Herbert Wells - Marriage

"It's really an avenue," said Daffy; but Marjorie, with her mind strung up to the Carmel standards, couldn't agree. It was like calling a row of boy-scouts Potsdam grenadiers. The trees were at irregular distances, of various ages, and mostly on one side. Still it was a shady, pleasant approach.

And the vicarage was truly very interesting and amusing. To these Londoners accustomed to live in a state of compression, elbows practically touching, in a tall, narrow fore-and-aft stucco house, all window and staircase, in a despondent Brompton square, there was an effect of maundering freedom about the place, of enlargement almost to the pitch of adventure and sunlight to the pitch of intoxication. The house itself was long and low, as if a London house holidaying in the country had flung itself asprawl; it had two disconnected and roomy staircases, and when it had exhausted itself completely as a house, it turned to the right and began again as rambling, empty stables, coach house, cart sheds, men's bedrooms up ladders, and outhouses of the most various kinds. On one hand was a neglected orchard, in the front of the house was a bald, worried-looking lawn area capable of simultaneous tennis and croquet, and at the other side a copious and confused vegetable and flower garden full of roses, honesty, hollyhocks, and suchlike herbaceous biennials and perennials, lapsed at last into shrubbery, where a sickle-shaped, weedy lagoon of uncertain aims, which had evidently, as a rustic bridge and a weeping willow confessed, aspired to be an "ornamental water," declined at last to ducks. And there was access to the church, and the key of the church tower, and one went across the corner of the lawn, and by a little iron gate into the churchyard to decipher inscriptions, as if the tombs of all Buryhamstreet were no more than a part of the accommodation relinquished by the vicar's household.

Marjorie was hurried over the chief points of all this at a breakneck pace by Sydney and Rom, and when Sydney was called away to the horrors of practice—for Sydney in spite of considerable reluctance was destined by her father to be "the musical one"—Rom developed a copious affection, due apparently to some occult æsthetic influence in Marjorie's silvery-grey and green, and led her into the unlocked vestry, and there prayed in a whisper that she might be given "one good hug, just one "—and so they came out with their arms about each other very affectionately to visit the lagoon again. And then Rom remembered that Marjorie hadn't seen either the walnut-tree in the orchard, or the hen with nine chicks....

Somewhere among all these interests came tea and Mrs. Pope.

Mrs. Pope kissed her daughter with an air of having really wanted to kiss her half an hour ago, but of having been distracted since. She was a fine-featured, anxious-looking little woman, with a close resemblance to all her children, in spite of the fact that they were markedly dissimilar one to the other, except only that they took their ruddy colourings from their father. She was dressed in a neat blue dress that had perhaps been hurriedly chosen, and her method of doing her hair was a manifest compromise between duty and pleasure. She embarked at once upon an exposition of the bedroom arrangements, which evidently involved difficult issues. Marjorie was to share a room with Daffy—that was the gist of it—as the only other available apartment, originally promised to Marjorie, had been secured by Mr. Pope for what he called his "matutinal ablutions, videlicet tub."

"Then, when your Aunt Plessington comes, you won't have to move," said Mrs. Pope with an air of a special concession. "Your father's looking forward to seeing you, but he mustn't be disturbed just yet. He's in the vicar's study. He's had his tea in there. He's writing a letter to the Times answering something they said in a leader, and also a private note calling attention to their delay in printing his previous communication, and he wants to be delicately ironical without being in any way offensive. He wants to hint without actually threatening that very probably he will go over to the Spectator altogether if they do not become more attentive. The Times used to print his letters punctually, but latterly these automobile people seem to have got hold of it.... He has the window on the lawn open, so that I think, perhaps, we'd better not stay out here—for fear our voices might disturb him."

"Better get right round the other side of the church," said Daffy.

"He'd hear far less of us if we went indoors," said Mrs. Pope.

The vicarage seemed tight packed with human interest for Marjorie and her mother and sisters. Going over houses is one of the amusements proper to her sex, and she and all three sisters and her mother, as soon as they had finished an inaudible tea, went to see the bedroom she was to share with Daffy, and then examined, carefully and in order, the furniture and decoration of the other bedrooms, went through the rooms downstairs, always excepting and avoiding very carefully and closing as many doors as possible on, and hushing their voices whenever they approached the study in which her father was being delicately ironical without being offensive to the Times . None of them had seen any of the vicarage people at all—Mr. Pope had come on a bicycle and managed all the negotiations—and it was curious to speculate about the individuals whose personalities pervaded the worn and faded furnishings of the place.

The Popes' keen-eyed inspection came at times, I think, dangerously near prying. The ideals of decoration and interests of the vanished family were so absolutely dissimilar to the London standards as to arouse a sort of astonished wonder in their minds. Some of the things they decided were perfectly hideous, some quaint, some were simply and weakly silly. Everything was different from Hartstone Square. Daffy was perhaps more inclined to contempt, and Mrs. Pope to refined amusement and witty appreciation than Marjorie. Marjorie felt there was something in these people that she didn't begin to understand, she needed some missing clue that would unlock the secret of their confused peculiarity. She was one of those people who have an almost instinctive turn for decoration in costume and furniture; she had already had a taste of how to do things in arranging her rooms at Bennett College, Oxbridge, where also she was in great demand among the richer girls as an adviser. She knew what it was to try and fail as well as to try and succeed, and these people, she felt, hadn't tried for anything she comprehended. She couldn't quite see why it was that there was at the same time an attempt at ornament and a disregard of beauty, she couldn't quite do as her mother did and dismiss it as an absurdity and have done with it. She couldn't understand, too, why everything should be as if it were faded and weakened from something originally bright and clear.

All the rooms were thick with queer little objects that indicated a quite beaver-like industry in the production of "work." There were embroidered covers for nearly every article on the wash-hand-stand, and mats of wool and crochet wherever anything stood on anything; there were "tidies" everywhere, and odd little brackets covered with gilded and varnished fir cones and bearing framed photographs and little jars and all sorts of colourless, dusty little objects, and everywhere on the walls tacks sustained crossed fans with badly painted flowers or transfer pictures. There was a jar on the bedroom mantel covered with varnished postage stamps and containing grey-haired dried grasses. There seemed to be a moral element in all this, for in the room Sydney shared with Rom there was a decorative piece of lettering which declared that—

"Something attempted, something done, Has earned a night's repose."