented inn, may yet pass the day with his own thoughts in the companionable silence of the trees. The demands of the imagination vary; some can be alone in a back garden looked upon by windows; others, like the ostrich, are content with a solitude that meets the eye; and others, again, expand in fancy to the very borders of their desert, and are irritably conscious of a hunter's camp in an adjacent county. To these last, of course, Fontainebleau will seem but an extended tea-garden: a Rosherville on a by-day. But to the plain man it offers solitude: an excellent thing in itself, and a good whet for company.
III
I was for some time a consistent Barbizonian; ET EGO IN ARCADIA VIXI, it was a pleasant season; and that noiseless hamlet lying close among the borders of the wood is for me, as for so many others, a green spot in memory. The great Millet was just dead, the green shutters of his modest house were closed; his daughters were in mourning. The date of my first visit was thus an epoch in the history of art: in a lesser way, it was an epoch in the history of the Latin Quarter. The PETIT CENACLE was dead and buried; Murger and his crew of sponging vagabonds were all at rest from their expedients; the tradition of their real life was nearly lost; and the petrified legend of the VIE DE BOHEME had become a sort of gospel, and still gave the cue to zealous imitators. But if the book be written in rose-water, the imitation was still farther expurgated; honesty was the rule; the innkeepers gave, as I have said, almost unlimited credit; they suffered the seediest painter to depart, to take all his belongings, and to leave his bill unpaid; and if they sometimes lost, it was by English and Americans alone. At the same time, the great influx of Anglo- Saxons had begun to affect the life of the studious. There had been disputes; and, in one instance at least, the English and the Americans had made common cause to prevent a cruel pleasantry. It would be well if nations and races could communicate their qualities; but in practice when they look upon each other, they have an eye to nothing but defects. The Anglo-Saxon is essentially dishonest; the French is devoid by nature of the principle that we call "Fair Play." The Frenchman marvelled at the scruples of his guest, and, when that defender of innocence retired over-seas and left his bills unpaid, he marvelled once again; the good and evil were, in his eyes, part and parcel of the same eccentricity; a shrug expressed his judgment upon both.
At Barbizon there was no master, no pontiff in the arts. Palizzi bore rule at Gretz - urbane, superior rule - his memory rich in anecdotes of the great men of yore, his mind fertile in theories; sceptical, composed, and venerable to the eye; and yet beneath these outworks, all twittering with Italian superstition, his eye scouting for omens, and the whole fabric of his manners giving way on the appearance of a hunchback. Cernay had Pelouse, the admirable, placid Pelouse, smilingly critical of youth, who, when a full-blown commercial traveller, suddenly threw down his samples, bought a colour-box, and became the master whom we have all admired. Marlotte, for a central figure, boasted Olivier de Penne. Only Barbizon, since the death of Millet, was a headless commonwealth. Even its secondary lights, and those who in my day made the stranger welcome, have since deserted it. The good Lachevre has departed, carrying his household gods; and long before that Gaston Lafenestre was taken from our midst by an untimely death. He died before he had deserved success; it may be, he would never have deserved it; but his kind, comely, modest countenance still haunts the memory of all who knew him. Another - whom I will not name - has moved farther on, pursuing the strange Odyssey of his decadence. His days of royal favour had departed even then; but he still retained, in his narrower life at Barbizon, a certain stamp of conscious importance, hearty, friendly, filling the room, the occupant of several chairs; nor had he yet ceased his losing battle, still labouring upon great canvases that none would buy, still waiting the return of fortune. But these days also were too good to last; and the former favourite of two sovereigns fled, if I heard the truth, by night. There was a time when he was counted a great man, and Millet but a dauber; behold, how the whirligig of time brings in his revenges! To pity Millet is a piece of arrogance; if life be hard for such resolute and pious spirits, it is harder still for us, had we the wit to understand it; but we may pity his unhappier rival, who, for no apparent merit, was raised to opulence and momentary fame, and, through no apparent fault was suffered step by step to sink again to nothing. No misfortune can exceed the bitterness of such back-foremost progress, even bravely supported as it was; but to those also who were taken early from the easel, a regret is due. From all the young men of this period, one stood out by the vigour of his promise; he was in the age of fermentation, enamoured of eccentricities. "Il faut faire de la peinture nouvelle," was his watchword; but if time and experience had continued his education, if he had been granted health to return from these excursions to the steady and the central, I must believe that the name of Hills had become famous.
Siron's inn, that excellent artists' barrack, was managed upon easy principles. At any hour of the night, when you returned from wandering in the forest, you went to the billiard-room and helped yourself to liquors, or descended to the cellar and returned laden with beer or wine. The Sirons were all locked in slumber; there was none to check your inroads; only at the week's end a computation was made, the gross sum was divided, and a varying share set down to every lodger's name under the rubric: ESTRATS. Upon the more long-suffering the larger tax was levied; and your bill lengthened in a direct proportion to the easiness of your disposition. At any hour of the morning, again, you could get your coffee or cold milk, and set forth into the forest. The doves had perhaps wakened you, fluttering into your chamber; and on the threshold of the inn you were met by the aroma of the forest. Close by were the great aisles, the mossy boulders, the interminable field of forest shadow. There you were free to dream and wander. And at noon, and again at six o'clock, a good meal awaited you on Siron's table. The whole of your accommodation, set aside that varying item of the ESTRALS, cost you five francs a day; your bill was never offered you until you asked it; and if you were out of luck's way, you might depart for where you pleased and leave it pending.
IV
Theoretically, the house was open to all corners; practically, it was a kind of club. The guests protected themselves, and, in so doing, they protected Siron. Formal manners being laid aside, essential courtesy was the more rigidly exacted; the new arrival had to feel the pulse of the society; and a breach of its undefined observances was promptly punished. A man might be as plain, as dull, as slovenly, as free of speech as he desired; but to a touch of presumption or a word of hectoring these free Barbizonians were as sensitive as a tea-party of maiden ladies. I have seen people driven forth from Barbizon; it would be difficult to say in words what they had done, but they deserved their fate. They had shown themselves unworthy to enjoy these corporate freedoms; they had pushed themselves; they had "made their head"; they wanted tact to appreciate the "fine shades" of Barbizonian etiquette. And once they were condemned, the process of extrusion was ruthless in its cruelty; after one evening with the formidable Bodmer, the Baily of our commonwealth, the erring stranger was beheld no more; he rose exceeding early the next day, and the first coach conveyed him from the scene of his discomfiture. These sentences of banishment were never, in my knowledge, delivered against an artist; such would, I believe, have been illegal; but the odd and pleasant fact is this, that they were never needed. Painters, sculptors, writers, singers, I have seen all of these in Barbizon; and some were sulky, and some blatant and inane; but one and all entered at once into the spirit of the association. This singular society is purely French, a creature of French virtues, and possibly of French defects. It cannot be imitated by the English. The roughness, the impatience, the more obvious selfishness, and even the more ardent friendships of the Anglo-Saxon, speedily dismember such a commonwealth. But this random gathering of young French painters, with neither apparatus nor parade of government, yet kept the life of the place upon a certain footing, insensibly imposed their etiquette upon the docile, and by caustic speech enforced their edicts against the unwelcome. To think of it is to wonder the more at the strange failure of their race upon the larger theatre. This inbred civility - to use the word in its completest meaning - this natural and facile adjustment of contending liberties, seems all that is required to make a governable nation and a just and prosperous country.
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