Herbert Wells - Marriage

There were a great number of texts that set Marjorie's mind stirring dimly with intimations of a missed significance. Over her own bed, within the lattice of an Oxford frame, was the photograph of a picture of an extremely composed young woman in a trailing robe, clinging to the Rock of Ages in the midst of histrionically aggressive waves, and she had a feeling, rather than a thought, that perhaps for all the oddity of the presentation it did convey something acutely desirable, that she herself had had moods when she would have found something very comforting in just such an impassioned grip. And on a framed, floriferous card, these incomprehensible words:

Thy Grace is Sufficient for Me.

seemed to be saying something to her tantalizingly just outside her range of apprehension.

Did all these things light up somehow to those dispossessed people—from some angle she didn't attain? Were they living and moving realities when those others were at home again?

The drawing-room had no texts; it was altogether more pretentious and less haunted by the faint and faded flavour of religion that pervaded the bedrooms. It had, however, evidences of travel in Switzerland and the Mediterranean. There was a piano in black and gold, a little out of tune, and surmounted by a Benares brass jar, enveloping a scarlet geranium in a pot. There was a Japanese screen of gold wrought upon black, that screened nothing. There was a framed chromo-lithograph of Jerusalem hot in the sunset, and another of Jerusalem cold under a sub-tropical moon, and there were gourds, roses of Jericho, sandalwood rosaries and kindred trash from the Holy Land in no little profusion upon a what-not. Such books as the room had contained had been arranged as symmetrically as possible about a large, pink-shaded lamp upon the claret-coloured cloth of a round table, and were to be replaced, Mrs. Pope said, at their departure. At present they were piled on a side-table. The girls had been through them all, and were ready with the choicer morsels for Marjorie's amusement. There was "Black Beauty," the sympathetic story of a soundly Anglican horse, and a large Bible extra-illustrated with photographs of every well-known scriptural picture from Michael Angelo to Doré, and a book of injunctions to young ladies upon their behaviour and deportment that Rom and Sydney found particularly entertaining. Marjorie discovered that Sydney had picked up a new favourite phrase. "I'm afraid we're all dreadfully cynical," said Sydney, several times.

A more advanced note was struck by a copy of "Aurora Leigh," richly underlined in pencil, but with exclamation marks at some of the bolder passages....

And presently, still avoiding the open study window very elaborately, this little group of twentieth century people went again into the church—the church whose foundations were laid in A.D. 912—foundations of rubble and cement that included flat Roman bricks from a still remoter basilica. Their voices dropped instinctively, as they came into its shaded quiet from the exterior sunshine. Marjorie went a little apart and sat in a pew that gave her a glimpse of the one good stained-glass window. Rom followed her, and perceiving her mood to be restful, sat a yard away. Syd began a whispered dispute with her mother whether it wasn't possible to try the organ, and whether Theodore might not be bribed to blow. Daffy discovered relics of a lepers' squint and a holy-water stoup, and then went to scrutinize the lettering of the ten commandments of the Mosaic law that shone black and red on gold on either side of the I.H.S. monogram behind the white-clothed communion table that had once been the altar. Upon a notice board hung about the waist of the portly pulpit were the numbers of hymns that had been sung three days ago. The sound Protestantism of the vicar had banished superfluous crosses from the building; the Bible reposed upon the wings of a great brass eagle; shining blue and crimson in the window, Saint Christopher carried his Lord. What a harmonized synthesis of conflicts a country church presents! What invisible mysteries of filiation spread between these ancient ornaments and symbols and the new young minds from the whirlpool of the town that looked upon them now with such bright, keen eyes, wondering a little, feeling a little, missing so much?

It was all so very cool and quiet now—with something of the immobile serenity of death.

When Mr. Pope had finished his letter to the Times , he got out of the window of the study, treading on a flower-bed as he did so—he was the sort of man who treads on flower-beds—partly with the purpose of reading his composition aloud to as many members of his family as he could assemble for the purpose, and so giving them a chance of appreciating the nuances of his irony more fully than if they saw it just in cold print without the advantage of his intonation, and partly with the belated idea of welcoming Marjorie. The law presented a rather discouraging desolation. Then he became aware that the church tower frothed with his daughters. In view of his need of an audience, he decided after a brief doubt that their presence there was unobjectionable, and waved his MS. amiably. Marjorie flapped a handkerchief in reply....

The subsequent hour was just the sort of hour that gave Mr. Pope an almost meteorological importance to his family. He began with an amiability that had no fault, except, perhaps, that it was a little forced after the epistolary strain in the study, and his welcome to Marjorie was more than cordial. "Well, little Madge-cat!" he said, giving her an affectionate but sound and heavy thump on the left shoulder-blade, "got a kiss for the old daddy?"

Marjorie submitted a cheek.

"That's right," said Mr. Pope; "and now I just want you all to advise me——"

He led the way to a group of wicker garden chairs. "You're coming, mummy?" he said, and seated himself comfortably and drew out a spectacle case, while his family grouped itself dutifully. It made a charming little picture of a Man and his Womankind. "I don't often flatter myself," he said, "but this time I think I've been neat—neat's the word for it."

He cleared his throat, put on his spectacles, and emitted a long, flat preliminary note, rather like the sound of a child's trumpet. "Er—'Dear Sir!'"

"Rom," said Mrs. Pope, "don't creak your chair."

"It's Daffy, mother," said Rom.

"Oh, Rom! " said Daffy.

Mr. Pope paused, and looked with a warning eye over his left spectacle-glass at Rom.

"Don't creak your chair, Rom," he said, "when your mother tells you."

"I was not creaking my chair," said Rom.

"I heard it," said Mr. Pope, suavely.

"It was Daffy."

"Your mother does not think so," said Mr. Pope.

"Oh, all right! I'll sit on the ground," said Rom, crimson to the roots of her hair.

"Me too," said Daffy. "I'd rather."

Mr. Pope watched the transfer gravely. Then he readjusted his glasses, cleared his throat again, trumpeted, and began. "Er—'Dear Sir,'"

"Oughtn't it to be simply 'Sir,' father, for an editor?" said Marjorie.

"Perhaps I didn't explain, Marjorie," said her father, with the calm of great self-restraint, and dabbing his left hand on the manuscript in his right, "that this is a private letter—a private letter."

"I didn't understand," said Marjorie.

"It would have been evident as I went on," said Mr. Pope, and prepared to read again.

This time he was allowed to proceed, but the interruptions had ruffled him, and the gentle stresses that should have lifted the subtleties of his irony into prominence missed the words, and he had to go back and do his sentences again. Then Rom suddenly, horribly, uncontrollably, was seized with hiccups. At the second hiccup Mr. Pope paused, and looked very hard at his daughter with magnified eyes; as he was about to resume, the third burst its way through the unhappy child's utmost effort.